NY Audio Show 2013

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Art Dudley  |  Apr 18, 2013  |  2 comments
One of the most talked-about exhibitions at NYAS 2013—and, indeed, one that impressed me more than most—was by a newish company called Symbol Audio, specializing in heirloom-quality furnishings that are aimed, it must be said, at non-audiophiles possessed of both good jobs and good taste. The centerpiece of Symbol's room was their Modern Record Console, which combines a high-quality record player from Project, a built-in Apple MacMini with a Meridian Explorer D/A converter, a tubed (push-pull EL84s) integrated amplifier by ENG Vista (with source selections for phono, D/A, and WiFi), and a pair of Omega full-range drivers, supplemented with a self-powered, pedestal-mounted subwoofer. All of this is built into drop-dead-gorgeous cabinetry, bench-built in New Jersey from solid black walnut. Price: $26,500, woodchuck not included.
Art Dudley  |  Apr 18, 2013  |  2 comments
Upon visiting the room of Colleen Cardas Imports, I was impressed by yet another small loudspeaker: the Signature version of the model 1920 mini-monitor ($3450/pair) from British firm MAD (for My Audio Design). The 1920 is described as designer Timothy Jung's take on the classic BBC LS-3/5a theme, and while it didn't sound precisely like that hallowed box, it was pleasing in much the same way when driven by the 65 WpcClass-A Monoblock Reference power amps ($15,500/pair) and Control Preamplifier ($9500) from Pure Audio, a company founded by the previous principals of Plinius. Source components were the Platinum Data CD IV disc transport ($3995) and The Analog D/A converter ($6995) from MSB Technology, while cabling and power-distribution products were by Furutech.
Art Dudley  |  Apr 18, 2013  |  2 comments
As a long-term owner of Audio Note AN-E/SPe HE loudspeakers ($9300/pair), I was unsurprisingly pleased to see and hear that model being used at the New York show, where both analog and digital sources drove an M3 Phono preamp ($10,750) and the lovely single-ended 211 Tomei Kinsei amplifier ($58,000), with all Audio Note cabling. While I was there, Audio Note's Dave Cope turned me on to the debut LP, Is Your Love Big Enough?, by the English singer and (very gifted) guitarist Lianne La Havas: a varied and colorful album that also happened to exploit the system's exceptional sense of touch. (Also in typical AN fashion, I found that the same superb musical qualities were evident regardless of where in the room I chose to sit.)
Ariel Bitran  |  Apr 18, 2013  |  1 comments
The highly interactive Woo Audio room opened their doors to anyone who could pick up a set of headphones. Here a young audiophile listens to a new Woo headphone amp prototype, the GES MkII. Compared to the original GES, the Mk.II has a “wider voltage swing for greater speed and dynamic range.” It will be available for approximately $3500.

Woo Audio was SM's favorite listening experience at the show. Read more here

Ariel Bitran  |  Apr 18, 2013  |  0 comments
After listening to multi-thousand buck systems in nearly every room during the NYAS, the Audioengine room was a friendly reminder that great sound can be had without spending huge sums of money. In my first time hearing the powered Audioengine A2s ($199/pair), I fell for their appreciative sense of space and tone-full textures. Whether it was Andrea Bocelli or No Doubt, the Audioengines pumped the music with power and yet treated it with respect.
Stephen Mejias  |  Apr 18, 2013  |  0 comments
My friend Jenn Atocha was happy to present her latest LP cabinets. Like all Atocha Design products, these cabinets are handcrafted in the USA, made from sustainably harvested wood, and are formaldehyde- and lead-free. Unlike my inexpensive IKEA bookcases and other record-collection foster homes, which may or may not collapse at any moment, Atocha cabinets are made specifically for storing and showcasing a record collection. They are built to last and worthy of the term "heirloom-quality," meant to provide an entire lifetime of pleasure and use, before being passed on to future generations.
Ariel Bitran  |  Apr 18, 2013  |  0 comments
Although their designer Hanz Deutsch has spent the past ten years making pianos, he’s spent the past forty building loudspeakers. As trained opera singer and sound engineer, Brodmann brings the philosophies of instrument design to his loudspeakers. The speakers had a lively quality rich in harmonics. As the bow bounced off the strings of a violin, the Brodmanns recreated the reverberations as if next to the violin’s chamber. At the show, the company displayed their Jospeh Brodmann Concert Series ($39,900/pair), the Vienna Class Series ($24,900/pair), and Festival Series ($4500/pair), as pictured above from right to left.
Ariel Bitran  |  Apr 18, 2013  |  2 comments
There it was again, that damned canned jazz. This time it poured out in buckets from the tremendous Spendor Classic SP100R2 loudspeaker ($11,500/pair) pumped by the 160 Watt JA 200 Monoblocks from Jadis ($25,995/pair). This had to be stopped.
Art Dudley  |  Apr 18, 2013  |  1 comments
Robert Lighton, a noted furniture designer, also runs an appointment-only shop in Manhattan where he sells the products of Audio Note UK, along with the Audio Note-inspired RL-10 loudspeaker ($25,000/pair) that he designed himself. Perhaps more important, as Ariel Bitran has pointed out, Robert Lighton plays good music. Great music. LPs I heard at his NYAS room included Isaac Hayes' Live at the Sahara Tahoe, Nancy Wilson/Cannonball Adderley, and the Shirley Horn Trio's Travelin' Light. I need them all! Thank you, Robert, for playing what I considered the best music of NYAS 2013.
Ariel Bitran  |  Apr 18, 2013  |  15 comments
In an effort to control crowds, build anticipation, and give each listener a comfortable chance at the MBL experience, MBL and partnering dealer Sensorium AV provided twenty tickets to each of their hourly shows. MBL upped the ante this year with a multi-channel demonstration.

