Ever since encountering the wonderful sound of Nightingale electronics, manufactured by Simetel of Rome (as in Italy), at the first AXPONA show in Jacksonville, I've looked forward to another visit with their Lancaster, PA-based USA representative, Valentina Ross. Her set-up of Nightingale Concentus open-baffle CTR-02 loudspeakers ($9750/pair), Onda 90 monoblock amplifiers ($12,450/pair), PTS-03 preamplifier ($9750), CR-1600 line conditioner ($3960), and unnamed source and cablingher assistants, who handed me literature, spoke little Englishwas one of the most attractive at the show, and the sound remarkably open and spacious.
For every reason under the sun, the big system from HiFi Imports of Colorado Springs should have sounded spectacular. Alas, given the 10' air space above the ceilings of most of the big conference rooms on the Doubletree's mezzanine, the law of the day was, the bigger they are, the farther they fall.
Gary Kumpf did a whole lot of talking between selections, but nonetheless I managed to be blown away by the sound of the no-pun-intended McAire ($3000). This one-piece unit, complete with built-in speakers and a downward firing woofer, offered superb stereo imaging as it projected an amazing amount of impressive sound well into the room. Compatible with all existing digital technologies, it seems like a fantastic buy for the price.
Given the number of loudspeakers in the relatively small room, I was amazed that two corner traps, combined with intelligent speaker placement that began at 8am, could result in such well-controlled bass. But on the Channel Classics native DSD/hybrid SACD of the Budapest Festival Orchestra performing Mahler's Symphony 2, the opening movement exhibited ideal control on the low end as well as natural warmth. I kept waiting for the booming, but it never came. What a great end to my first long day at AXPONA Chicago, 2013.
Although Soundsmith brought to Chicago the very same system it exhibited at RMAF in Denver last October, there was nothing has-been about the sound. In fact, sonics that I often find enticingly romantic, as on the slightly warm side, this time sounded far more neutral, yet infused with the glow that makes Peter Ledermann's cartridges and electronics so special.
What else might you expect to hear on Classic Audio Hartsfield field-coil driver loudspeakers ($59,950/pair) than Classic Records' 45 rpm pressing of Louis Armstrong and Duke Ellington? Despite bass problems stemming from the 10' black hole above the room, the music sounded quite wonderful...until we got to the first track on Patricia Barber's new CD, Smash. There, her voice sounded great but the bass was impossible. Doing their best were Atma-Sphere's MP-1Mk.3.2 preamp with phono ($12,100) and MA-1.5 Novacron power amplifier ($12,000/pair), mated with the Tri-Planar Ultimate 12 turntable with what I think was a Technics SP10 Mk.II arm and either a van den Hul III Gold or Koetsu Jade cartridge.
Sandwiched between rooms, apart from the other tables on the mezzanine, Miko Krolo of Canada displayed his new line of attractive equipment racks and supports. By heart an audiophile, and by trade a designer of residential interiors, Krolo began his company just one year ago. On view were the Krolo Design Tomo Audio Rack ($33004300, depending upon number of shelves) and Krolo Enhancers equipment supports ($260/set of three). The racks include solid aluminum rods and stainless steel supportsI hope I have that rightand shelves float on cones.
Brian Ackerman of Aaudio Imports, whose eye and ear for the esoteric has brought any number of superb brands to our sonic shores, is now importing Hartvig turntables from Denmark (base model $13,500). Available in multiple finishes and woodsBrian made it sound as though you could get almost anything your heart desiresthe table has a special bearing, housed inside the platter, which is precision machined by the designer. The passive display left me actively longing to hear the baby in action. Newport Beach in June, perhaps, or the California Audio Show in Burlingame in August?
Look out Audiogon. Your latest competition in the online marketplace department, AudioMart, launched this week. The company's Mark Mawhinney, who owns a retail store and is also responsible for the Spin-Clean Record Washer, says AudioMart lists both used and new equipment. "It's quicker, faster, more socially integrated, and much more mobile friendly," he proclaims. "Images are posted for free, and we're offering free dealer storefronts through September 1."
That is not a feeble attempt at a joke; it really is how Mr. Freud forced this Contributing Editor to slip on the word “editors.” Perhaps I was thinking of The Absolute Sound Executive Editor Jonathan Valin, who not only pulled a no-show for the Friday and Saturday afternoon 90-minute Editors panelspre-show promotion and the show guide had advertised his participation, with Robert Harleybut also attempted to erase from history, in his online AXPONA report, the rather significant fact that the last major audio show in Chicago was not the 1994 Consumer Electronics Show, as he claims, but rather in 1999, when the Stereophile show came to the Windy City. Is such competitiveness really necessary, given how different the two magazines are?
The moderator for both panels was the extremely articulate and informed Bes Nievera of Music Direct and also a host on Chicago area public radio station WDCB, who just happens to be a long-time audiophile. Panelists included (leftright), from TAS, Editor-in-Chief Robert Harley; from DaGoGo.com, Senior Editor Ed Momkus; from Stereophile and an embarrassingly long list of other publications, Contributing Ediot Jason Victor Serinus, and Stereophile’s Editor-in-Chief John Atkinson.