NY Audio Show 2013

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Art Dudley Posted: Apr 17, 2013 0 comments
Here's Channel D's Rob Robinson, who reminded visitors to the room he shared with Joseph Audio that the fine-sounding 24/192 vinyl drops we enjoyed therein (Priscilla Ahn's "A Good Day" comes to mind) were done using his Pure Vinyl software, with RIAA equalization performed in the digital domain.
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Stephen Mejias Posted: Apr 17, 2013 4 comments
Because I know Wes Bender and E.A.R.’s Dan Meinwald are always open to new sounds, I took the opportunity in the Wes Bender Studio room to play the title cut from Aidan Baker’s latest release, Already Drowning.
Ariel Bitran Posted: Apr 17, 2013 0 comments
Mat Weisfield was ultra-stoked to tell me about VPI's new 3D-printed tonearm. I'll let Art do the explaining, but when I heard the VPI room, images were rock solid and full-bodied through the 3D printed tonearm and nascent VPI Classic Direct. A turntable created out of happenstance, when the chassis for the planned direct-drive Vanquish was not ready for the show, they stuck the Vanquish parts into a Classic chassis and the VPI Classic Direct (approximately $20-25k) was born. Resourceful, those VPI fellas.
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Art Dudley Posted: Apr 16, 2013 1 comments
Once hailed as the most expensive amplifier in domestic audio—a distinction that has long since passed by the wayside, even when one accounts for inflation—the legendary Audio Note (Japan) Ongaku was put through its paces in the Kondo room. Though designed as an integrated amp—its stereo pair of 211 tubes, run single-ended, offer 27Wpc—this Ongaku was being used as a power amplifier, by means of its direct inputs. Pricing information was unavailable at the time of my visit.
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Art Dudley Posted: Apr 16, 2013 1 comments
Audio Doctor also demonstrated a relatively affordable (there goes that bar of soap again) Euro-fi system, with Waterfall Hurricane loudspeakers ($1600/pair), an Electrocompaniet 6DS integrated amplifier ($7500, offstage), and an Electrocompaniet EMC-1UP Red Book CD player ($7290).
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Stephen Mejias Posted: Apr 16, 2013 0 comments
“To limit yourself to just vinyl,” says Audioarts’ Gideon Schwartz, “would be ridiculous.”

It’s not that Schwartz doesn’t like vinyl—several LPs were scattered about the beautiful demo room, said to have been the office of Leona Helmsley—but he simply believes that a good system should work well with all music formats, and more, should sound good in many different rooms.

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Stephen Mejias Posted: Apr 16, 2013 1 comments
I was pleased to learn that Sennheiser has plans to expand its fashion-conscious Momentum line to include at least two new, lower-priced models.
Ariel Bitran Posted: Apr 16, 2013 0 comments
Few hi-fi brands seem to have the omnipresence in the consumer electric goods market as MartinLogan, likely because of their affordable prices and non-invasive aesthetics. Yet, I’ve never gotten a chance to hear them, only see them inside a Best Buy. I found a Grateful Dead Dick’s Picks from 5/22/77 in Pembroke Pines, Florida in their stack of CDs.
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Art Dudley Posted: Apr 16, 2013 1 comments
Andy Regan of Cardas Audio saw me near the 10th-floor elevators and asked, "Do you have an iPod or an iPhone?" I said that I did, and Andy handed me a leather pouch upon which the Cardas logo had been printed. Inside was an obviously well-made pair of earbuds. "Give 'em a try."
Ariel Bitran Posted: Apr 16, 2013 0 comments
At last year's NYAS, the Audio Note room had been a musical joy and learning experience. After a brief hello to music lover, photographer, and Audio Note exhibitor David Cope, we got straight to business with music listening. First on the Audio Note TT Two Deluxe turntable ($3500) was Las Guitarras De Sergio y Eduardo Abreu, where the brothers perform the music of Bach, Scarlatti, Albeniz, and more. Having played this record at least fifteen times in the past four weeks, I noticed immediately that the soundstage was imbalanced. Both guitars were too far to the left, but I refrained from comment.
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Art Dudley Posted: Apr 16, 2013 0 comments
Heard at the NYAS with a Leben CS600 integrated amplifier and an Arcam CD73 CD player, the smartly styled desktop loudspeakers from Well Rounded Sound impressed me far more than at previous shows. Their standard Corgi model ($799/pair), used in parallel with a pair of their passive Woof 4 woofers ($399 each) were surprisingly engaging on the Jimmy Cobb Quartet's Jazz in the Key of Blue: explicit without being bright, with decent color and impact. At NYAS 2013, Well Rounded also debuted two new models: the Jack Terrier SE ($349/pair, shown on the left) and the Corgi Mini ($399/pair, shown on the right).
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Art Dudley Posted: Apr 16, 2013 0 comments
Among the smaller systems I heard at NYAS, this nears the top of my list: the Resonessence Labs Invicta D/A converter ($3990), driving the Music First Audio Baby Reference preamplifier ($6990; see Sam Tellig’s rave in the October 2012 issue), the Wells Audio Innamorata power amp ($6000), and most recognizably, Audio Space’s BBC-approved version of the classic (imagine that word in gold leaf) LS-3/5a monitor (only $1790/pair) and SW-1a woofer towers ($1190), with cable by Audience. This setup had exceptional drive and impact: qualities I associate with good transformers, of which the passive Music First preamp has an abundance.
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Stephen Mejias Posted: Apr 16, 2013 0 comments
Bob Sattin—the Bob in Bob’s Devices—introduced his new Step-Up Transformer/VPI Interface Box ($1650), “specially created to improve the performance of a VPI turntable when used with a low-output moving-coil cartridge.”
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Stephen Mejias Posted: Apr 16, 2013 4 comments
Dan Clark’s MrSpeakers Mad Dog headphone ($299) starts as a Fostex T50RP, but adds extremely comfortable lamb-leather ear pads, a leather “comfort strap,” revised 3.5mm and 7mm headphone jacks, and modifications to the headphone cups and driver surfaces.

Clark’s goal was to make a closed-back headphone that would perform well at home and on the go. He says that additional upgrades can be made easily over time, so that customers can “treat each purchase as an investment.”

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Stephen Mejias Posted: Apr 16, 2013 3 comments
In the Headzones room, Astell & Kern’s Owen Kwon introduced me to his company’s sexy little AK100 hi-rez portable music player ($699).

The AK100 is good-looking, powerful, and versatile:

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