NY Audio Show 2013

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Art Dudley  |  Apr 21, 2013  |  0 comments
Photo: John Atkinson

My friend Jason Victor Serinus asked, reasonably, how I and other Stereophile reporters might rank this most recent outing by the Chester Group against other shows. I said I thought that NYAS 2013 was very well organized and, when all was said and done, gratifyingly well attended. People did their jobs and luck mostly held: Con Ed workers created noise and logistical mayhem as they peeled away the pavement, yet hundreds of audiophiles flocked to the show nonetheless. The men were tearing up the street.
John Atkinson  |  Apr 21, 2013  |  1 comments
The first room I visited at the NY Audio Show was one of the best-sounding. The third of three rooms displaying brands sold by Manhattan retailer Sound by Singer—click here and here for our reports on the other two—it featured the world premier of Danish Manufacturer Raidho's D2 loudspeaker ($43,500/pair in black, $48,000/pair in gold walnut). The D2 combines the ribbon tweeter used in Raidho's well-regarded D1 minimonitor with two 4.5" woofers that use a diamond-coated cones.
John Atkinson  |  Apr 21, 2013  |  0 comments
Belgian manufacturer Venture, whose products are distributed in the US by Precision Audio & Video, was demming its new Vici 2.1 loudspeaker ($36,000/pair), driven by Venture V200A+ MOSFET monoblocks ($120,000/pair), a Venture VP100L preamp ($35,100), and reinforced below 60Hz by a pair of Venture AW500 active woofers ($12,000 each), which each use two 10" drivers. Front-end was the XX High End music player running on a Windows laptop feeding a Weiss Medea FireWire DAC ($21,799). Cables were all Grand Reference Diamond and Diamond Signature.
John Atkinson  |  Apr 21, 2013  |  3 comments
I am a big fan of the hi-rez audio files made available by Lessloss, so one of the first rooms I visited at the NY Audio Show was theirs. The system featured a pair of Kaiser Kawero Vivace floorstanding speakers from Germany, which combine a custom-made Mundorf AMT tweeter with ScanSpeak Illuminator midrange unit and rear-facing woofers. With the source Lessloss's new Laminar Streamer, which plays audio files from SD cards, and Pass Labs amplifiers, the sound in this room was delicate and full-bodied, though perhaps too sweet overall.
John Atkinson  |  Apr 21, 2013  |  1 comments
Robert Baird mentioned the seminar program presented at the New York Audio Show by The Sound Organisation. I applaud the Chester Group for featuring educational sessions like these at the Show. At the session I attended, renowned recording engineer Jim Anderson (above), past president of the Audio Engineering Society and Chair of the Clive Davis Department of Recorded Music at New York University's Tisch School for the Arts, compared the original and revised versions of Patricia Barber's Cafe Blue, as well as playing tracks from her new album Smash, which he mixed at Skywalker Sound. The system featured a pair of active MB2S-A monitors from English company PMC, with their distinctive dome midrange units, fed audio from a PrismSound Orpheus DAC and a MacBook Pro.
Ariel Bitran  |  Apr 19, 2013  |  0 comments

At the end of each day of the New York Audio Show, I asked attendees, "What's the best sound you've heard today?"

Robert Baird  |  Apr 19, 2013  |  0 comments
Art Dudley browses the LP racks at the Quality Record Pressings booth. Photo: Ariel Bitran.

One of the fun sidelights of any audio show is visiting the rooms or booths of the high-end vinyl dealers who attend and, in that regard, the New York Audio Show 2013 was no exception. I spent much of the first day either listening to records via the Classic Album Sundays room with Colleen Murphy, talking about new releases with David Chesky (who I will get to in a moment), or thumbing through juicy looking new and reissue vinyl and DVDs at the booths of Acoustic Sounds, AIX Records, and SoundStageDirect.com.

Art Dudley  |  Apr 18, 2013  |  0 comments
Ariel Bitran is better than I when it comes to photographing shiny, black loudspeakers in rooms with less than generous lighting. Consequently, although I enjoyed the music I heard at the second of two GTT Audio rooms from YG Acoustic Kipod II loudspeakers ($38,800/pair), I succeeded in photographing only the Veloce Saetta monoblock amplifiers ($18,000/pair) that were used to drive them. No loss there: The always interesting Veloce electronics—which, for this demonstration, included their LS-1 line-level preamplifier ($18,000)—represent some very cool technology. Both the tubed (6H30) preamp and the hybrid (tubed input, solid-state output, 400Wpc) amps are battery powered, offering 40-hour listening sessions on a single charge and an estimated battery life of 10 years. A digital file of Hugh Masekela, played from a Luxman DA06 D/A converter ($6000), sounded both open and colorful, and a recording of the Saint-Saens Danse Macabre (orchestra and conductor unknown) had me thinking more about music than gear by the time I had to leave the room.
Ariel Bitran  |  Apr 18, 2013  |  0 comments
Photo by Alberto Bitran

