CES 2009

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John Atkinson Posted: Jan 14, 2009 10 comments
Although it was shown in protype form at the 2008 CES, the Giya from South African manufacturer Vivid ($58,000/pair) is now in production and was being demmed in US distributor On A Higher Note's penthouse suite at the Mirage hotel with Luxman amplification, Nordost Odin cabling, Quantum power conditioning, and open-reel tapes from The Tape Project's second batch of releases played back on a Tim de Paravicini-modified Technics deck.
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John Atkinson Posted: Jan 14, 2009 0 comments
Richard Vandersteen showed me the new midrange unit he designed for the Vandersteen 7. The cone is a sandwich of balsa wood between two carbon-fiber skins, the voice-coil is titanium, and most notably, there is almost nothing in the skeletal chassis that would obstruct the cone's rear-wave.
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Wes Phillips Posted: Jan 14, 2009 3 comments
George Kaye had his 120Wpc Moscode 402Au Stereo power amplifier ($6495) on display. Like the 401HR before it, the 402AU accepts a variety of tubes in its front end. The 402 adds low negative feedback, optically coupled floating bias circuit, and dual mono power supplies.
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John Atkinson Posted: Jan 14, 2009 5 comments
One of the most impressive speakers I have auditioned in the past few years was the three-way Aerial 20T, which was reviewed by Michael Fremer in April 2004. I spoke to Aerial's Michael Kelly a while back about getting a pair for a Follow-Up review, but he declined, saying that he was working on an improved version.
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Wes Phillips Posted: Jan 14, 2009 0 comments
Over at the Boing Boing blog, it is customary to run a "unicorn chaser," an overly cute picture of a unicorn after posting a post that makes you go "eeeew." German Physiks Unicorn mk II ($21,500/pair) were sort of like that, only for show sound. Ahh, that's better.
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Wes Phillips Posted: Jan 14, 2009 0 comments
Scaena is a modular speaker design that combines multiple small midrange drivers, each mounted in a pod affixed to a rigid stand, with subwoofers placed elsewhere.The speakers come with digital crossover and high-current amplification for the subs. The speakers come as 24, 30, or 36 pod units and you can add as many subs as you require.
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Wes Phillips Posted: Jan 13, 2009 0 comments
"You have got to check out Vitus," Jon Iverson enthused. When I did, I took his point. Vitus Audio is the love child of Hans-Ole Vitus, who takes a holistic approach to audio design. Vitus products are, he explains, the result of relationships—not just parts and circuits, but how they interact with one another. I suspect, from looking at the gear, Vitus is also concerned about beauty, too.
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Wes Phillips Posted: Jan 13, 2009 0 comments
I walked into Audience's room expecting to see the usal assortment of cables, power conditioners, and high-quality parts, but I was confronted with an entire Audience system, from a heavily modded Denon CD player to preamplifier, power amplifiers to loudspeakers!
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Jon Iverson Posted: Jan 13, 2009 2 comments
Once you choose which components you want, they bolt the circuit boards inside the chassis and link them together.
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John Atkinson Posted: Jan 13, 2009 0 comments
Taking pride of place in distributor Sumiko's suite on the Venetian's 35th floor were the new Vienna Acoustics Kiss loudspeaker ($15,000/pair). Part of the company's Klimt series, the Kiss is ostensibly a stand-mounted design, but the side-pillared, faintly convex stand is part of the design concept. One drive-unit—the flat, radially ribbed unit first seen in the Vienna Musik, covers the entire range of the human voice, 120Hz–2.6kHz, and is married to a tweeter in its center and a port-loaded woofer. The latter features the ribbed, transparent polymer cone material used in Vienna's line, but has a multiple-radius cone profile to maximize stiffness and minimize mass.
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John Atkinson Posted: Jan 13, 2009 0 comments
The diminutive Harbeth HL-P3 has been one of this magazine's consistently recommended speakers since we first reviewed it in 1993. While some details have been improved over the years (and been reported on in the magazine), its design has remained consistent over the years: a diminutive two-way stand-mount intended to take the place of the classic BBC-designed LS3/5a for location monitoring and for audiophiles with small rooms who value midrange purity and superbly stable, well-defined stereo imaging over bass extension and ultimate loudness capability.
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Jon Iverson Posted: Jan 13, 2009 6 comments
While bunches 'o companies were hopping on the USB DAC bandwagon, Weiss quietly goes their own way, focusing on getting the audio out of your computer via FireWire. The company also sells professional audio equipment.
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John Atkinson Posted: Jan 13, 2009 0 comments
A close-up of Jim Borgiorno in the VMPS ballroom, performing a classic from the Golden Age of American popular song.
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Wes Phillips Posted: Jan 13, 2009 0 comments
Here's the phono transformer that completes the Ypsilon phono section—for them what needs it (price tbd).
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Wes Phillips Posted: Jan 13, 2009 1 comments
Music Hall was showing a new USB DAC wit a tube output stage. The Music Hall dac25.5 ($600) uses an Electro-Harmonix 6922 tube, a Texas Instruments PCM1796 24-bi/192kHz DAC chip, a TI SRC4192 Asynchronous sample-rate converter (with a high-precision active crystal oscillator master clock), and four digital inputs (S/PDIF, TOSLINK, XLR, and USB). It sports re-clocking and user-adjustable upsampling (96kHz or 192kHz). It outputs analog via XLR or RCA.

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