Jason Victor Serinus

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Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Duplicating the system that had me enthralled at AXPONA 2012 with its clear, warm, and deliciously color-saturated sonic canvas, Peter Ledermann of Soundsmith was showing four cartridges at THE Show. Chief among them was the still-new Sussuro Hyperion OCL ($7000) with its cactus spine CL assembly. Available in an OCL diamond profile for the same price, this baby comes with a 10-year warranty including diamond retipping. Nearby were the Sussurro ($4500) and Sussurro Paua ($3500).
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Dynamic Sound Systems of Carlsbad, CA demmed bi-amped Plinius 310Wpc stereo amplifiers ($10,300 each), Plinius stereo preamplifier ($11,350 line, $12,500 phono), and Plinius Tiki DLNA compatible Digital Audio Renderer ($4775) in a system that also included the PMC IB2 three-way loudspeaker ($18,490/pair), and Analysis Plus Oval 9 speaker cables as well as Solo Crystal interconnects and Power Oval 2 power cables.

On tracks from Nils Lofgren and Vivaldi, I found the sound solid and dynamic, but also hard, and opaque, perhaps due to the sub-optimal room acoustics. Yes, traps had been used in the corners of this room, but an exhibitor at a Show is always at the mercy of whichever room they have been allocated.

Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Episode Audio's Ira Pazandeh had one of the few home theater displays at T.H.E. Show. Arrayed before and around me were Episode Audio loudspeakers: Model EP-V front for two-channel and home theater front ($12,500/pair), Model EP-C for center channel ($6500), BASSY subwoofer ($2300), and, in the rear, two KOBRA surrounds ($4800/pair). Giving them juice were an Onkyo TX-NR 809 receiver ($995), Sony BDP-S580 CD/Blu-ray player ($149.99), AudioQuest speaker wire (approx. $50), and Monster interconnects. Playing Marta Gomez's "Maria Mulatta," I was struck with the nice depiction of air and space around the flute, as well as overwhelming bass (a problem shared by more set-ups in the Hilton sleeping rooms than I wish to count). I'd like to hear the system again, next time with adequate room treatment.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
The first time I encountered the Napa Acoustic display at a show, I thought these little babies so adorable that I wanted to take all of them home so that our canine daughter, Daisy Mae Doven, would have a system of her own. But then I remembered that Daisy plays only one tune—"Get Da Bone"—and came to my senses.

Okay. I know what you're thinking. I'm an audiophile. I've never come to my senses. Touché.

Jason Victor Serinus Posted: Jun 09, 2012 2 comments
Eric Hudgins' Tailored Technologies of Santa Clara, CA somehow packed a lot of equipment and sound into a small space. Audreal's PA-80 class-A amplifier ($5995), XA-3200 preamplifier ($1899), and LP-2 phono stage ($1295) were brightening up the room with the SoTM DAC 200HD ($2200) and server ($2200) and the new version of Volent VL-3 Mk.II loudspeakers ($11,000). The turntable was the Clearaudio Ovation ($5500) with MC cartridge ($800).
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
The Thiel CS 3.7 loudspeakers ($12,900/pair) were making bright and incisive sound with PrimaLuna's ProLogue Premium monoblock amplifiers ($4395/pair), DiaLogue 3 preamplifier ($2700), and ProLogue CD player ($3000); PS Audio Perfect Wave II DAC with Bridge/NAS server ($4795) and P10 Power Regenerator ($4495); and Analysis Plus Oval speaker cable ($500/pair).
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
Okay. I know what you're wondering. So do Jason and Lisa Stoddard, whose curiously named headphone amplifier and headphone DAC company celebrates its second anniversary on June 17. In fact, your curiosity is one of the reasons why Lisa is smiling so.
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
Zu Audio's room was like no other. While the "normal" set-up has components facing attendees and carefully stacked on equipment racks, Zu more or less duplicated the DJ experience. Spinning vinyl as if in a cage, and very happy to be there, I might add, sat Zu owner Sean Casey's delightfully high-spirited son, Ian.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
One of my fondest memories of a past CES was sitting with John Atkinson at T.H.E. Show, playing a track from one of his superb recordings of Cantus on an all-out darTZeel /Evolution Acoustics system from Jonathan Tinn's Blue Light Audio. Here, on more modest speakers and electronics, I was again blown away, this time by the fabulous soundstage height, three-dimensionality, and realistic depiction of horns and cymbals on Michael Tilson Thomas' recording of Mahler's Symphony 3.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Although Roger Sanders was not in the room when I finally got there on the third day, his "handcrafted in Colorado" electrostats were singing as if he were. In addition to the superb transparency that one expects from a good electrostat, the bass was not just convincing, but simply amazing. The sound was a bit sharp in the small room, and at one point, in an unfortunate performance of Puccini's "O mio babbino caro," distorted on top. Since I've not had either experience in previous auditions of Sanders electrostats, I have a hunch the distortion probably due to the mikes used to record this unsuited-for-the-role-of-Lauretta soprano. (I have a number of recordings from EMI that grow harsh and noisy on vocals due to the choice of microphones).

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