CES 2009

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John Atkinson Posted: Jan 13, 2009 1 comments
Loudspeaker manufacturer VMPS ran a series of live-vsrecorded dems throughout the four days of CES, at the Zeus Ballroom in T.H.E. Show's Alexis Park venue. In dems organized by VMPS's Brian Cheney, groups of musicians and singers first performed live while being recorded by some of Ray Kimber's staff in DSD, using crossed figure-8 mikes, Millennia Media mike preamps, and Meitner converters. The recording was then played back on VMPS speakers and subwoofers, driven by Ampzilla amplification, with Audience Adept Response power conditioning and Audience Au24 e cables. The playback level was matched to that of the original, allowing legitimate comparisons. (The mikes were close enough in the solo singer dem I witnessed to minimize the double contribution of the room acoustic.)
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John Atkinson Posted: Jan 13, 2009 0 comments
The omnidirectional MBL speakers, which use a unique pulsating quasi-spherical array of ribbons, make a strong argument for the benefits of this design approach. Featured in their room when I visited was the new 111F ($35,000/pair), which uses the "Radialstrahler" drivers for the treble and upper midrange, with conventional drive-units used for the lower frequencies. A big change from the earlier version I reviewed in 2002 was the use of side-firing direct radiators for the bass rather than the 111B's coupled-cavity LF enclosure. These are mechanically coupled to eliminate vibrational excitation of the enclosure.
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Jason Victor Serinus Posted: Jan 13, 2009 3 comments
Directly across the hall from the PrimaLuna exhibit, I discovered its somewhat more expensive big brother line, Mystère. While PrimaLuna amps operate in triode mode, Mystère gives you the sound of tetrode. These aren't high power babies—the ia11 integrated amp ($1995) puts out 40Wpc watts and the ia21 integrated amp ($2995) gives you 50Wpc. The electronics are manufactured with a different partner in China, and are the dream project of their designer.
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John Atkinson Posted: Jan 13, 2009 10 comments
When I went into the Magnepan room at T.H.E. Show, the speakers were hidden behind a curtain. Magnepan's Wendell Diller ushered me into the sweet spot and started playing some sounds on the all-Bryston front-end: BCD-1 CD player (which LKG raves about in our February 2009 issue), BP-26 preamp, and a pair of 7B-SST monoblocks.
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John Atkinson Posted: Jan 13, 2009 1 comments
I can't believe that it's been 21 years since Thiel founders Jim Thiel and Kathy Gornik and I emptied the first of many bottles of fine wine talking about music and loudspeakers. But here they are, snapped outside the dem room they were sharing with Bryston and Wireworld, as passionate about audio, music, and the high-end audio industry as ever. And in the case of Kathy, looking even better than ever!
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Jason Victor Serinus Posted: Jan 13, 2009 10 comments
Shunyata, which first made its mark with a novel line of US-made power cables named after various snakes and using a ferrite-based powder filling to absorb RF, has come out with five new serpentine products. According to sales manager Richard Colburn, the company has learned how to put more metal inside its cables, thereby increasing their gauge. The copper used is CDA-101, the only copper certified for its purity. Proprietary connectors are unplated brass, which company founder/designer Caelin Gabriel considers to sound the best.
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John Atkinson Posted: Jan 13, 2009 1 comments
Loudspeakers from German manufacturer Canton have impressed Stereophile's review team over the past few years with their combination of careful, solid engineering and excellent sound. CES saw the launch of Canton's revised Reference line. The Reference 3.2 ($15,000/pair), seen here cradled by chief engineer Frank Göbl, features a new tweeter with a ceramic/aluminum /ceramic sandwich dome replacing the earlier version's aluminum/manganese-alloy diaphragm, which pushes up the primary dome breakup mode from around 21kHz to 30kHz. The tweeter dome is recessed within a short waveguide to optimize dispersion in its bottom octaves, and is damped by a small circular plate suspended in front of the center of the dome. The lower frequency drive-units, too, have been extensively revised, while the multilayer enclosure, with its gently curved side panels is acoustically inert, at least as far as the accelerometer measurements Frank showed me were concerned. I was sufficiently impressed to request a pair of Reference 3.2s for review.
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Jon Iverson Posted: Jan 13, 2009 0 comments
Abbingdon Music Research out of London revealed their new CD-777 at the show with US distributor Darren Censullo from Avatar Acoustics on hand to explain the details.
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Wes Phillips Posted: Jan 13, 2009 0 comments
The Wavemaster monoblock power amplifiers ($9000–$10,000/pair) can put out 200W into 4 ohms. They employ an Audience discrete-component front end, switching power supply, and come with an Audience Power Chord. They accommodate single-ended and balanced inputs.
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John Atkinson Posted: Jan 13, 2009 16 comments
With a factory in Brooklyn's Navy Yard, John DeVore's DeVore Fidelity is almost a neighbor, and he is that rare bird, an American speaker manufacturer who makes his own cabinets. Or rather, he benefits from leasing space to a high-end wood-working company. New at CES was the Gibbon 3XL (around $3500/pair), an impressive sounding two-way standmount that, unusually, features a cabinet made from bamboo. Bamboo is "green," in that it is a fast-growing renewable material, yet its combination of stiffness and damping makes it very suitable for use in speaker cabinets.
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Jon Iverson Posted: Jan 13, 2009 0 comments
Robert Baird got the scoop on this one in the February issue of Stereophile. Check his Aural Robert column for details about the Sonic Focus technology included in this iPod dock and its surprising heritage.
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John Atkinson Posted: Jan 13, 2009 0 comments
Demonstrating the obsessive attention to detail in Vienna Acoustics' new Kiss loudspeaker are the micrometer-realized alignment adjustments on its rear panel.
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John Atkinson Posted: Jan 13, 2009 1 comments
Whenever I think of Totem Acoustics, I tend to associate the Montreal-based company with relatively affordable high-performance speakers like the Model One and The Forest. But designer and founder Vince Bruzzese has attempted to reach for the stars with his floorstanding WInd design ($12,500/pair, according to the cryptic spider scratchings in my reporter's notebook) . Acquisition of a new CNC wood-working machine has allowed him to update the Wind, and at CES, Totem was showing the latest version, finished in high-gloss automotive paints. (The speaker shown with Vince is finished in "De Tomasso Blue.")
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Jon Iverson Posted: Jan 13, 2009 0 comments
tmh audio's Jim Ricketts was on hand to announce that Bow Technologies is re-introducing their ZZ-Eight CD Player. tmh will be distributing the products in the US.
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Jason Victor Serinus Posted: Jan 13, 2009 6 comments
For those for whom the mere mention of the price of a Tenor Audio amp sends their voice into the soprano range, PrimaLuna's multi-tiered line of triode amplification may help them descend to earth.

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