NY Audio Show 2013

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Stephen Mejias Posted: Apr 16, 2013 0 comments
Bob Sattin—the Bob in Bob’s Devices—introduced his new Step-Up Transformer/VPI Interface Box ($1650), “specially created to improve the performance of a VPI turntable when used with a low-output moving-coil cartridge.”
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Stephen Mejias Posted: Apr 16, 2013 4 comments
Dan Clark’s MrSpeakers Mad Dog headphone ($299) starts as a Fostex T50RP, but adds extremely comfortable lamb-leather ear pads, a leather “comfort strap,” revised 3.5mm and 7mm headphone jacks, and modifications to the headphone cups and driver surfaces.

Clark’s goal was to make a closed-back headphone that would perform well at home and on the go. He says that additional upgrades can be made easily over time, so that customers can “treat each purchase as an investment.”

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Stephen Mejias Posted: Apr 16, 2013 3 comments
In the Headzones room, Astell & Kern’s Owen Kwon introduced me to his company’s sexy little AK100 hi-rez portable music player ($699).

The AK100 is good-looking, powerful, and versatile:

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Stephen Mejias Posted: Apr 16, 2013 0 comments
Cardas’ Andy Regan enthusiastically introduced me to his company’s EM5813 Model 2 in-ear monitor ($425; a more efficient, but less refined Model 1 version costs $325). The EM stands for “ear mirror,” as the device was designed to mirror the human ear system; the numbers 5813 are part of the Fibonacci Sequence, which remains integral to all Cardas designs.
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Art Dudley Posted: Apr 16, 2013 0 comments
In one of three NYAS rooms sponsored by the Manhattan dealer Rhapsody Music & Cinema, a pair of Vivid G3 Giya loudspeakers ($40,000/pair) sounded colorful, spacious, and well-textured with a pair of mono amps ($15,000) and a line-level preamp ($10,000) from the new Dutch company Mola Mola. (The company’s chief designer, late of Philips BV, is said to be the originator of “universal Class-D.”) Digital files supplied by Vivid’s and Mola Mola’s distributor, the reliable Philip O’Hanlon—he never fails to make my Top Five list of people who bring the best music to the show—were played on Luxman’s DSD-friendly DA06 converter ($6000).
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Art Dudley Posted: Apr 16, 2013 0 comments
I've noted the typically spacious, airy sound of Reimyo electronics at previous shows, and at NYAS 2013 the brand followed suit. Playing through a pair of Combak Audio's single-driver Bravo loudspeakers (ca $8000/pair), themselves supported by Combak Dinosaur stands ($4000/pair not including feet, the latter represented by options too numerous to list here), the Reimyo gear did a lovely job with the classic Fritz Reiner/Chicago Symphony Orchestra Scheherazade. (NB: The astonishing trumpeter on that 1960 recording, Bud Herseth, died only days ago.) Reimyo products in use included the CDT-777 CD transport (ca $12,000), the CAT-777 preamp (ca $20,000), and the KAP-777 monoblock amplifiers ($27,000/pair). I was given to understand that Wynn Audio, which sponsored this room, now distributes Reimyo and Combak in the US.
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Art Dudley Posted: Apr 16, 2013 0 comments
At NYAS 2013, I was more impressed with the French Waterfall loudspeakers than at previous shows. Their Victoria Evo model ($7000 per pair) sounded clear and articulate in the second of two Audio Doctor rooms, demonstrated with an Auralic Vega D/A converter ($3495), Manley 300B preamplifier ($5795), and Aragon 8008 amplifier ($4400); judging from the smiles all around, Dave Lalin of Audio Doctor and Nadine Chaix Dewell and Cedric Aubriot of Waterfall would agree.
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Art Dudley Posted: Apr 16, 2013 1 comments
The Audio Note Corporation of Japan—which offers products under the surname of that company's founder, the late Hiruyasu Kondo—has, in recent years, flown so far under the radar that some feared they were defunct. Now the leaders of Kondo have rededicated themselves to this market, with Rhapsody Music & Cinema as their new US distributor.
Ariel Bitran Posted: Apr 16, 2013 0 comments
rrill Wettasingh of Merrill Audio says his class-D Veritas Monoblock amplifiers are "not for tube lovers." The crimson or black chassis is made of a solid 60lb billet of aluminum. Allowing only spade connection for the "best and biggest" sound, these 400 watt (8 ohms) power-houses seek "audio purity" rather than coloration, according to Wettasingh.
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Art Dudley Posted: Apr 15, 2013 0 comments
In one of two rooms sponsored by New Jersey dealer Audio Doctor, Jay Rein of distributor Bluebird Music demonstrated an impressive system comprising KEF Blade loudspeakers ($30,000/pair), Chord SPM 14000 Mk.II mono amplifiers ($86,000/pair), the Chord CPA 8000 Reference preamp ($45,000), a Manley Steelhead phono preamp ($8000), and the Kronos turntable (starting at $32,000)—a combination on which Neil Young’s Comes a Time album sounded so good, I can scarcely wait to hear it again when I get home. While there I also enjoyed some music files—appropriately, my friend Michael Lavorgna of Audiostream.com had the seat next to mine—courtesy of the Chord DSX-1000 ($13,000), a music streamer that incorporates the same company’s well-received QBD 76 D/A converter.
Ariel Bitran Posted: Apr 15, 2013 2 comments
My first stop on Day One was just around the corner from the pressroom: Ciamara’s big-time system with the massive TAD Reference One loudspeakers ($80,000/pair). Ciamara’s young and passionate Chairman and CEO Sanjay Patel welcomed me with a smile. Patel established his New York City shop five years ago by hiring a team of engineers to focus their efforts on the craft of high-end audio home installations.
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Stephen Mejias Posted: Apr 15, 2013 1 comments
Another encouraging sign of the times: At the New York Audio Show, I met several pairs of fathers and sons.

People ask me over and over: How do we get more young people involved in the hi-fi hobby?

Ariel Bitran Posted: Apr 15, 2013 1 comments
Innovative Audio Video Showrooms, a New York City hi-fi gallery hosted two rooms this year: one room with an ultimate-truth to recording digital playback system and the ultra-smooth analog room.

Scott Haggart, a passionate Innovative employee and expert hi-fi demo deliverer was in the midst of a presentation upon my arrival. Haggart treats his work with serious care, and as anyone who has experienced one of his demos can attest to, he guides the listeners patiently through the exact gear that they are listening to and details about the music, a skill not many exhibitors at this hi-fi show demonstrated.

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Art Dudley Posted: Apr 15, 2013 0 comments
Here’s a closer look at that Chord CPA 8000 Reference preamp ($45,000), whose beautiful level controls must surely inspire envy in any audiophile with a pulse.
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Art Dudley Posted: Apr 15, 2013 0 comments
Suggesting that a $10,000 amplifier might represent decent value for the money is, when done within earshot of the most aggressive audiophiles, not unlike dropping the soap in the prison shower; nevertheless, the snappily named 6C33C SE amp from the Budapest firm Tube Guru, the price of which breaks the five-figure barrier by one penny, impressed me as a good buy for what it is. And what it is is a handmade all-tube stereo power amp that gets 14Wpc from its nominal indirectly heated power triodes. The 6C33C SE, which is imported by Beauty of Sound, sounded shockingly good driving the planar-plus-ribbon Model 8 loudspeakers ($65,000 per pair) from Leonardo Audio, the latter imported by Laufer Teknik.

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