Stereophile Staff

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Stereophile Staff Posted: Nov 19, 2000 0 comments
Describing the Audio Research Reference Two preamplifier, Michael Fremer writes "Audio Research's first 21st-century, audiophile-quality line-stage preamplifier combines retro-tech vacuum-tube amplification and power-supply circuitry with innovative, remote-controlled gain, balance, tape monitoring, and signal routing. The price is also 21st-century: $9995." Worth every penny? Fremer offers his assessment.
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Stereophile Staff Posted: Jan 30, 2000 0 comments
Getting a good connection to ground can make or break a fussy audio (and video) system. Jonathan Scull reveals several tips and tricks in "Fines Tunes" #9. As J-10 states: "Of course, the 'Fine Tunes' brief is low- or no-cost techniques for improving your system's sound. So let's consider that unruly beast called Ground. Aside from walking on, what's it good for?" The answer awaits.
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Stereophile Staff Posted: Sep 15, 2002 0 comments
In his recent review of the Thiel CS1.6 loudspeaker, John Atkinson pointed out that while expensive speakers "do indeed provide great sound for the tens of thousands of dollars they demand from their owners, they are out of reach of the majority of audiophiles." Ever the populist, JA tackles this reasonably priced Thiel to see how it measures up to the big boys.
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Stereophile Staff Posted: Dec 16, 2001 0 comments
As Larry Greenhill reports in his review of the Sony SCD-C555ES SACD changer, "I didn't know what to expect from multichannel SACD. Would a multichannel music-only disc give me high-energy dramatics? Would there be any room for meditative, closed-eyed, total progressive muscular relaxation?" As Greenhill says, "The best was yet to come."
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Stereophile Staff Posted: Oct 07, 2001 0 comments
As the results from last week's Vote prove, having the right tool for the audiophile job makes all of the difference. And a lot of you selected the Stereophile Test CD 3 as your weapon of choice for uncovering the good, the bad, and the ugly of a component under consideration. Here's the complete story on the most recent test disc from Stereophile and company.
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Stereophile Staff Posted: Jun 30, 2002 0 comments
Earlier this year, Kalman Rubinson spent some time with the Rotel RB 1080 power amplifier. "What could be easier to review than a power amplifier? No features or functions aside from inputs, outputs, and a power switch," remarks KR. But as Rubinson finds, it's the details that count.
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Stereophile Staff Posted: Aug 25, 2002 0 comments
"I wouldn't characterize my life as 'a search for bigger and better toys,' but I am intrigued by interesting things—like the Impact Airfoil 5.2 loudspeaker system," says Brian Damkroger as he steels himself for another review. BD goes in search of an answer to the Airfoil dilemma: "big toy, new toy, neat toy, better toy?"
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Stereophile Staff Posted: Jun 27, 1999 0 comments
Are audiophiles and recording engineers natural adversaries? From the many slings and arrows hurled back and forth between the camps, it would certainly seem so. Robert Harley asks, "But are recording engineers less concerned about sound quality than are audiophiles? If so, why? Isn't someone who has devoted his life to recording music more caring than the hobbyist audiophile? If not, why not?" Read his analysis of the issues in "A Clash of Values?" Also included is a lively volley of readers' letters.
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Stereophile Staff Posted: Jul 18, 1999 0 comments
Winter had just touched down in Santa Fe two days before the recording sessions were to begin, leading Wes Phillips to wonder if the damp air would wreak havoc with tuning. But he needn't have worried, writing that violinist Ida Levin "played with such intense concentration that sometimes she seemed about to levitate off the floor as she chased a melodic line into the ether." In Duet: And Two to Carry Your Soul Away, Ida Levin and John Atkinson join Wes Phillips in chronicling the recording from both musical and technical perspectives.
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Stereophile Staff Posted: Aug 02, 2004 0 comments
Back in June of 1992, Lewis Lipnick auditioned one of the era's benchmark products, the Cello Palette Preamplifier. LL comments, "The Palette Preamplifier gives the listener a glimpse of what performers experience every day on stage: total immersion in the music."

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