Stereophile Staff

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Stereophile Staff Posted: Jul 19, 2004 0 comments
Stereophile's John Atkinson teams up with world-renowned recording engineer Tony Faulkner to create a landmark Mozart recording that has just been released simultaneously on hybrid SACD/CD, and LP. In Project K622, JA recounts the entire process, noting, "The upbeat is the most magic moment in classical music making."
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Stereophile Staff Posted: May 30, 1999 0 comments
Believe it or not, there are reportedly several "audiophiles" out there who still refuse to accept that an extremely expensive amplifier can justify its price. "For them, the very idea of a $20,000 pair of monoblocks must seem absolutely ridiculous," writes Wes Phillips. "All I can say is that they should steer clear of the Mark Levinson No.33H, or else risk having their tidy little hypotheses shattered into tiny little pieces." For the complete review, take a look at the latest equipment report to hit the Archives: Mark Levinson No.33H monoblock power amplifier.
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Stereophile Staff Posted: Oct 10, 1999 0 comments
In his review of the Wadia 830 CD player, Brian Damkroger states: "My take on the Wadia was that: a) it probably wasn't going to sound that much better than the best of the $1000-ish players I had around, and b) even if it did, the differences wouldn't matter enough to me to justify its cost. My audio path took a dramatic turn one weekend, however, when a pair of cable manufacturers stopped by to demo their new products." Read about his journey and the ultimate audio destination will be revealed.
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Stereophile Staff Posted: Nov 10, 2002 0 comments
John Atkinson and Arnis Balgalvis audition the Avalon Eclipse loudspeaker, whose quasi-anechoic TDS response prompted JA to exclaim, "Boy, that's flat!" But is flat where it's at? AB thought so: "The sound I heard was truly outstanding."
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Stereophile Staff Posted: Jun 09, 2002 0 comments
Brian Damkroger finds that the Magnepan Magneplanar MG1.6/QR loudspeaker and a 1973 Porsche 911 have much in common: "Each has grown out of the vision of a single, brilliant designer. Each reflects the long, steady evolution of a basic design, and the consistent focus on a core set of engineering criteria." BD then listens for the fruits of this approach to speaker design and writes up the results.
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Stereophile Staff Posted: Aug 25, 2002 0 comments
"I wouldn't characterize my life as 'a search for bigger and better toys,' but I am intrigued by interesting things—like the Impact Airfoil 5.2 loudspeaker system," says Brian Damkroger as he steels himself for another review. BD goes in search of an answer to the Airfoil dilemma: "big toy, new toy, neat toy, better toy?"
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Stereophile Staff Posted: Dec 05, 1999 0 comments
Time does fly when you're having fun, and it's hard to believe that the Stereophile website is two years old—so it's time for a party and some presents!
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Stereophile Staff Posted: Oct 24, 1999 0 comments
Steven Stone writes that "the Signature SC-VI is probably the most 'anti-tweak' flagship high-end speaker ever made." In his very thorough review of the Dunlavy Audio Labs Signature SC-VI loudspeaker, Stone details this legendary audiophile favorite from top to bottom. Is it the perfect speaker? Stone lays down his verdict, and more.
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Stereophile Staff Posted: Jul 30, 2000 0 comments
Tempted to just cut'n'paste his earlier Arcam integrated amplifier review into his rundown of the Arcam FMJ CD23 CD player, Lonnie Brownell explains that, "after all, it's the same story: British manufacturer gives highly praised product a slick new case to entice those who find their Alpha line too downscale in appearance, adds a few internal tweaks to make it a bit more interesting, and kicks the price up by $400." Instead, he does the right thing in a complete review that even answers the vital question: Should this Arcam be your last CD player?
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Stereophile Staff Posted: Feb 02, 2003 0 comments
"How much power do you really need? How much power can you actually use? What's necessary, and what's icing on the cake? And does anyone really need 1000Wpc?" Jonathan Scull takes the Boulder 2050 monoblock amplifier into the listening chamber to confront these and other pressing audio dilemmas.

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