Jason Victor Serinus

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Jason Victor Serinus Posted: Jun 09, 2012 1 comments
Okay, I'm running out of clever titles, but NAD had no problem producing beautifully controlled, welcomingly sweet sound from its all-new Masters Digital Suite. The M50 Digital Music Player ($2500) and M52 Digital Music Vault ($2000), a combo that can stream, store and manage your digital music collection, was performing wonderfully with the M2 Direct Digital 250W digital-input amplifier ($6000 and a John Atkinson favorite), Tannoy Glenaire 10 loudspeakers ($7500/pair), and Synergistic Acoustic ART resonance control system.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Bless Len Miller of Soundstring Cable Technologies for providing me with a solid presentation of John Travolta's "Stayin' Alive." As my pace increased as I attempted to cover four floors in three days, this music became a mantra of sorts.
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
For audiophiles who may remember Legend Audio and their fascinating water-cooled amps, they have changed their name to Von Gaylord, and moved from Berkeley, CA to West Sacramento. Their sound has gotten even better in the process: lovely, warm, and refreshingly sweet, with eye and ear-opening sound staging, set far behind the speakers, and inviting air around images.
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
At the Irvine Hilton, T.H.E. Show Newport Beach offered hospitality suites from Sunny's Components, Positive Feedback Online, and the Los Angeles & Orange County Audio Society. Since the President of the latter is Bob Levi, the co-sponsor of T.H.E. Show, who not only thinks big and acts big, but also consistently delivers on his promises, the massive LA&OCAS commandeered two adjacent rooms on the fifth floor for its suite where Showgoers could chill out in a very effective manner.
Jason Victor Serinus Posted: Jun 08, 2012 2 comments
Finally, after encountering Israel Blume and his wife in the gym at several shows, I got a change to hear the Coincident speakers and electronics that have garnered so much praise in multiple publications. Although I may not have heard the system at its best—a discussion with Israel during a serious morning workout revealed that his tube sound was fluctuating from clear to soft, depending upon where the Hilton’s voltage was at any particular moment—I found the sound a bit warm and opaque, but remarkably extended on the low end.
Jason Victor Serinus Posted: Jun 08, 2012 0 comments
Induction Dynamics of Overland Park, KS was showing its S1.8T 3-way tower loudspeaker ($13,500/pair). Using as a source an Oppo 85SE, paired with McIntosh’s MX150 pre/pro, MC 207 amplifier, and MT10 turntable, and wired with Kimber Kable, the system sounded far more neutral than I was expecting. Playing an LP of Billie Holiday singing “A Foggy Day in London Town” (Songs for Distingué Lovers), I marveled at the beauty, clarity, and warmth of the sound. Like a proverbial Dorothy searching for her Toto, I didn’t want to leave home without it.
Jason Victor Serinus Posted: Jun 08, 2012 0 comments
RSL, the reincarnation of California speaker manufacturer Rogersound Labs, was showing its economical CG stereo system ($1250 with free shipping, stands optional). The system was making bearable a 24/96 file of Diana Krall singing “S’Wonderful.” Usually this particular selection has me crawling out of my skin. No mean feat that it didn’t this time. The system includes a single subwoofer that was hidden behind me. The good news is that the speaker system comes with a 30-day money-back guarantee.
Jason Victor Serinus Posted: Jun 08, 2012 1 comments
The Hegel room on the Irvine Hilton’s 5th floor was so packed that I was initially forced to sit outside the soundstage. While I feared that would leave me in no position to critically evaluate the system’s overall gestalt, eventually moving to the center enabled me to hear how solid the sound was.
Jason Victor Serinus Posted: Jun 08, 2012 0 comments
In a handsomely equipped room that showcased the dual-mono lithium battery-powered Veloce LS-1 linestage ($18,000), Veloce V6 400Wpc monoblock amplifiers ($15,000/pair) with their tube input and class-D output stage, YG Acoustics Carmel loudspeakers ($18,000/pair), none-too-shabby Audio Aero “La Source” CD/SACD player (approx. $40,000), and Kubala-Sosna’s Emotion and Elation cabling (no price supplied), I initially thought the sound a tad dry. But then I warmed to the remarkably clear and unencumbered presentation of jazz, which was also distinguished by engaging three-dimensionality. On tracks by Tommy Flanagan and Holly Cole, I found the transparency remarkable, and greatly enjoyed the height and space of the images.
Jason Victor Serinus Posted: Jun 08, 2012 0 comments
An editor’s job isn’t always light and easy, but not every moment during Saturday’s hour-long panel (repeated on Sunday) was. Yours truly, who could only stay long enough to snap a few photos, listened closely as John Atkinson spoke about what he wants and does not want from his equipment reviewers. Pictured, left to right: Dave Clark and David Robinson, Positive Feedback Online; JA and Michael Fremer, Stereophile; Robert Harley, Paul Seydor, and Neil Gader, The Absolute Sound.

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