What more can be said about Audioengine's flagship self-powered loudspeakers, the A5 ($399/pair) and A2 ($199/pair), than has already been said? We currently use the bigger babies for sound on an antiquated TV in my husband's man cave, aka "the cottage," and they're astounding for the price. The speakers were showing off thanks to several prototype Audioengine products that are still in the development stage.
There was so much going on in the George Warren Precision Sound room that, once I finished snapping photos, it was hard to focus on the music. Nonetheless, it was clear that the George Warren turntable ($4200$4850, depending upon finish) with its MØrch DP-8 tonearm (around $5000, available in gold or silver) were what this system was all about.
Visual aesthetics were clearly not the main priority in room 431. Pictured is Polk Audio's LSiM 707 loudspeaker ($4000/pair), driven by an unseen Oppo 83 SE used as a transport, the excellent Peachtree DAC/Pre ($4700), and, on the computer end, a Macbook Pro running Amarra 2.4.2 via an Audioquest Carbon USB cable. Audioquest Rocket 88 cabling, PS Audio P10 power conditioner, XLO-10 power cords, and room treatment completed a system that, on George Benson's classic recording of "The Ghetto"a song that doesn't sound remotely like the predominantly Mexican, multi-ethnic and multi-national ghetto in which I livesounded like solid hi-fi.
Gingko Audio demmed a more than chump change system, some of whose components' names showed that imagination is alive and well in the high-end. Playing a VPI Traveler turntable ($1400) with Grado Prestige Gold ($200), Gingko Audio Cloud 9T ($349), and Gingko Audio dust cover ($279); Jolida Fusion preamp ($1500), Wells Audio Innamorata amplifier ($6000), Music Culture Technologies MC501A USB CD player ($3995), Gingko Audo ClaraVu 7 full-range loudspeakers ($6990/pair), DanaCable Black Max 88 speaker cables ($2995), and Gingko Audio Platformula rack ($2995), bass sounded decent, but a recording of Gustav Mahler's Symphony 5 that the exhibitor chose otherwise sounded bright and glassy.
I never thought that yet another listen to Rebecca Pidgeon's "There is a Rose in Spanish Harlem" would hold my attention, but, on the set-up from Avatar Acoustics' Darren Censullo, the recording sounded irresistible. I was especially seduced by the system's compelling warmth in the midrange and correctly proportioned bass. But really, everything in this room sounded really good.
Scores of DIYers are familiar with Madisound, a company that distributes raw drivers, passive crossover parts, and speaker building supplies, some in kit form. On display were the SEAS of Norway A26 loudspeaker kit with a 10" SEAS A26RE4 woofer and the T35C002 1.5" dome tweeterover 1 million sold, I was toldand the Scan-Speak Nada, with a 7" Illuminator woofer and 1" Beryllium dome tweeter.
Emotiva, the Tennessee-based company whose Chinese-manufactured components have been providing a genuine taste of the high-end to large numbers of audiophiles, previewed their all-new pro line. The combination of the Stealth DC-1 24/192 DAC ($699) and Stealth 8 powered Studio Monitors ($1499/pair), due by the end of the year, was making great sound for the price.
I wish I could tell you how the music sounded in the main Emotiva room. Alas, there were so many people talking about the sound of Emotiva's XSP-1 Differential Reference preamp ($899), ERC-2 Differential Reference CD player/ digital transport ($449), XPA-1 Differential Reference monoblock power amplifier ($999), XRT-6.2 Xref Tower speakers ($699/pair), and due-by-Christmastime XDA-2 fully balanced Differential DAC ($399) that I was unable to take a serious listen. Definitely good for Emotiva, if not necessarily for you the reader.
Dali’s Thomas Knudsen may look a bit shy, but he was quite proud of the show debut of Dali’s Epicon 8 loudspeakers ($20,000/pair). Hidden from view were Naim’s NAC 172 streaming preamp ($2895), CD5i-2 ($1795), NAP 250-2 ($5995), and the UnitiServe SSD ($3995) network server with bit-perfect CD ripping capability.