The Wavemaster monoblock power amplifiers ($9000$10,000/pair) can put out 200W into 4 ohms. They employ an Audience discrete-component front end, switching power supply, and come with an Audience Power Chord. They accommodate single-ended and balanced inputs.
With a factory in Brooklyn's Navy Yard, John DeVore's DeVore Fidelity is almost a neighbor, and he is that rare bird, an American speaker manufacturer who makes his own cabinets. Or rather, he benefits from leasing space to a high-end wood-working company. New at CES was the Gibbon 3XL (around $3500/pair), an impressive sounding two-way standmount that, unusually, features a cabinet made from bamboo. Bamboo is "green," in that it is a fast-growing renewable material, yet its combination of stiffness and damping makes it very suitable for use in speaker cabinets.
Whenever I think of Totem Acoustics, I tend to associate the Montreal-based company with relatively affordable high-performance speakers like the Model One and The Forest. But designer and founder Vince Bruzzese has attempted to reach for the stars with his floorstanding WInd design ($12,500/pair, according to the cryptic spider scratchings in my reporter's notebook) . Acquisition of a new CNC wood-working machine has allowed him to update the Wind, and at CES, Totem was showing the latest version, finished in high-gloss automotive paints. (The speaker shown with Vince is finished in "De Tomasso Blue.")
Robert Baird got the scoop on this one in the February issue of Stereophile. Check his Aural Robert column for details about the Sonic Focus technology included in this iPod dock and its surprising heritage.
Thiel's PR wonk Micah Sheveloff grabbed me as I walked past the room in the Sands Convention Center Thiel was sharing with Bryston to meet with Frank Göbl of Canton. "You've got to hear the new CS2.4 Special Edition." As Wes Phillips had been mightily impressed by the original CS2.4 ($4900/pair) when he reviewed it in November 2005, I looked at my watch. Enough time. I went into the dem room.
Allen Perkins' Spiral Groove has expanded beyond its excellent turntable, which has won major awards in Japan, to issue a new amp, DAC, and cabling. The patented cable line, close to final production, includes speaker cable, interconnect, and digital interconnect. Price has yet to be determined. Proof of its quality is that it used Spiral Groove's two tonearms and the entire line of Sonics speakers designed by Joachim Gerhard (formerly of Audio Physic) and now manufactured in Berkeley, CA. Having heard pre-production samples several of these products at Casa Bellecci-Serinus, I know that one of Allen's concerns is to eschew hard-edged digititis and over-hyped sound in favor of the more natural presentation of analog.
I went into the Blue Light Audio room at T.H.E. Show to hear the new Dartzeel amplifiers (Wes Phillips will be blogging on these presently) and to chat with designer Hervé Délétraz. But my attention was caught by Evolution Audio's beautifully finished MMMini Two speakers ($40,000/pair). Ostensibly a two-way design combining a 5" aluminum ribbon with a 7" ceramic-cone woofer, the stand also contains an 8"x12" subwoofer.
"You have got to check out Vitus," Jon Iverson enthused. When I did, I took his point. Vitus Audio is the love child of Hans-Ole Vitus, who takes a holistic approach to audio design. Vitus products are, he explains, the result of relationshipsnot just parts and circuits, but how they interact with one another. I suspect, from looking at the gear, Vitus is also concerned about beauty, too.
I walked into Audience's room expecting to see the usal assortment of cables, power conditioners, and high-quality parts, but I was confronted with an entire Audience system, from a heavily modded Denon CD player to preamplifier, power amplifiers to loudspeakers!
Taking pride of place in distributor Sumiko's suite on the Venetian's 35th floor were the new Vienna Acoustics Kiss loudspeaker ($15,000/pair). Part of the company's Klimt series, the Kiss is ostensibly a stand-mounted design, but the side-pillared, faintly convex stand is part of the design concept. One drive-unitthe flat, radially ribbed unit first seen in the Vienna Musik, covers the entire range of the human voice, 120Hz2.6kHz, and is married to a tweeter in its center and a port-loaded woofer. The latter features the ribbed, transparent polymer cone material used in Vienna's line, but has a multiple-radius cone profile to maximize stiffness and minimize mass.