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Stereophile Staff Posted: Sep 29, 2002 0 comments
Everybody's favorite writer (according to the latest Stereophile poll), Sam Tellig, reviews the Conrad-Johnson MV60 power amplifier and explains "hanging beef." "For $2795, I loved the Conrad-Johnson MV60," says Tellig.
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Stereophile Staff Posted: Mar 12, 2000 0 comments
In his essay "Let's Face the Music and Dance," John Marks, founder of John Marks Records, asks: "Does high-end audio have a future?" Of course it does, he says. But will it be one worth the price? Marks writes, "for most of its potential consumers, high-end audio is now a matter of sharply diminishing economic returns. A large incremental expenditure guarantees only a relatively modest, even marginal improvement in sound quality." How to forge ahead anyway? Marks offers his advice to our "dysfunctional" audio family.
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Stereophile Staff Posted: Jul 07, 2002 0 comments
Jonathan Scull gets intimate with the HeadRoom BlockHead headphone amplifier stating, "I listen to headphones for hours at a stretch while writing my reviews. The equipment I listen to spoils me to death, and I need a headphone rig to match." Has J-10 found the ultimate headphone amp? We'll see.
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Stereophile Staff Posted: Oct 05, 2003 0 comments
Wes Phillips slips into his well-worn flame-proof underwear as he bravely introduces audiophiles to the musical merits of the Apple iPod. WP finds he likes living at the edge of audio trendiness, exclaiming, "Holy cow! I'm running with the fashionistas! Can I still be an audiophile, too?"
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Stereophile Staff Posted: Sep 21, 2003 0 comments
With two new high-rez audio formats on deck, is a CD-only player still relevant? John Atkinson listens to, and then measures, the Classé CDP-10 CD player to discover why it sometimes takes 20 years to perfect a format.
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Stereophile Staff Posted: Dec 08, 2003 0 comments
Paul Bolin says that the Balanced Audio Technology VK-51SE line preamplifier "made a profound impression on me at the 2003 Consumer Electronics Show." Once in his very own listening lair, did the BAT continue to impress? PB tells all.
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Stereophile Staff Posted: Jun 08, 2003 0 comments
The ultimate system evaluation disc? John Atkinson has been busy putting together Editor's Choice: Stereophile's Sampler & Test CD. JA chooses his favorite Stereophile recordings from the past 10 years and throws in a few test tones.
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Stereophile Staff Posted: Nov 26, 2000 0 comments
First up, from the November, 2000 issue, is the Hovland HP-100 preamplifier. Michael Fremer writes, "While the HP-100 is Hovland's first publicly traded audio component, it is . . . the fulfillment of what's been Robert Hovland's goal all along: to bring such a product to market. Or so I was told. It's just taken 'some time to get it all right.' Given the company's history of more than 20 years, that sounds like an understatement." Fremer offers his sonic assessment.
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Stereophile Staff Posted: Aug 15, 1999 0 comments
Wes Phillips explains that Adcom is one of those companies that is easy to take for granted. "To break through our complacency, Adcom would have to produce an outright unlistenable turkey—or a product that raised the bar so high that any audio manufacturer would get a hernia just thinking about raising it again."
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Stereophile Staff Posted: May 03, 2004 Published: May 04, 2004 0 comments
From the April 2004 issue, a must-read for all audiophiles: Keith Howard does the SACD and DVD-Audio math for "New Media Metrics." Using a vast collection of informative graphs, KH explores hi-rez attributes and puzzlers. "In the case of SACD, why provide a potential bandwidth in excess of 1.4MHz, only to fill more than 95% of it with quantization noise?"

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