NY Audio Show 2013

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Art Dudley Posted: Apr 18, 2013 0 comments
I was intrigued by the new MartinLogan Dynamo 1500X subwoofer ($1595), but even more so in a relatively humble accessory that M-L offers to buyers of their current subwoofers: the Perfect Bass Kit or PBK ($100), comprising a stand plus a USB microphone, the latter to connect between your woofer and your PC in order to optimize positioning and setup.
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Art Dudley Posted: Apr 18, 2013 0 comments
Ariel Bitran is better than I when it comes to photographing shiny, black loudspeakers in rooms with less than generous lighting. Consequently, although I enjoyed the music I heard at the second of two GTT Audio rooms from YG Acoustic Kipod II loudspeakers ($38,800/pair), I succeeded in photographing only the Veloce Saetta monoblock amplifiers ($18,000/pair) that were used to drive them. No loss there: The always interesting Veloce electronics—which, for this demonstration, included their LS-1 line-level preamplifier ($18,000)—represent some very cool technology. Both the tubed (6H30) preamp and the hybrid (tubed input, solid-state output, 400Wpc) amps are battery powered, offering 40-hour listening sessions on a single charge and an estimated battery life of 10 years. A digital file of Hugh Masekela, played from a Luxman DA06 D/A converter ($6000), sounded both open and colorful, and a recording of the Saint-Saens Danse Macabre (orchestra and conductor unknown) had me thinking more about music than gear by the time I had to leave the room.
Ariel Bitran Posted: Apr 18, 2013 3 comments
These $3000 ear-speakers manufactured by the German division of Quad sure do look funny, but they made serious sound in the Headzone room. The Float-QA Headphones flanked gently down my temples and reproduced a carefree and natural delivery full of concert-hall realism. They require the accompanying Float QA-PSU to operate, and fit can be adjusted via a loose head strap. Though they felt a bit wobbly, I’m sure in a stable home setting, these things could easily let you drift away.
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Art Dudley Posted: Apr 18, 2013 0 comments
Red Wine Audio of Holden, MA, was the remaining link in the Sound by Singer chain: The aforementioned Bricasti D/A converter was, by means of its own volume control, used to directly drive a pair of Red Wine Liliana monoblock amplifiers ($5995/pair), wherein class-A tubed input stages are mated with class-A/B FET output stages to produce 115Wpc of very sweet-sounding watts. In this pic, Red Wine CEO Vinnie Rossi shows off the innards of his Isabella preamplifier ($3995 without phono-stage option), which uses 6H30 "super tubes," yet also supports all triodes in the 6922 family.
Ariel Bitran Posted: Apr 18, 2013 0 comments
After listening to multi-thousand buck systems in nearly every room during the NYAS, the Audioengine room was a friendly reminder that great sound can be had without spending huge sums of money. In my first time hearing the powered Audioengine A2s ($199/pair), I fell for their appreciative sense of space and tone-full textures. Whether it was Andrea Bocelli or No Doubt, the Audioengines pumped the music with power and yet treated it with respect.
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Art Dudley Posted: Apr 18, 2013 2 comments
Upon visiting the room of Colleen Cardas Imports, I was impressed by yet another small loudspeaker: the Signature version of the model 1920 mini-monitor ($3450/pair) from British firm MAD (for My Audio Design). The 1920 is described as designer Timothy Jung's take on the classic BBC LS-3/5a theme, and while it didn't sound precisely like that hallowed box, it was pleasing in much the same way when driven by the 65 WpcClass-A Monoblock Reference power amps ($15,500/pair) and Control Preamplifier ($9500) from Pure Audio, a company founded by the previous principals of Plinius. Source components were the Platinum Data CD IV disc transport ($3995) and The Analog D/A converter ($6995) from MSB Technology, while cabling and power-distribution products were by Furutech.
Ariel Bitran Posted: Apr 18, 2013 2 comments
There it was again, that damned canned jazz. This time it poured out in buckets from the tremendous Spendor Classic SP100R2 loudspeaker ($11,500/pair) pumped by the 160 Watt JA 200 Monoblocks from Jadis ($25,995/pair). This had to be stopped.
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Art Dudley Posted: Apr 18, 2013 1 comments
I've written before about the Washington state-based company Sjöfn HiFi and their remarkable little loudspeaker called the Clue ($999/pair): an inexplicably huge-sounding thing that does a far better job than average of putting across force, feel, and fun. The Sjöfn room at NYAS, sponsored by Outreach A/V of Westfield, New Jersey, went even further, with a double pair of Clues driven by a humble NAD integrated amplifier with a built-in D/A converter, itself fed by an Oppo Blu-Ray player and Squeezebox (offstage). A piece called Concerto for Jazz Drummer and Full Orchestra, written by composer/conductor Harold Farberman and performed with the great drummer Louie Bellson, sounded colorful and wild, just as it should have. That alone motivated me to request, finally, a pair of the Clue for review.
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Art Dudley Posted: Apr 18, 2013 1 comments
Robert Lighton, a noted furniture designer, also runs an appointment-only shop in Manhattan where he sells the products of Audio Note UK, along with the Audio Note-inspired RL-10 loudspeaker ($25,000/pair) that he designed himself. Perhaps more important, as Ariel Bitran has pointed out, Robert Lighton plays good music. Great music. LPs I heard at his NYAS room included Isaac Hayes' Live at the Sahara Tahoe, Nancy Wilson/Cannonball Adderley, and the Shirley Horn Trio's Travelin' Light. I need them all! Thank you, Robert, for playing what I considered the best music of NYAS 2013.
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Stephen Mejias Posted: Apr 18, 2013 0 comments
From left: Sound + Vision's Brent Butterworth, Sanjay Patel of Ciamara and Dave Lalin of the Audio Doctor. A third dealer rep, Tom Altobelli of Woodbridge Stereo, wasn't on hand for this session.

