Wes Phillips

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Wes Phillips Posted: Dec 16, 2013 Published: May 01, 2005 0 comments
My e-mailbox fills up with press releases announcing new products and new companies, and that always makes me wonder: Where does all this stuff come from?

I mean, I have lots of ideas—I feel like Butch Cassidy: "I have vision, and the rest of the world wears bifocals." But there's a huge gap between having a good idea and starting a company that successfully gets that idea out in front of the public. And, I suspect, there's an even greater gulf between getting a product out there and actually making a living at it.

Wes Phillips Posted: Nov 26, 2012 Published: Jan 01, 1996 8 comments
Coincident Speaker Technology was known until recently as Concentric Speaker Technology. Under that name they marketed a line of cylindrical speakers covered in leather. All of their previous offerings have been discontinued along with their former name; the Troubador ($1495/pair), a handsome two-way housed in an asymmetrical cabinet, is the first of their new line of speakers. A bass module/speaker support à la the Wilson Puppy is also offered. Coincident's speakers are designed by Israel Blume and are direct-marketed in the US. There's a 30-day money-back guarantee and a five-year warranty on parts and labor.
Wes Phillips Posted: Jul 20, 2012 Published: Sep 01, 1998 8 comments
Back when the CD was a pup, I used to hear people say, "I refuse to buy a CD player until they can record." Ha ha, I thought, smart-ass audiophile that I was, they're gonna wait for a long time—that's never gonna happen. I was half right—it has been a long time coming. But I was also, as my football coach used to insist, half-fast. "Never" has arrived.
Wes Phillips Posted: May 24, 2012 Published: Nov 01, 1996 0 comments
As the music swelled in the background, Humphrey Bogart leaned toward Ingrid Bergman and tenderly said, "Mnn mmmm mnn nnrm murrrmr."

Damn! I hate when that happens. I ran the laserdisc back and played it again, this time louder.

"MNN MMMM MNN NNRM MURRRMR," said Bogart.

When you think about it, the center channel is probably the most important channel—if you don't believe this, watch a movie sometime with the dialog speaker turned off and see how compelling the experience is. I mean, I like explosions, rocket launches, and train wrecks as much as the next guy, but what I really want from a video sound system is the words.

Wes Phillips Posted: Mar 25, 2011 Published: Apr 25, 1998 2 comments
Yeah, yeah, I know what you're thinking: "Polk? You're reviewing a $300 speaker from Polk? Get ready for the flames!"

The genesis of this review lies in a casual comment Larry Archibald made last summer. Larry travels a lot, and everywhere he goes, like the archetypical (archibaldical?) audiophile he is, he listens voraciously. After a trip to the east coast, he dropped by my office and laid a bomb on me.

"I heard a pair of inexpensive bookshelf speakers from Polk that really impressed me."

"Um-hum," I replied dubiously, waiting for the punchline.

Wes Phillips Posted: Feb 18, 2011 5 comments
When Philip O'Hanlon of On a Higher Note, Luxman's US distributor, delivered the B-1000F monoblocks, it took three of us to wrestle their shipping crates into my house and then into the listening room. Once they were unpacked, it still took two of us to maneuver each of them into position—at 141 lbs and 16.9" wide by 11.6" high by 23.3" deep, the B-1000F is far from easy to shift. Fortunately, O'Hanlon had also brought along a pair of Stillpoint stands specifically made for the Luxmans; the B-1000Fs certainly wouldn't have fit into my equipment racks. (The Stillpoints are lovely things. I recommend 'em if you go for the B-1000Fs.)

When O'Hanlon told me the price of the stands—$2500/pair—I asked what the amps cost.

"Fifty-five," he said.

"You mean the stands are 45% of the price of the amps?"

Wes Phillips Posted: Nov 21, 2010 3 comments
"So, what are you reviewing these days?" my friend Mark e-mailed me recently.

"A CD player," I said.

"They're still making those?"

Yes—and better than ever, for the most part. But I understood Mark's confusion. When a "Vote!" question on the Stereophile website asked readers what digital source components they used, a surprising number responded that they did not, or hadn't bought a dedicated player in years. Topping the list were computers and universal players.

Wes Phillips Posted: Aug 15, 2010 Published: Aug 16, 2010 1 comments
Ah, how the times change. When I reviewed Etymotic Research's ER-4S in-ear headphones in the July 1995 Stereophile, they seemed expensive to me at $330, but well worth that seemingly high price: at the time, they were the best headphones I'd heard. Nowadays, with reference headphones costing well north of a kilobuck, the price of the ER-4S seems relatively reasonable.
Wes Phillips Posted: Jul 12, 2010 1 comments
Over the years that I've been reviewing hi-fi, I've had my share of loudspeakers that drew comments from everyone who visited during the audition period. Some of those comments were about the speakers' appearance—most often about their size—and some were about how good they sounded. Vivid's G1Giya loudspeaker ($65,000/pair), its narrow-baffled, swirling cochlear shape molded from fiber-reinforced composite, elicited more comments of both types than has any other speaker I've reviewed.
Wes Phillips Posted: Apr 23, 2010 0 comments
I hate audio shows. All those manufacturers and retailers desperately demonstrating their products, knowing how impossible it is to do them justice in a hotel room. They might be saying, "It has gold-plated circuit boards and unobtainium binding posts," but all I hear is Please love it, please love it, oh puhleeze . . .

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