NY Audio Show 2013

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Stephen Mejias Posted: Apr 17, 2013 1 comments
Michael Fremer entertains a packed house with an in-depth discussion on various pressings of the Beach Boys’ classic album, Pet Sounds. The event was co-hosted by Classic Album Sundays’ Colleen Murphy. For more info on Mikey’s seminars, visit AnalogPlanet.com.
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Art Dudley Posted: Apr 17, 2013 0 comments
Tentatively named the JMW-3D (the suffix refers to the modeling technology used to create its high-tech tooling), VPI's new one-piece tonearm wand/headshell/bearing housing is molded from epoxy resin, which promises to resist sound-coloring resonances while remaining comparatively immune to the problem of energy storage. Although pricing has yet to be determined, VPI's Harry Weisfeld suggests that the arm may be expensive at first, although he hopes that prices may moderate as the production process itself becomes less expensive. The new arm is seen here on a prototype of the VPI Classic Direct, a direct-drive turntable based on the Classic chassis (projected price: ca $20,000).
Ariel Bitran Posted: Apr 17, 2013 1 comments
JPS Labs leaps into the world of headphones with the Abyss: a highly customizable head-gripping $5495 listening device. More info on these intense cans be found on their website.
Ariel Bitran Posted: Apr 16, 2013 0 comments
At last year's NYAS, the Audio Note room had been a musical joy and learning experience. After a brief hello to music lover, photographer, and Audio Note exhibitor David Cope, we got straight to business with music listening. First on the Audio Note TT Two Deluxe turntable ($3500) was Las Guitarras De Sergio y Eduardo Abreu, where the brothers perform the music of Bach, Scarlatti, Albeniz, and more. Having played this record at least fifteen times in the past four weeks, I noticed immediately that the soundstage was imbalanced. Both guitars were too far to the left, but I refrained from comment.
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Art Dudley Posted: Apr 16, 2013 1 comments
Andy Regan of Cardas Audio saw me near the 10th-floor elevators and asked, "Do you have an iPod or an iPhone?" I said that I did, and Andy handed me a leather pouch upon which the Cardas logo had been printed. Inside was an obviously well-made pair of earbuds. "Give 'em a try."
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Art Dudley Posted: Apr 16, 2013 0 comments
Among the smaller systems I heard at NYAS, this nears the top of my list: the Resonessence Labs Invicta D/A converter ($3990), driving the Music First Audio Baby Reference preamplifier ($6990; see Sam Tellig’s rave in the October 2012 issue), the Wells Audio Innamorata power amp ($6000), and most recognizably, Audio Space’s BBC-approved version of the classic (imagine that word in gold leaf) LS-3/5a monitor (only $1790/pair) and SW-1a woofer towers ($1190), with cable by Audience. This setup had exceptional drive and impact: qualities I associate with good transformers, of which the passive Music First preamp has an abundance.
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Art Dudley Posted: Apr 16, 2013 0 comments
Heard at the NYAS with a Leben CS600 integrated amplifier and an Arcam CD73 CD player, the smartly styled desktop loudspeakers from Well Rounded Sound impressed me far more than at previous shows. Their standard Corgi model ($799/pair), used in parallel with a pair of their passive Woof 4 woofers ($399 each) were surprisingly engaging on the Jimmy Cobb Quartet's Jazz in the Key of Blue: explicit without being bright, with decent color and impact. At NYAS 2013, Well Rounded also debuted two new models: the Jack Terrier SE ($349/pair, shown on the left) and the Corgi Mini ($399/pair, shown on the right).
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Stephen Mejias Posted: Apr 16, 2013 0 comments
Bob Sattin—the Bob in Bob’s Devices—introduced his new Step-Up Transformer/VPI Interface Box ($1650), “specially created to improve the performance of a VPI turntable when used with a low-output moving-coil cartridge.”
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Stephen Mejias Posted: Apr 16, 2013 4 comments
Dan Clark’s MrSpeakers Mad Dog headphone ($299) starts as a Fostex T50RP, but adds extremely comfortable lamb-leather ear pads, a leather “comfort strap,” revised 3.5mm and 7mm headphone jacks, and modifications to the headphone cups and driver surfaces.

Clark’s goal was to make a closed-back headphone that would perform well at home and on the go. He says that additional upgrades can be made easily over time, so that customers can “treat each purchase as an investment.”

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Stephen Mejias Posted: Apr 16, 2013 3 comments
In the Headzones room, Astell & Kern’s Owen Kwon introduced me to his company’s sexy little AK100 hi-rez portable music player ($699).

The AK100 is good-looking, powerful, and versatile:

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Stephen Mejias Posted: Apr 16, 2013 0 comments
Cardas’ Andy Regan enthusiastically introduced me to his company’s EM5813 Model 2 in-ear monitor ($425; a more efficient, but less refined Model 1 version costs $325). The EM stands for “ear mirror,” as the device was designed to mirror the human ear system; the numbers 5813 are part of the Fibonacci Sequence, which remains integral to all Cardas designs.
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Art Dudley Posted: Apr 16, 2013 0 comments
In one of three NYAS rooms sponsored by the Manhattan dealer Rhapsody Music & Cinema, a pair of Vivid G3 Giya loudspeakers ($40,000/pair) sounded colorful, spacious, and well-textured with a pair of mono amps ($15,000) and a line-level preamp ($10,000) from the new Dutch company Mola Mola. (The company’s chief designer, late of Philips BV, is said to be the originator of “universal Class-D.”) Digital files supplied by Vivid’s and Mola Mola’s distributor, the reliable Philip O’Hanlon—he never fails to make my Top Five list of people who bring the best music to the show—were played on Luxman’s DSD-friendly DA06 converter ($6000).
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Art Dudley Posted: Apr 16, 2013 0 comments
I've noted the typically spacious, airy sound of Reimyo electronics at previous shows, and at NYAS 2013 the brand followed suit. Playing through a pair of Combak Audio's single-driver Bravo loudspeakers (ca $8000/pair), themselves supported by Combak Dinosaur stands ($4000/pair not including feet, the latter represented by options too numerous to list here), the Reimyo gear did a lovely job with the classic Fritz Reiner/Chicago Symphony Orchestra Scheherazade. (NB: The astonishing trumpeter on that 1960 recording, Bud Herseth, died only days ago.) Reimyo products in use included the CDT-777 CD transport (ca $12,000), the CAT-777 preamp (ca $20,000), and the KAP-777 monoblock amplifiers ($27,000/pair). I was given to understand that Wynn Audio, which sponsored this room, now distributes Reimyo and Combak in the US.
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Art Dudley Posted: Apr 16, 2013 0 comments
At NYAS 2013, I was more impressed with the French Waterfall loudspeakers than at previous shows. Their Victoria Evo model ($7000 per pair) sounded clear and articulate in the second of two Audio Doctor rooms, demonstrated with an Auralic Vega D/A converter ($3495), Manley 300B preamplifier ($5795), and Aragon 8008 amplifier ($4400); judging from the smiles all around, Dave Lalin of Audio Doctor and Nadine Chaix Dewell and Cedric Aubriot of Waterfall would agree.
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Art Dudley Posted: Apr 16, 2013 1 comments
The Audio Note Corporation of Japan—which offers products under the surname of that company's founder, the late Hiruyasu Kondo—has, in recent years, flown so far under the radar that some feared they were defunct. Now the leaders of Kondo have rededicated themselves to this market, with Rhapsody Music & Cinema as their new US distributor.

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