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Stereophile Staff Posted: Jan 12, 2004 0 comments
Sam Tellig and Lonnie Brownell both provide trenchant analyses of the Bryston B-60R integrated amplifier. Tellig notes, "With Bryston gear, you get solid engineering and impeccable—I was going to say unimpeachable—build quality. This is what you pay for; not bulletproof faceplates, gold-plated name badges, or the like."
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Stereophile Staff Posted: Nov 24, 2003 0 comments
Chip Stern finds the AH! Njoe Tjoeb 4000 CD player to be a bargain in its modest price range. CS writes: "Consider the notion of an exceptionally musical, single-chassis CD player with a tubed output stage that evinces the kind of soundstaging depth, liquidity, timbral accuracy, high-frequency detail, and top-to-bottom smoothness for which, barely five years ago, consumers might have eagerly coughed up $3000 and more."
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Stereophile Staff Posted: Feb 07, 1999 0 comments
Online readers rejoice: Stereophile is posting the first of what we hope will be many equipment reviews in our Archives database. First up is the Linn Sondek CD12 CD player (recently reviewed in Stereophile), along with a review of the Linn AV 51 System (from the February 1999 issue of Stereophile Guide to Home Theater).
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Stereophile Staff Posted: Jun 29, 2003 0 comments
Starting in 1984, Anthony H. Cordesman and Martin Colloms filed several reports on the Magnepan Magneplanar MGIIIA loudspeaker. Cordesman wrote, "In a world which seemed doomed to finding out just how small and dull it could make acoustic-suspension boxes, the Magnepans reminded me that speakers could produce a large open soundstage, real dynamics, and musical life."
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Stereophile Staff Posted: Feb 04, 2001 0 comments
After a frustrating late-night duel with evil recording gremlins, JA called it a day. But the next morning he was back at the controls to record Canadian pianist Robert Silverman for what would subsequently become one of Stereophile's popular audiophile recordings: Intermezzo: Works for Piano by Brahms. In Intermezzo: The Santa Barbara Sessions, writer Thomas Norton runs down the key events that finally resulted in a completed analog master tape, with engineering from Water Lily Acoustics' Kavichandran Alexander.
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Stereophile Staff Posted: Oct 06, 2002 0 comments
The Adcom GFA-555 power amplifier has long been regarded as a classic design and still commands decent prices on the used market. Anthony H. Cordesman and various other Stereophile writers check in with their opinions.
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Stereophile Staff Posted: Sep 01, 2002 0 comments
In his review of the Conrad-Johnson Premier Twelve monoblock amplifier, Michael Fremer notes, "Conrad-Johnson is one of audio's 'marquee' companies, and charges accordingly." MF uncovers what you really get for your $7000, aside from 140Wpc and a top-shelf name.
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Stereophile Staff Posted: Mar 22, 2004 0 comments
From the March 2004 issue, Michael Fremer goes a couple rounds with the Theta Digital Enterprise monoblock power amplifier, exclaiming, "Monoblock power amplifiers seem to be moving in and out of my listening room faster than green-onion salsa from Chi-Chi's." So how does the Theta stand up to the competition? MF lays it out.
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Stereophile Staff Posted: Aug 20, 2000 0 comments
Audiophiles aren't taking to the streets just yet, but John Atkinson is more than a little riled about the proposed watermarking of SACD and DVD-Audio recordings. In this month's "As We See It," "Watermarking: the Devil's Work!," JA exhorts the audiophile masses to rise up in protest.
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Stereophile Staff Posted: Aug 24, 2003 0 comments
More from the August issue: Larry Greenhill updates his system with the Mark Levinson No.436 monoblock power amplifier. LG says, "I was concerned when [Mark Levinson] discontinued its entire 300 series of dual-mono amplifiers, but the company reassured me that they had a suitable replacement in the No. 436." Greenhill decides for himself.

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