CES 2009

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Jason Victor Serinus Posted: Jan 11, 2009 3 comments
"We are your one-stop shop for cables and tweaks," proclaimed Joseph Cohen of The Lotus Group, while leading me through two rooms filled products. Even the new products took up two pages of notes. Through it all, I remained extremely jealous of legendary mastering engineer Steve Hoffman, who had settled onto a couch in front of the fabulous Feastrex $55,000/pair speakers, and was blissfully tapping his foot to the extremely realistic, full-range sound of a jazz combo playing back on a A Feastrex modified EMT studio type CD player with outboard line transformer.
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Wes Phillips Posted: Jan 09, 2009 1 comments
Credit where credit is due: Here's the man himself, Lars Engstrom, standing with theLARS.
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John Atkinson Posted: Jan 13, 2009 0 comments
Taking pride of place in distributor Sumiko's suite on the Venetian's 35th floor were the new Vienna Acoustics Kiss loudspeaker ($15,000/pair). Part of the company's Klimt series, the Kiss is ostensibly a stand-mounted design, but the side-pillared, faintly convex stand is part of the design concept. One drive-unit—the flat, radially ribbed unit first seen in the Vienna Musik, covers the entire range of the human voice, 120Hz–2.6kHz, and is married to a tweeter in its center and a port-loaded woofer. The latter features the ribbed, transparent polymer cone material used in Vienna's line, but has a multiple-radius cone profile to maximize stiffness and minimize mass.
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Wes Phillips Posted: Jan 14, 2009 2 comments
I walked into Balanced Audio Technology's room and almost couldn't leave. Geoff Poor was driving a pair of WATT/Puppy 8s wth an all BAT system consisting of a VK-D5SE/Superpack CD player ($9500), VK-32SE preamplifier ($8000), and the new 55Wpc VK-55SE amplifier ($5995).
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John Atkinson Posted: Jan 14, 2009 5 comments
One of the most impressive speakers I have auditioned in the past few years was the three-way Aerial 20T, which was reviewed by Michael Fremer in April 2004. I spoke to Aerial's Michael Kelly a while back about getting a pair for a Follow-Up review, but he declined, saying that he was working on an improved version.
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Jason Victor Serinus Posted: Jan 13, 2009 10 comments
All the wire used in DH Labs's products is manufactured in the USA; cables are manufactured in the same facility that manufactures for NASA. At least 11 major recording studios use the company's cables, and others will soon join the list. This, along with the nice sound albeit not ultimately detailed sound they were getting from their modest display system certainly suggests that they're doing something right.
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John Atkinson Posted: Jan 13, 2009 0 comments
Relatively affordable at $30,000/pair, that is, given the cost-no-object construction featured by TAD's new CR-1 "Compact Reference Monitor," seen here with its designer Andrew Jones and compared with the company's original floorstanding and superb-sounding Reference One from 2006. (Across the corridor from TAD, Ray Kimber was using four Reference Ones to demo his new IsoMike recordings in surround.)
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Jason Victor Serinus Posted: Jan 13, 2009 6 comments
For those for whom the mere mention of the price of a Tenor Audio amp sends their voice into the soprano range, PrimaLuna's multi-tiered line of triode amplification may help them descend to earth.
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Jason Victor Serinus Posted: Jan 10, 2009 0 comments
Between 150 and 200 producers of cables and components rely on WBT for their terminations and connectors. Hence, any advance in their line has profound implications for audiophiles. This year, WBT was touting its Nextgen terminations. Composed of either pure copper or fine silver, Nextgen connectors s boast less mass than other WBT terminations, and are claimed to yield superior sound.
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Jason Victor Serinus Posted: Jan 11, 2009 2 comments
"Do you have a low-cost amplifier that Stereophile hasn't reviewed that you'd like people to know about?" I asked VTL's glamorous Bea Lam. With a grace and surety usually reserved for Vannah White, the incomparable Ms. Lam glided over to the diminutive VTL ST-85 Performance Amplifier ($2750).
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Jon Iverson Posted: Jan 13, 2009 0 comments
Abbingdon Music Research out of London revealed their new CD-777 at the show with US distributor Darren Censullo from Avatar Acoustics on hand to explain the details.
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Jason Victor Serinus Posted: Jan 12, 2009 1 comments
CES presented me with my first opportunity to make the acquaintance of Stephen Hill and Straight Wire. The Florida company has just released a "push prong" re-usable, solderless RCA plug that makes Straight Wire cable termination a snap. Especially appealing to custom installers, the termination actually leads to a higher level of performance by enabling quick silver-plated termination without piercing cable insulation.
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Jon Iverson Posted: Jan 09, 2009 0 comments
To access the drive, a drawer on top slides open.
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Jon Iverson Posted: Jan 09, 2009 0 comments
With the cover and top plate of the CD8 off, the Philips Pro-2 transport mechanism is revealed along with the damping system coupling the laser and spindle with the aluminum I-beam below.
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John Atkinson Posted: Jan 13, 2009 6 comments
The speakers from Colorado-based Avalon Acoustics have either featured conventional, rectangular boxes (in the less-expensive NP series, like the Evolution 2.0 I reviewed last July) or the unique, multifaceted enclosures that I first saw in 1990's Eclipse, which are used in the cost-no-object designs like the Indra.

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