Stereophile Staff

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Stereophile Staff Posted: Dec 30, 2002 0 comments
Sam Tellig triggered a hailstorm of comment with his original review of the RadioShack Optimus CD-3400 portable CD player. After Tellig suggested that the modest player just might be a cheapskate audiophile delight, writers Corey Greenberg, Jack English, John Atkinson, Barry Willis, and Robert Harley each added his two cents. Some revealing but hitherto unpublished measurements are also included.
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Stereophile Staff Posted: Oct 10, 1999 0 comments
In his review of the Wadia 830 CD player, Brian Damkroger states: "My take on the Wadia was that: a) it probably wasn't going to sound that much better than the best of the $1000-ish players I had around, and b) even if it did, the differences wouldn't matter enough to me to justify its cost. My audio path took a dramatic turn one weekend, however, when a pair of cable manufacturers stopped by to demo their new products." Read about his journey and the ultimate audio destination will be revealed.
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Stereophile Staff Posted: Jun 24, 2001 0 comments
As Michael Fremer reports, critics have universally hailed Infinity's $8k flagship Prelude MTS. But can the success of the MTS trickle down to the lower price points? For his review of the $2000/pr Infinity Intermezzo 2.6 loudspeaker, Fremer set out to determine if the more modest sibling is a "worthwhile chip off the old block or just a marketing divot."
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Stereophile Staff Posted: Nov 10, 2002 0 comments
John Atkinson and Arnis Balgalvis audition the Avalon Eclipse loudspeaker, whose quasi-anechoic TDS response prompted JA to exclaim, "Boy, that's flat!" But is flat where it's at? AB thought so: "The sound I heard was truly outstanding."
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Stereophile Staff Posted: Apr 22, 2001 0 comments
Sam Tellig may apologize for contributing to the audiophile empty wallet syndrome, but that doesn't stop him from ranking the Monarchy Audio Digital Interface Processor 24/96 "a must-have if you want to get the most from your upsampling MSB Link DAC III."
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Stereophile Staff Posted: Oct 24, 1999 0 comments
Steven Stone writes that "the Signature SC-VI is probably the most 'anti-tweak' flagship high-end speaker ever made." In his very thorough review of the Dunlavy Audio Labs Signature SC-VI loudspeaker, Stone details this legendary audiophile favorite from top to bottom. Is it the perfect speaker? Stone lays down his verdict, and more.
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Stereophile Staff Posted: Jul 08, 2001 0 comments
Brian Damkroger finds that, while struggling unsuccessfully to fit the Conrad-Johnson Premier 17LS line-stage preamplifier into his preconceived notions of the company and its products, a paradigm shift in his thinking occurred. Damkroger explains that "it was only during a marathon session of listening and comparing the C-J to a couple of other preamps that the truth dawned on me . . . I went back and forth between the C-J and the other units several times over the course of the next week, and one evening it hit me." The truth awaits.
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Stereophile Staff Posted: Jul 30, 2000 0 comments
Tempted to just cut'n'paste his earlier Arcam integrated amplifier review into his rundown of the Arcam FMJ CD23 CD player, Lonnie Brownell explains that, "after all, it's the same story: British manufacturer gives highly praised product a slick new case to entice those who find their Alpha line too downscale in appearance, adds a few internal tweaks to make it a bit more interesting, and kicks the price up by $400." Instead, he does the right thing in a complete review that even answers the vital question: Should this Arcam be your last CD player?
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Stereophile Staff Posted: Dec 22, 2002 0 comments
Larry Greenhill wonders, "In crossing over into transistor products, would Conrad-Johnson be able to retain the simplicity, low distortion, and musicality of their tube designs?" LG fires up the Conrad-Johnson Premier 18LS line preamplifier to satisfy his curiosity.
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Stereophile Staff Posted: Dec 23, 2001 0 comments
As Jonathan Scull reports in his review of the Classé Omega Super Audio CD player, "Classé has guts. These are uncertain times, but here they are with an audiophile classic: an expensive two-channel Super Audio CD player." Read how one of the first SACD machines from a high-end audio company stacks up.

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