Stereophile Staff

Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: Jun 08, 2003 0 comments
The ultimate system evaluation disc? John Atkinson has been busy putting together Editor's Choice: Stereophile's Sampler & Test CD. JA chooses his favorite Stereophile recordings from the past 10 years and throws in a few test tones.
Filed under
Stereophile Staff Posted: Apr 29, 2001 0 comments
Jonathan Scull asks "What's it take to compete on the bleeding edge of digital?" Apparently more than what's offered by the "large international manufacturing and marketing concerns stalking the earth today." Will the Accuphase DP-100 Super Audio CD transport & DC-101 Digital Processor make the cut? Scull's incisive report reveals all.
Filed under
Stereophile Staff Posted: Dec 31, 2000 0 comments
Kalman Rubinson didn't expect to complete a full review of the Revel Ultima Studio loudspeaker, planning instead to investigate only the company's F30 (also available in the online archives). But after the Studios ended up spending several months in his home, there was only one honorable option available: 'fess up and submit his true feelings.
Filed under
Stereophile Staff Posted: May 03, 2004 Published: May 04, 2004 0 comments
From the April 2004 issue, a must-read for all audiophiles: Keith Howard does the SACD and DVD-Audio math for "New Media Metrics." Using a vast collection of informative graphs, KH explores hi-rez attributes and puzzlers. "In the case of SACD, why provide a potential bandwidth in excess of 1.4MHz, only to fill more than 95% of it with quantization noise?"
Filed under
Stereophile Staff Posted: Jan 12, 2003 0 comments
Robert Deutsch tackles the Balanced Audio Technology VK-40 preamplifier, noting "Few topics will get audiophiles into an argument more readily than a discussion of the relative merits of tubed and solid-state equipment."
Filed under
Stereophile Staff Posted: Aug 31, 2003 0 comments
"At a mere $65,000," Martin Colloms states, the Wilson Audio Specialties X-1/Grand SLAMM loudspeaker system "could be regarded as something of a bargain." MC then goes on to explain himself in great detail. The "longest, most thorough speaker review we have ever published!" notes John Atkinson, wiping the sweat from his brow.
Filed under
Stereophile Staff Posted: Jul 11, 1999 0 comments
Wes Phillips writes, "I catch John's eye and wonder if he's pondering the same question I am: What were we thinking?" In addition to trying to push forward the limits of getting great sound onto tape, Stereophile's release of Rhapsody In Blue would offer the public a groundbreaking arrangement of George Gershwin's most popular orchestral work. In "The Rhapsody Project," Hyperion Knight and John Atkinson join Wes in chronicling their perspectives on the processes leading to this landmark recording.
Filed under
Stereophile Staff Posted: Jun 04, 2000 0 comments
With multichannel DVD-Audio just around the corner, the surround-sound debate among audiophiles is starting anew. But how far have we come with surround sound in 30 years? J. Gordon Holt wrote "Bye Bye, Quadrifi?" back in 1971, in which he explored the same dilemmas faced by today's audiophile.
Filed under
Stereophile Staff Posted: Sep 20, 2004 0 comments
From the September 2004 issue, Art Dudley gets his mitts on the Spendor S5e loudspeaker, remarking, "I'm never more conservative than when the subject turns to home audio . . . . Give me thin-walled hardwood cabinets, obsolete tweeters, and handmade polypropylene woofers . . . ."
Filed under
Stereophile Staff Posted: Mar 29, 2004 0 comments
From the March 2004 issue, Kalman Rubinson files his report on the Adcom GFA-7805 five-channel power amplifier. KR notes, "It was easy for me to decide on their top-of-the-line five-channel powerhouse, the GFA-7805, because it embodies the same spirit that the GFA-555 did in its time: lots of power, no frills, good value."

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading