NY Audio Show 2013

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Stephen Mejias Posted: Apr 17, 2013 1 comments
Music Hall’s Roy Hall was excited about his new a15.3 integrated amplifier and matching c-dac15.3 CD player/DAC combo. Just as any good integrated amplifier should, the 50Wpc a15.3 includes a headphone output, front-panel mini-jack input, moving-magnet phono stage, and remote control. The one-box c-dac15.3 combines a three-input (optical, coax, USB-B) Wolfson DAC section with a CD player, itself based around a Burr-Brown 24-bit/192kHz-capable DAC. Build quality seemed excellent. Each unit will sell for $549. Music Hall just keeps churning out interesting, affordable products. I’ll look forward to learning more about these units later this year.
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Art Dudley Posted: Apr 17, 2013 5 comments
Let's just come out and say it: loudspeaker designer Jeff Joseph, of Joseph Audio, always makes a good sound, and his system's performance at this venue was no exception: organic, open, natural, un-spectacular, un-bombastic, and just plain lovely. The speakers in question were the Joseph Audio Pulsars ($7000/pair), driven by a Unison Unico 50 amplifier ($1450), fed by a Lynx Hilo D/A converter (street price: $2500) and a laptop equipped with Channel D's Pure Music software ($129). Cables were by Cardas.
Ariel Bitran Posted: Apr 17, 2013 1 comments
Peter Ledermann of Soundsmith is a nice guy, I promise.

The Reception Hall was teaming with audiophiles and exhibitors expressing hellos and chatting about gear and music. Here’s a look:

Ariel Bitran Posted: Apr 17, 2013 0 comments
Canned jazz: that inoffensive blend of 80s synths, smooth sax, and punchy bass guitar. There was a lot of this at the New York Audio Show.
Ariel Bitran Posted: Apr 17, 2013 1 comments
This year, the surprising lack of SRV (and overabundance of easy listening) made me glad to hear his perennial cover of “Little Wing” through Sony’s new and more “affordable” SS-NA2ES floorstanding loudspeakers ($10,000/pair) through Pass Labs amplification. Last year’s system impressed me thoroughly, striking a balance between romance and detail. This year’s system favored speed and attack accenting flourishes I had never heard before in SRV’s Hendrix cover but sounding a bit cool on “Breaking Silence” by Janice Ian.
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Stephen Mejias Posted: Apr 17, 2013 0 comments
I got to hear KEF’s X300A powered desktop speaker ($800/pair) when I visited the company late last year. Now the system has found its way to the States. KEF's animated brand ambassador, Johan Coorg, gave a characteristically colorful demo.

The X300A uses KEF's Uni-Q point-source driver array and places twin class-A/B amplifiers and a high-quality toroidal transformer in each cabinet. Further, each speaker has an internal 24-bit/96kHz asynchronous DAC. The signal flows not through standard speaker wire, but via a "digital inter-speaker connection," or USB link. According to Coorg, this is to ensure that high-quality sound is carried through the entire signal chain.

Ariel Bitran Posted: Apr 17, 2013 6 comments

Many attendees at the New York Audio Show 2013 were afraid to admit they were audiophiles, opting for complicated explanations about their passion for music. Yet, what is just so scary about being an audiophile? I walked around asking folks the next day, "What is an audiophile?" in hopes to discover just what it meant.

Thank you to all of those who participated.

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Stephen Mejias Posted: Apr 17, 2013 0 comments
From left: Dan D’Agostino, Vince Galbo of MSB, and Peter McGrath of Wilson Audio Specialties.

In association with Innovative Audio, these gentleman put together a high-performance system made of Wilson Alexia loudspeakers ($48,500/pair); D’Agostino Momentum monoblocks ($55,000/pair) and Ultra-Analog preamplifier ($32,000 with power base); MSB Diamond DAC IV Plus ($27,995) with FemtoSecond Galaxy Clock ($4995), Diamond Stepped Attenuator ($2995), USB2 Signature 384kHz input option ($1395), Pro IS input option ($995), Diamond ($5995) and Signature ($4995) power bases, and Platinum Data CD IV disc player ($3995); and Transparent Reference XL speaker cables ($13,160/pair), balanced interconnects ($9270/pair), and digital interconnects ($3195 each). Power conditioning was also from Transparent, while the equipment was supported by Finite Element Pagode racks.

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Art Dudley Posted: Apr 17, 2013 0 comments
Here's Channel D's Rob Robinson, who reminded visitors to the room he shared with Joseph Audio that the fine-sounding 24/192 vinyl drops we enjoyed therein (Priscilla Ahn's "A Good Day" comes to mind) were done using his Pure Vinyl software, with RIAA equalization performed in the digital domain.
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Stephen Mejias Posted: Apr 17, 2013 4 comments
Because I know Wes Bender and E.A.R.’s Dan Meinwald are always open to new sounds, I took the opportunity in the Wes Bender Studio room to play the title cut from Aidan Baker’s latest release, Already Drowning.
Ariel Bitran Posted: Apr 17, 2013 0 comments
Mat Weisfield was ultra-stoked to tell me about VPI's new 3D-printed tonearm. I'll let Art do the explaining, but when I heard the VPI room, images were rock solid and full-bodied through the 3D printed tonearm and nascent VPI Classic Direct. A turntable created out of happenstance, when the chassis for the planned direct-drive Vanquish was not ready for the show, they stuck the Vanquish parts into a Classic chassis and the VPI Classic Direct (approximately $20-25k) was born. Resourceful, those VPI fellas.
Ariel Bitran Posted: Apr 17, 2013 0 comments
The intriguing sonics and gorgeous décor of Gideon Schwartz’s Audio Arts room were easily noticed by anyone who entered. Just in front of me, a little boy took pictures with his iPhone of the imposing yet luxurious Zellaton Studio Reference One loudspeakers ($52,750/pair). Schwartz’s room, the Chairman’s Office as indicated by New York Palace signs, used to be the office for hotel inheritor and tyrant manager Leona Helmsley. Dusty multi-colored hard-bound books lined the dark mahogany shelves next to daintily painted ceramic pots centered by the wonderfully symmetrical American-crafted Audio Strata racks.
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Stephen Mejias Posted: Apr 17, 2013 0 comments
A second, smaller Innovative Audio room held a system made of Wilson Audio’s Sasha W/P loudspeakers ($27,900/pair); Lamm M1.2 Reference hybrid monoblocks ($24, 190/pair); VTL TL-7.5 Series III Reference preamplifier ($20,000) and TP-6.5 Signature phono preamp ($10,500 with moving-coil step-up transformer); Spiral Groove SG2 turntable ($21,000, with Centroid tonearm) and Lyra Kleos MC cartridge ($3000); Transparent cables, power conditioning, and AC cords; and Finite Element Pagode racks and supports.
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Stephen Mejias Posted: Apr 17, 2013 1 comments
Michael Fremer entertains a packed house with an in-depth discussion on various pressings of the Beach Boys’ classic album, Pet Sounds. The event was co-hosted by Classic Album Sundays’ Colleen Murphy. For more info on Mikey’s seminars, visit AnalogPlanet.com.
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Art Dudley Posted: Apr 17, 2013 0 comments
Tentatively named the JMW-3D (the suffix refers to the modeling technology used to create its high-tech tooling), VPI's new one-piece tonearm wand/headshell/bearing housing is molded from epoxy resin, which promises to resist sound-coloring resonances while remaining comparatively immune to the problem of energy storage. Although pricing has yet to be determined, VPI's Harry Weisfeld suggests that the arm may be expensive at first, although he hopes that prices may moderate as the production process itself becomes less expensive. The new arm is seen here on a prototype of the VPI Classic Direct, a direct-drive turntable based on the Classic chassis (projected price: ca $20,000).

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