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Stereophile Staff Posted: Jan 30, 2000 0 comments
Getting a good connection to ground can make or break a fussy audio (and video) system. Jonathan Scull reveals several tips and tricks in "Fines Tunes" #9. As J-10 states: "Of course, the 'Fine Tunes' brief is low- or no-cost techniques for improving your system's sound. So let's consider that unruly beast called Ground. Aside from walking on, what's it good for?" The answer awaits.
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Stereophile Staff Posted: May 14, 2000 0 comments
With their simple circuits and low, even zero, levels of loop negative feedback, the sound quality of single-ended triode amplifiers is very dependent on the specific output tubes used. In "In Search of the Perfect 300B Tube," Peter van Willenswaard finds that not all tubes are created equal. Measured and auditioned in his survey of 300B power tubes are samples from Golden Dragon, JJ Electronics, KR Enterprise, Sovtek, Svetlana, Valve Art, and Western Electric. "If you want the best," sums up Mr. W, "there's only the . . . "—well, you'll have to read the article to find out!
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Stereophile Staff Posted: Sep 13, 2004 0 comments
From the September 2004 issue, John Atkinson revs up the Simaudio Moon Equinox CD player, explaining, "When Simaudio's Lionel Goodfield offered me their $2000 Moon Equinox player for inclusion in my irregular series of CD-player reviews, I didn't need to be asked twice."
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Stereophile Staff Posted: Aug 27, 2000 0 comments
Back in 1997, DVD-Audio was still miles away—and it may still be! But, as John Atkinson writes, "After a decade of stability, with slow but steady improvement in the quality of 16-bit/44.1kHz audio, the cry among audio engineers is now '24/96!'—meaning 24-bit data sampled at 96kHz. Not coincidentally, DVD offers audiophiles a medium with the potential for playing back music encoded at this new mastering standard." The dCS Elgar D/A processor was one of the first consumer units able to decode 24/96, and still stands as a benchmark product. JA gives the details.
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Stereophile Staff Posted: Jul 04, 1999 0 comments
Want to start an argument on one of the audio newsgroups? Just mention ABX. Doesn't matter if you're for it, against it, or just curious about what it is---you'll start a fire that might take weeks to burn out. But before audio newsgroups even existed, J. Gordon Holt was probing the usefulness of the ABX Comparator in an "As We See It" column from 1982, "The Truth Should Out." His thoughts might surprise you.
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Stereophile Staff Posted: Feb 06, 2000 0 comments
Spring typically sees Stereophile release its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents about what gets them excited (musically speaking). R2D4 2000 is on newsstands right now, in the February issue of Stereophile; to commemorate its publication, we add the 1999 "Records To Die For" to the online archives.
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Stereophile Staff Posted: Nov 07, 1999 0 comments
In his review of the SimAudio Moon P-5 preamplifier and W-5 power amplifier, Kal Rubinson wrote, "something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos."
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Stereophile Staff Posted: Apr 15, 2001 0 comments
To balance or not to balance? That is the audio question that Martin Colloms sets out to answer in Balance: Benefit or Bluff? Although balanced capability is a fashionable feature in many expensive audio products, Colloms writes that "the High End could be paying dangerous, costly lip service to the received wisdom that balanced operation is the goal for an audio system."
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Stereophile Staff Posted: Oct 29, 2000 0 comments
John Atkinson points out that "a much-touted benefit of DVD-Audio and Super Audio CD is that these new media can store digital audio data extending one or more octaves higher in frequency response than the capabilities of the CD." But is this a difference that makes a difference? Atkinson examines the mounting pile of data in What's Going On Up There? Is there recorded life above 20k? The answer may surprise you.
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Stereophile Staff Posted: Nov 11, 2001 0 comments
For his review of the diminutive Acarian Systems Alón Petite loudspeaker, Wes Phillips explains that the "li'l guys frequently image like bandits—which some of us just can't resist." Also included is Robert J. Reina's followup review of Alón's matching PW-1 woofer system, from February 1997, along with his take on the Alón Petite.

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