There was certainly a lot of hype surrounding the room: the long lines waiting to get in the demo, the even longer lines waiting for tickets, and the crushing riffs of Rush’s “YYZ” emanating out into the hallway. Attendees strolled out of the room giggling and carrying gift bags. While all the other rooms at this hi-fi show were the same walk-in, knock on the speakers, and walk-out ordeal, MBL and Sensorium AV wanted to make this an experience to remember.

Art Dudley  |  Apr 18, 2013  |  1 comments
I've written before about the Washington state-based company Sjöfn HiFi and their remarkable little loudspeaker called the Clue ($999/pair): an inexplicably huge-sounding thing that does a far better job than average of putting across force, feel, and fun. The Sjöfn room at NYAS, sponsored by Outreach A/V of Westfield, New Jersey, went even further, with a double pair of Clues driven by a humble NAD integrated amplifier with a built-in D/A converter, itself fed by an Oppo Blu-Ray player and Squeezebox (offstage). A piece called Concerto for Jazz Drummer and Full Orchestra, written by composer/conductor Harold Farberman and performed with the great drummer Louie Bellson, sounded colorful and wild, just as it should have. That alone motivated me to request, finally, a pair of the Clue for review.
Art Dudley  |  Apr 18, 2013  |  0 comments
I was intrigued by the new MartinLogan Dynamo 1500X subwoofer ($1595), but even more so in a relatively humble accessory that M-L offers to buyers of their current subwoofers: the Perfect Bass Kit or PBK ($100), comprising a stand plus a USB microphone, the latter to connect between your woofer and your PC in order to optimize positioning and setup.
Stephen Mejias  |  Apr 17, 2013  |  0 comments
From left: Dan D’Agostino, Vince Galbo of MSB, and Peter McGrath of Wilson Audio Specialties.

In association with Innovative Audio, these gentleman put together a high-performance system made of Wilson Alexia loudspeakers ($48,500/pair); D’Agostino Momentum monoblocks ($55,000/pair) and Ultra-Analog preamplifier ($32,000 with power base); MSB Diamond DAC IV Plus ($27,995) with FemtoSecond Galaxy Clock ($4995), Diamond Stepped Attenuator ($2995), USB2 Signature 384kHz input option ($1395), Pro IS input option ($995), Diamond ($5995) and Signature ($4995) power bases, and Platinum Data CD IV disc player ($3995); and Transparent Reference XL speaker cables ($13,160/pair), balanced interconnects ($9270/pair), and digital interconnects ($3195 each). Power conditioning was also from Transparent, while the equipment was supported by Finite Element Pagode racks.

Stephen Mejias  |  Apr 17, 2013  |  1 comments
While there were many exciting cost-no-object systems on display, the New York Audio Show was also home to refreshingly small and simple systems that nevertheless offered exceptional performance.

KEF’s beautiful LS50 loudspeakers ($1500/pair) were partnered with Audio Electronics’ Constellation tube preamp ($1495), Hercules power amp ($1895), and Lightning DAC ($1295). Wireworld provided the cabling. The music, which came from a laptop, sounded forceful, dynamic, colorful, and present.

If I could have taken home any system from the New York Audio Show, it would have been this one.

Stephen Mejias  |  Apr 17, 2013  |  0 comments
I got to hear KEF’s X300A powered desktop speaker ($800/pair) when I visited the company late last year. Now the system has found its way to the States. KEF's animated brand ambassador, Johan Coorg, gave a characteristically colorful demo.

The X300A uses KEF's Uni-Q point-source driver array and places twin class-A/B amplifiers and a high-quality toroidal transformer in each cabinet. Further, each speaker has an internal 24-bit/96kHz asynchronous DAC. The signal flows not through standard speaker wire, but via a "digital inter-speaker connection," or USB link. According to Coorg, this is to ensure that high-quality sound is carried through the entire signal chain.

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