The New York Audio Show was highlighted by several outstanding seminars, providing additional value and even greater joy to a weekend-long event that was already packed with entertainment. I wish I could have attended all of the seminars, but, somewhat sadly, I actually missed most of them. I did, however, make it to the Saturday afternoon session of one well-attended seminar titled “Take the Intimidation out of Buying Audio,” moderated by Sound + Vision’s Brent Butterworth and with representatives from two unique NYC-area dealers: Ciamara’s Sanjay Patel and the Audio Doctor’s Dave Lalin.

When asked why a dealer is necessary to the hi-fi shopping experience, both Patel and Lalin cited their intimate knowledge, not only of individual components and brands, but especially of building complete systems that work well in a number of environments and with a wide range of music.

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Art Dudley Posted: Apr 18, 2013 0 comments
At the room sponsored by New Jersey dealer CARE Audio, the Allnic T2000 integrated amplifier ($8900), whose tube cages suggest a horizon not unlike that of the Manhattan skyline, drove a pair of MAD Baron loudspeakers ($13,000/pair), itself fed by a Calyx FEMTO D/A converter ($6850) and a Musica Pristina A Cappella server ($6500).
Ariel Bitran Posted: Apr 18, 2013 1 comments
The highly interactive Woo Audio room opened their doors to anyone who could pick up a set of headphones. Here a young audiophile listens to a new Woo headphone amp prototype, the GES MkII. Compared to the original GES, the Mk.II has a “wider voltage swing for greater speed and dynamic range.” It will be available for approximately $3500.

Woo Audio was SM's favorite listening experience at the show. Read more here

Ariel Bitran Posted: Apr 17, 2013 0 comments
The YG Kipod loudspeakers powered by Veloce amplification were clean, dynamic, and suggested the right level of stickiness to brass.

But you didn’t hear it from me. I asked JA on Sunday: "What's the best sound you've heard so far today?" Here's what he said:

Ariel Bitran Posted: Apr 17, 2013 7 comments
I saw her first in the Clue room. She exited at the same time as random bald man #72. Were they together? I’m not sure, but the dangerously punchy sound was not helping my listening fatigue. I left. She walked into the Audio Doctor’s KEF Blade display. Should I follow her? That would be weird.

A gentleman from Music First Audio started talking to me and pointing at my camera: “We have a colorful preamp for you to take pictures of.”

“No thanks.”

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Stephen Mejias Posted: Apr 17, 2013 1 comments
While there were many exciting cost-no-object systems on display, the New York Audio Show was also home to refreshingly small and simple systems that nevertheless offered exceptional performance.

KEF’s beautiful LS50 loudspeakers ($1500/pair) were partnered with Audio Electronics’ Constellation tube preamp ($1495), Hercules power amp ($1895), and Lightning DAC ($1295). Wireworld provided the cabling. The music, which came from a laptop, sounded forceful, dynamic, colorful, and present.

If I could have taken home any system from the New York Audio Show, it would have been this one.

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