Stereophile Staff

Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: Apr 13, 2003 0 comments
Michael Fremer almost grasps upsampling when he looks into the dCS Verdi SACD transport, Purcell D/D converter, and Elgar Plus D/A converter. MF notes, "Explaining what you get for your $34k is somewhat easier than explaining upsampling, but due to the dCS gear's enormous flexibility and multitude of features, it's not that much easier."
Filed under
Stereophile Staff Posted: Nov 24, 2002 0 comments
From the current issue, Wes Phillips and John Atkinson tell the story of Against the Dying of the Light: the Second Cantus CD. Phillips sets out to find the true genesis of this astonishing new recording from the Minnesota-based male-voice choir, while JA fills in the technical details.
Filed under
Stereophile Staff Posted: Jun 02, 2002 0 comments
In his review of the Meridian 508.24 CD player, Wes Phillips finds the machine "a beautiful design with impeccable technical credentials—a CD player that belongs, with only a few others, at the very sharpest portion of the leading edge, and that joins them in producing sound that is highly musical and hard to criticize."
Filed under
Stereophile Staff Posted: Aug 15, 1999 0 comments
Wes Phillips explains that Adcom is one of those companies that is easy to take for granted. "To break through our complacency, Adcom would have to produce an outright unlistenable turkey—or a product that raised the bar so high that any audio manufacturer would get a hernia just thinking about raising it again."
Filed under
Stereophile Staff Posted: Jul 08, 2001 0 comments
Brian Damkroger finds that, while struggling unsuccessfully to fit the Conrad-Johnson Premier 17LS line-stage preamplifier into his preconceived notions of the company and its products, a paradigm shift in his thinking occurred. Damkroger explains that "it was only during a marathon session of listening and comparing the C-J to a couple of other preamps that the truth dawned on me . . . I went back and forth between the C-J and the other units several times over the course of the next week, and one evening it hit me." The truth awaits.
Filed under
Stereophile Staff Posted: May 28, 2000 0 comments
Build the audiophile kingdom and they will come . . . or do we need to get out there and proselytize? In "Fine Tunes" #22, Jonathan Scull looks at the debate both ways and comes to a conclusion.
Filed under
Stereophile Staff Posted: Jan 30, 2000 0 comments
Getting a good connection to ground can make or break a fussy audio (and video) system. Jonathan Scull reveals several tips and tricks in "Fines Tunes" #9. As J-10 states: "Of course, the 'Fine Tunes' brief is low- or no-cost techniques for improving your system's sound. So let's consider that unruly beast called Ground. Aside from walking on, what's it good for?" The answer awaits.
Filed under
Stereophile Staff Posted: Feb 07, 1999 0 comments
Online readers rejoice: Stereophile is posting the first of what we hope will be many equipment reviews in our Archives database. First up is the Linn Sondek CD12 CD player (recently reviewed in Stereophile), along with a review of the Linn AV 51 System (from the February 1999 issue of Stereophile Guide to Home Theater).
Filed under
Stereophile Staff Posted: Apr 20, 2003 0 comments
While doing background on the InnerSound Eros Mk.III electrostatic loudspeaker, Larry Greenhill discovers that "the presidents of all three American ESL companies share common names." But do they share a common sound? Greenhill investigates.
Filed under
Stereophile Staff Posted: Nov 28, 1999 0 comments
In his third installment of "Fine Tunes," Jonathan Scull encourages readers to stick their heads in a corner. "Notice how strongly the bass loads up there, how exaggerated and out of control it sounds," he writes. With the help of Jeff Joseph, Scull also reveals a trick for dealing with square rooms.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading