Stereophile Staff

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Stereophile Staff Posted: Aug 30, 2004 0 comments
In a landmark special feature, Chris Dunn & Malcolm Omar Hawksford thoroughly dissect the vicissitudes of the digital interface and jitter in Bits is Bits? The authors note, "The theoretical performance obtainable from the 16-bit linear PCM format sampled at 44.1kHz is superior to any analog sources available to the consumer."
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Stereophile Staff Posted: Dec 16, 2001 0 comments
As Larry Greenhill reports in his review of the Sony SCD-C555ES SACD changer, "I didn't know what to expect from multichannel SACD. Would a multichannel music-only disc give me high-energy dramatics? Would there be any room for meditative, closed-eyed, total progressive muscular relaxation?" As Greenhill says, "The best was yet to come."
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Stereophile Staff Posted: Oct 07, 2001 0 comments
As the results from last week's Vote prove, having the right tool for the audiophile job makes all of the difference. And a lot of you selected the Stereophile Test CD 3 as your weapon of choice for uncovering the good, the bad, and the ugly of a component under consideration. Here's the complete story on the most recent test disc from Stereophile and company.
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Stereophile Staff Posted: Dec 10, 2000 0 comments
Robert Deutsch asks, "How can you tell an audiophile from a normal person?" RD's answer involves the name of the Vienna Acoustics Mahler loudspeaker, which Deutsch reviewed for the April 2000 issue of Stereophile. Deutsch writes, "I find Gustav Mahler's music to be on the ponderous side, but when I heard the Vienna Acoustics Mahlers at HI-FI '99, I was sufficiently impressed that I began the process of getting a pair for review." The results of his careful listening are not ponderous at all.
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Stereophile Staff Posted: Jun 15, 2003 0 comments
"Does the modern audiophile want a sleek, compact, powerful, remote-controlled, microprocessor-driven, two-channel integrated amplifier?" Michael Fremer seeks the answer as he reviews the Perreaux R200i integrated amplifier. It may be small, but as MF finds, it also packs a punch.
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Stereophile Staff Posted: Jun 10, 2001 0 comments
In his The Fifth Element #2, John Marks discusses in detail how to use common household items to render some audiophile magic. Marks explains, Aall you need is a very long piece of string, a tape measure, two bits of masking tape, a quantity of small self-adhesive removable note papers, and later, perhaps, a trip to the fabric store."
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Stereophile Staff Posted: May 05, 2002 0 comments
At the start of his review of the Balanced Audio Technology VK-D5 CD player, Jonathan Scull observes, "Man, has Balanced Audio Technology come a long way in a short time." Scull goes in-depth with the VK-D5 to explain just what he's found.
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Stereophile Staff Posted: Oct 25, 2004 0 comments
From the October 2004 issue, Michael Fremer reviews the mbl 101E Radialstrahler loudspeaker, enthusing, "In one night's listening orgy, I tore through albums by the Weavers, Harry Belafonte, Sweet Honey in the Rock, Tony Bennett, etc—all recorded live in Carnegie Hall. The results were nothing short of astonishing."
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Stereophile Staff Posted: Aug 06, 2000 0 comments
In his review of the Sharp SM-SX100 digital integrated amplifier, Michael Fremer asks: "why would a sharp mind offer a $15,000 integrated digital amplifier to a reviewer who has been characterized in the audio press as the 'self-proclaimed Analog Messiah' and a 'hyper-Luddite'?" Would Fremer actually cotton to a digitized vinyl recording? Read Fremer's report for the startling conclusion.
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Stereophile Staff Posted: Sep 14, 2003 0 comments
We kick off three speaker reviews from the September issue with Brian Damkroger's assessment of the Audio Physic Virgo III loudspeaker. A perfect meld of minimonitor and full-range bass extension? BD reveals all.

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