On the wild and wacky social news and entertainment website reddit, there exists a subforum of curious, experienced, less-than experienced, and mostly kindly audiophiles who share pictures, experiences, and knowledge about their hi-fi adventures. Reddit meetups are a part of reddit culture, and prior to the show, we had big plans for this Saturday get together to take place at the Palace hotel lobby: a meet and greet, an epic photograph, and fried chicken! Apparently, not showing up for reddit meetups is also part of reddit culture.

Art Dudley  |  Apr 18, 2013  |  0 comments
In one of two rooms sponsored by New Jersey dealer GTT Audio, YG Acoustics' entry-level loudspeaker, the slim-and-sturdy Carmel ($18,000/pair), was demonstrated with a 125Wpc Model 530 integrated amplifier ($49,000) and Model 540 CD/SACD player ($32,500) from the Swiss firm Soulution Audio, with cabling by New Jersey's own Kubala-Sosna. Here we see YG's Kerry St. James playing Deejay for a room that, throughout Saturday afternoon, appeared never to have an empty seat.
Stephen Mejias  |  Apr 18, 2013  |  0 comments
From left: Sound + Vision's Brent Butterworth, Sanjay Patel of Ciamara and Dave Lalin of the Audio Doctor. A third dealer rep, Tom Altobelli of Woodbridge Stereo, wasn't on hand for this session.

The New York Audio Show was highlighted by several outstanding seminars, providing additional value and even greater joy to a weekend-long event that was already packed with entertainment. I wish I could have attended all of the seminars, but, somewhat sadly, I actually missed most of them. I did, however, make it to the Saturday afternoon session of one well-attended seminar titled “Take the Intimidation out of Buying Audio,” moderated by Sound + Vision’s Brent Butterworth and with representatives from two unique NYC-area dealers: Ciamara’s Sanjay Patel and the Audio Doctor’s Dave Lalin.

When asked why a dealer is necessary to the hi-fi shopping experience, both Patel and Lalin cited their intimate knowledge, not only of individual components and brands, but especially of building complete systems that work well in a number of environments and with a wide range of music.

Ariel Bitran  |  Apr 18, 2013  |  3 comments
These $3000 ear-speakers manufactured by the German division of Quad sure do look funny, but they made serious sound in the Headzone room. The Float-QA Headphones flanked gently down my temples and reproduced a carefree and natural delivery full of concert-hall realism. They require the accompanying Float QA-PSU to operate, and fit can be adjusted via a loose head strap. Though they felt a bit wobbly, I’m sure in a stable home setting, these things could easily let you drift away.
Art Dudley  |  Apr 18, 2013  |  0 comments
At the room sponsored by New Jersey dealer CARE Audio, the Allnic T2000 integrated amplifier ($8900), whose tube cages suggest a horizon not unlike that of the Manhattan skyline, drove a pair of MAD Baron loudspeakers ($13,000/pair), itself fed by a Calyx FEMTO D/A converter ($6850) and a Musica Pristina A Cappella server ($6500).
Art Dudley  |  Apr 18, 2013  |  0 comments
Red Wine Audio of Holden, MA, was the remaining link in the Sound by Singer chain: The aforementioned Bricasti D/A converter was, by means of its own volume control, used to directly drive a pair of Red Wine Liliana monoblock amplifiers ($5995/pair), wherein class-A tubed input stages are mated with class-A/B FET output stages to produce 115Wpc of very sweet-sounding watts. In this pic, Red Wine CEO Vinnie Rossi shows off the innards of his Isabella preamplifier ($3995 without phono-stage option), which uses 6H30 "super tubes," yet also supports all triodes in the 6922 family.
Art Dudley  |  Apr 18, 2013  |  0 comments
More evidence that the Bricasti Model 1 D/A converter ($8495), while certainly not cheap, represents quite good value for the money was found in one of the rooms sponsored by New York retailer Sound by Singer. During a conversation about a new power-supply upgrade for the Model 1, I asked Bricasti's Brian Zolner if the new board is retrofittable to older Bricasti units, and he assured me that it is—for just $150. [John Marks will discuss the new power supply in a "Follow-Up" to appear in our July issue.Ed.]

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