CES 2009

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Jon Iverson Posted: Jan 10, 2009 0 comments
One channel of DAC nirvana.
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Wes Phillips Posted: Jan 10, 2009 3 comments
"What's new?" I asked Jeff Rowland.
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Jon Iverson Posted: Jan 09, 2009 Published: Jan 10, 2009 0 comments
Here's a view of the by now familiar grid of albums on the Elo touchpanel connected to The Black Box.
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Wes Phillips Posted: Jan 10, 2009 0 comments
Mutoaki Ohmachi, Esoteric's founder and resident genius, is a man full of passion. At CES2009, he spoke about the importance of music in his life and how hewing true to he sound of music had always been the motivation for Esoteric products.
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Jason Victor Serinus Posted: Jan 10, 2009 0 comments
Upon hearing that I was looking for relatively inexpensive electronics to feature in our blog, Parasound's Richard Schram and publicist extraordinaire Gordon Sell immediately pointed to a static display of Parasound's Halo P 7 multichannel analog preamp. Designed by Finland's Juha Kuusama, the Halo P 7's origins lie in Juha's design for Parasound's first surround processor, which was released late in the last century.
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Jason Victor Serinus Posted: Jan 10, 2009 2 comments
E.A.R. USA took advantage of CES to announce the world premiere of the Origo cable line from Jorma Design of Sweden. Prices for loudspeaker cables start at $7000 for the first meter, while interconnects start at $5250 for a 1-meter pair. A cable that, I am told, counts Japan as its major market, two of Jorma's lines have been designated "Product of the Year" by a leading Japanese audiophile publication. Jorma's extensive line starts with Jorma No.3 ($1450 for a 1m pair of speaker cables), and proceeds to Jorma No.2 ($2860 for a 1m pair of speaker cables), Jorma No.1 ($5000 for that pair), the new Origo, and the top-of-the line Jorma Prime ($12,800 for a 1m pair of speaker cables). All lines include loudspeaker cables in both single and bi-wire terminations, RCA and XLR interconnects, and jumpers. An Origo power cable, aptly named Origo Power, is due out shortly.
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Jason Victor Serinus Posted: Jan 10, 2009 0 comments
Between 150 and 200 producers of cables and components rely on WBT for their terminations and connectors. Hence, any advance in their line has profound implications for audiophiles. This year, WBT was touting its Nextgen terminations. Composed of either pure copper or fine silver, Nextgen connectors s boast less mass than other WBT terminations, and are claimed to yield superior sound.
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Wes Phillips Posted: Jan 10, 2009 5 comments
Luxman is another old-school, technology-driven Japanese company. Looking at the 250Wpc B-100F (80th Anniversary Commemoration) ($55,000/pair) is a reminder of the days when the great Asian manufacturers fought for the title "best." The B100F is huge and can deliver 2000W into 1 ohm.
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Jon Iverson Posted: Jan 10, 2009 0 comments
Esoteric has upgraded the wiring and parts inside the flagship P-01 and D-01 SACD/CD transport and DAC and has renamed them the P01-VU and D01-VU respectively. Each DAC is a single channel and retails for $16k and the transport will run you $32k. These are superbly built and incredible sounding digital products. Even if you can't afford them, just be glad they exist in our world.
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Jon Iverson Posted: Jan 10, 2009 0 comments
This one box contains all eight DACs, two hard drives selected by the customer, and all processing power to run the software and audio.
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John Atkinson Posted: Jan 09, 2009 2 comments
The original Coltrane speaker from Swedish company Mrten Design got the thumbs-up from Michael Fremer when he reviewed it three years ago, so I was not surprised to hear good sound in importer EAR USA's room from the new Coltrane Soprano ($45,000/pair). The Soprano combines a diamond tweeter from Jantzen Audio said to have a 55kHz bandwidth, with two 7" ceramic-cone woofers from Accuton. Other than the 56mm-thick front baffle, the stylin' gracefully curved enclosure is fabricated from carbon-fiber laminate.
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Jason Victor Serinus Posted: Jan 09, 2009 1 comments
Bel Canto's designer, John Stronczer, proudly showed off the the Minnesotan company's e.One s300 integrated amplifier ($2495), that was recently reviewed by Wes Phillips. A dual-mono design with a class-D output stage, it outputs 300Wpc into 4 ohms and 150Wpc into 8 ohms, the diminutive integrated amp features Bel Canto's single button control for inputs and volume, as well as a remote control.
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Wes Phillips Posted: Jan 09, 2009 0 comments
Luke Manley was muttering about the problems he was having naming the latest iteration of the VTL TL-5.5 line preamplifier ($6000). "I've already done a signature version and I don't want to confuse people—it really does represent major improvements in sound."
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Jason Victor Serinus Posted: Jan 09, 2009 39 comments
Go forth and find ye cables, tweaks, power products, and low-cost amplification, saith the Lord of Atkinson. Little did I realize how much fun my assignment would be. While I didn't run across any low-cost amplification on my first day at CES, there were cables and tweaks galore.
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Wes Phillips Posted: Jan 09, 2009 6 comments
Possibly the most visually striking product I've seen at the show so far is the 20Wpc dual-mono integrated the LARS ($100,000). Designed by Lars Engstrom and hand-built in Sweden, the LARS has two separate chassis, one for each channel—with inputs also on each channel. An umbilical transmits control commands from the right channel to the left.

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