NY Audio Show 2013

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Art Dudley Posted: Apr 15, 2013 0 comments
In one of two rooms sponsored by New Jersey dealer Audio Doctor, Jay Rein of distributor Bluebird Music demonstrated an impressive system comprising KEF Blade loudspeakers ($30,000/pair), Chord SPM 14000 Mk.II mono amplifiers ($86,000/pair), the Chord CPA 8000 Reference preamp ($45,000), a Manley Steelhead phono preamp ($8000), and the Kronos turntable (starting at $32,000)—a combination on which Neil Young’s Comes a Time album sounded so good, I can scarcely wait to hear it again when I get home. While there I also enjoyed some music files—appropriately, my friend Michael Lavorgna of Audiostream.com had the seat next to mine—courtesy of the Chord DSX-1000 ($13,000), a music streamer that incorporates the same company’s well-received QBD 76 D/A converter.
Ariel Bitran Posted: Apr 15, 2013 2 comments
My first stop on Day One was just around the corner from the pressroom: Ciamara’s big-time system with the massive TAD Reference One loudspeakers ($80,000/pair). Ciamara’s young and passionate Chairman and CEO Sanjay Patel welcomed me with a smile. Patel established his New York City shop five years ago by hiring a team of engineers to focus their efforts on the craft of high-end audio home installations.
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Stephen Mejias Posted: Apr 15, 2013 1 comments
Another encouraging sign of the times: At the New York Audio Show, I met several pairs of fathers and sons.

People ask me over and over: How do we get more young people involved in the hi-fi hobby?

Ariel Bitran Posted: Apr 15, 2013 1 comments
Innovative Audio Video Showrooms, a New York City hi-fi gallery hosted two rooms this year: one room with an ultimate-truth to recording digital playback system and the ultra-smooth analog room.

Scott Haggart, a passionate Innovative employee and expert hi-fi demo deliverer was in the midst of a presentation upon my arrival. Haggart treats his work with serious care, and as anyone who has experienced one of his demos can attest to, he guides the listeners patiently through the exact gear that they are listening to and details about the music, a skill not many exhibitors at this hi-fi show demonstrated.

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Art Dudley Posted: Apr 15, 2013 0 comments
Here’s a closer look at that Chord CPA 8000 Reference preamp ($45,000), whose beautiful level controls must surely inspire envy in any audiophile with a pulse.
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Art Dudley Posted: Apr 14, 2013 1 comments
Colleen Murphy, whose first serious system was built around a pair of Klipschorns, prefers vinyl to all other formats—not just for the superior sound, but for other, less tangible qualities. “It’s almost a ritual,” she said at NYAS 2013. “The inconvenience is one of the things that makes us give ourselves over to it.”
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Art Dudley Posted: Apr 14, 2013 2 comments
Colleen “Cosmo” Murphy, the record-store clerk-turned-internationally known DJ-turned-analog impresario, has set out to change the way we listen, one roomful at a time; based on my experiences at NYAS 2013, she is bound to succeed. I had heard that Ms. Murphy is as sound- and music-savvy as she is lovely, and I can only say those observations don’t do her justice. “Today, music is treated almost as aural wallpaper, as a cheap commodity,” Murphy bemoaned in her opening remarks before spinning the Japanese vinyl version of David Bowie’s Hunky Dory on a truly grand system, including a Spiral Groove SG1.1 turntable with Centroid tonearm and a Lyra Atlas cartridge; a VTL TP 6.5 phono preamp (with integral step-up transformer); VTL’s TL 7.5 line-level preamp and Siegfried monoblock amps; Wilson Audio MAXX 3 loudspeakers and Opus series cabling from Transparent. (When I visited the Classic Album Sundays room, early on the show’s first day, exact pricing details weren’t yet available; suffice it to say, everything was rather expensive.)
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Art Dudley Posted: Apr 14, 2013 1 comments
Among the finest aspects of the site selected for the Chester Group’s New York Audio Show was the view from the New York Palace hotel. As you can see from this glimpse through the window at the exhibit of Well Rounded Sound (to whom I’ll return shortly), one side of the Palace looks out on the neo-gothic Cathedral of St. Patrick, dwarfed by other architectural marvels in this concrete canyon: serious sights for serious listening.
Ariel Bitran Posted: Apr 13, 2013 0 comments
It had already been a long week at Stereophile. I trucked through three thirteen-hour workdays plugging in code for the Recommended Components iPad app and had my first dentist appointment in five years. Holes had been burned through my eyes and scraped through my teeth. Luckily, my ears were still there dangling. But the rain, the rain, THE RAIN! I could have done without the rain this morning.
Ariel Bitran Posted: Apr 13, 2013 0 comments
The audiophile press seemed a surprisingly patient bunch. After following the incredibly well indicated signs placed by the Chester Group to the Fourth Floor of the New York Palace, reporters and photographers waited subserviently in a four-person line to receive our press badges. At the counter, Art Dudley, columnist and Editor-at-Large for Stereophile, and Jeff Dorgay, publisher at Tone Audio, chummed it up.
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Stephen Mejias Posted: Apr 10, 2013 7 comments
From Tsunehisa Kimura's Toshi Wa Sawayakana Asa Wo Mukaeru (The City Welcomes a Fresh Morning)

As Jason Victor Serinus reported, the New York Audio Show will take place this Friday through Sunday at the Palace Hotel (455 Madison Avenue, at 50th Street) and will host some 250 high-performance audio brands and several interesting seminars.

But the New York Audio Show is not the only audio-related event to take place in Manhattan this weekend. Two major NYC dealers, Lyric Hi-Fi & Video and Stereo Exchange, will hold their own special events, separate from the NYAS. Both events are free to the public and will feature product demonstrations, discounted pricing on demo equipment, and ample time for Q&A with manufacturer representatives.

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Jason Victor Serinus Posted: Apr 07, 2013 8 comments
What, another audio show? Yes, barely three weeks after the close of Salon Son et Image in Montreal, and five weeks after AXPONA Chicago, the UK-based Chester Group's New York Audio Show gets underway. Running April 12–14 in the New York Palace Hotel (455 Madison Avenue at 50th Street), the show promises perhaps the largest numbers of seminars and live music events of any current audio show in the US.
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Stephen Mejias Posted: Apr 17, 2013 1 comments
Coincident Speaker Technology and NYC dealer Audio Loft demonstrated a system made of Coincident’s Pure Reference Extreme loudspeakers ($26,800/pair) driven by Coincident’s 75W Dragon 211PP monoblocks ($10,999/pair), Statement Line Stage ($5499), and Statement Phono ($5999). Source was a VPI Classic 4 ($8000) with a beautiful rosewood base and HR-X 12.7 tonearm mounted with a Dynavector DRT XV-1t cartridge. Cables were Coincident’s own, and the gear was supported by a Steve Blinn Designs Monarch equipment rack.
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Art Dudley Posted: Apr 18, 2013 0 comments
Industry veteran Louis Manno was on-hand to remind show attendees about the Audio History Library and Museum, a non-profit organization that's dedicated to creating an on-line database of information on the domestic and pro audio industries. (To that end, Manno brought with him some of the more tangible audio specimens from his collection.) Individuals and businesses alike can contribute to this project in a variety of ways; details are available at www.audiohistory.com.
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Stephen Mejias Posted: Apr 15, 2013 17 comments
Each morning, before heading to the Palace Hotel, I’d stop at the Stereophile office to check on the state of our current issue and answer any important email. On Friday morning, I noticed an email whose subject line was made of a single intriguing word: cancelled.

I opened the email to find the following:

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