CES 2009

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Wes Phillips Posted: Jan 14, 2009 0 comments
Ron Sutherland had a new battery powered phono section, the Hubble ($3800). The batteries come in a special battery compartment, so that there is only a single point of contact at each pole. He reckons the batteries are good for 800 hours of use and he has incorporated at clock in the unit so you can keep track. Each time you fire it up, program in you anticipated listening session and it will count it down and turn off the power at the assigned time—the same LEDs that serve as the timer also indicate battery strength as well.
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John Atkinson Posted: Jan 14, 2009 3 comments
A new speaker from Vandersteen Audio doesn't happen very often—Richard Vandersteen introduced his Model 2 in 1977 and the 2009 CES witnessed the debut of the Model 7, which, at $45,000/pair is the most expensive speaker ever from the frugal Mr. V.
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Wes Phillips Posted: Jan 14, 2009 6 comments
I never fail to check out Jonathan Tinn's Blue Light Audio systems. He's a past master of system set-up, so his rooms always sound special. This year's was no exception.
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John Atkinson Posted: Jan 14, 2009 2 comments
"Now that can't work," I thought, as I went into the Crystal Cable room and saw the Dutch company's new Arabesque loudspeaker (45,000 Euros/pair, equivalent to around $60,000). A glass enclosure? But as I listened to a variety of recordings that I thought would expose cabinet problems, such as female vocals and solo cello, I didn't hear any flaws that I could lay at the feet of the enclosure.
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John Atkinson Posted: Jan 14, 2009 0 comments
Featured in Magico's second room in the Venetian was the new V2 ($18,000/pair), a smaller sibling to the V3 that I reviewed last May. It combines the same ring-radiator tweeter as the V3 with two 7" Nano-Tec drivers, the latter arranged so that the lower woofer rolls off at a lower frequency than the upper one to give much of the sonic benefits of a two-way design.
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Wes Phillips Posted: Jan 14, 2009 2 comments
While I was basking in the sound of Richard Vandersteen's stunning new Model 7s ($45,000/pair), I asked about the tube amps he was using. "Those are Jim White's Atlases—and I think they're damn good." Richard never minces words, so a "damn good" from him is almost as high praise as a "doesn't suck too bad" from JA.
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John Atkinson Posted: Jan 13, 2009 0 comments
Relatively affordable at $30,000/pair, that is, given the cost-no-object construction featured by TAD's new CR-1 "Compact Reference Monitor," seen here with its designer Andrew Jones and compared with the company's original floorstanding and superb-sounding Reference One from 2006. (Across the corridor from TAD, Ray Kimber was using four Reference Ones to demo his new IsoMike recordings in surround.)
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Jason Victor Serinus Posted: Jan 13, 2009 10 comments
All the wire used in DH Labs's products is manufactured in the USA; cables are manufactured in the same facility that manufactures for NASA. At least 11 major recording studios use the company's cables, and others will soon join the list. This, along with the nice sound albeit not ultimately detailed sound they were getting from their modest display system certainly suggests that they're doing something right.
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John Atkinson Posted: Jan 13, 2009 6 comments
The speakers from Colorado-based Avalon Acoustics have either featured conventional, rectangular boxes (in the less-expensive NP series, like the Evolution 2.0 I reviewed last July) or the unique, multifaceted enclosures that I first saw in 1990's Eclipse, which are used in the cost-no-object designs like the Indra.
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John Atkinson Posted: Jan 13, 2009 3 comments
To judge by some of the comments that have been posted to this Show report, some American audiophiles resent the fact that so much audio manufacturing has been outsourced to China. But the fact remains that if you wish to be able to purchase high-end quality at rock-bottom pricing, manufacturers have little choice but to turn to China. The irony is that even when price is taken into account, the quality of Chinese manufacture is very often superb.
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Jon Iverson Posted: Jan 13, 2009 3 comments
Not an audiophile product per se, SE2 Labs ITC One "Integrated Theater Console" takes all the components typical in a high-end audio/video rack, and strips away everything but the circuit boards and transports and puts them all in a single climate-controlled chassis.
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John Atkinson Posted: Jan 13, 2009 5 comments
"It's like the Pearl but in a more easily digestible form," explained Jeff Joseph, as he demmed the Long Island's company's new Pulsar speaker for me. The stand-mounted speaker keeps as much as possible of the cost-no-object Pearl's qualities, but uses a new magnesium-cone woofer from SEAS with the same throw as the Pearl's 7" unit.
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John Atkinson Posted: Jan 13, 2009 1 comments
Loudspeaker manufacturer VMPS ran a series of live-vsrecorded dems throughout the four days of CES, at the Zeus Ballroom in T.H.E. Show's Alexis Park venue. In dems organized by VMPS's Brian Cheney, groups of musicians and singers first performed live while being recorded by some of Ray Kimber's staff in DSD, using crossed figure-8 mikes, Millennia Media mike preamps, and Meitner converters. The recording was then played back on VMPS speakers and subwoofers, driven by Ampzilla amplification, with Audience Adept Response power conditioning and Audience Au24 e cables. The playback level was matched to that of the original, allowing legitimate comparisons. (The mikes were close enough in the solo singer dem I witnessed to minimize the double contribution of the room acoustic.)
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Jon Iverson Posted: Jan 13, 2009 2 comments
We all have different digital needs, and companies like Bel Canto are trying different combinations of features to find customers.
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John Atkinson Posted: Jan 13, 2009 0 comments
The omnidirectional MBL speakers, which use a unique pulsating quasi-spherical array of ribbons, make a strong argument for the benefits of this design approach. Featured in their room when I visited was the new 111F ($35,000/pair), which uses the "Radialstrahler" drivers for the treble and upper midrange, with conventional drive-units used for the lower frequencies. A big change from the earlier version I reviewed in 2002 was the use of side-firing direct radiators for the bass rather than the 111B's coupled-cavity LF enclosure. These are mechanically coupled to eliminate vibrational excitation of the enclosure.

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