Thiel's PR wonk Micah Sheveloff grabbed me as I walked past the room in the Sands Convention Center Thiel was sharing with Bryston to meet with Frank Göbl of Canton. "You've got to hear the new CS2.4 Special Edition." As Wes Phillips had been mightily impressed by the original CS2.4 ($4900/pair) when he reviewed it in November 2005, I looked at my watch. Enough time. I went into the dem room.
Allen Perkins' Spiral Groove has expanded beyond its excellent turntable, which has won major awards in Japan, to issue a new amp, DAC, and cabling. The patented cable line, close to final production, includes speaker cable, interconnect, and digital interconnect. Price has yet to be determined. Proof of its quality is that it used Spiral Groove's two tonearms and the entire line of Sonics speakers designed by Joachim Gerhard (formerly of Audio Physic) and now manufactured in Berkeley, CA. Having heard pre-production samples several of these products at Casa Bellecci-Serinus, I know that one of Allen's concerns is to eschew hard-edged digititis and over-hyped sound in favor of the more natural presentation of analog.
I went into the Blue Light Audio room at T.H.E. Show to hear the new Dartzeel amplifiers (Wes Phillips will be blogging on these presently) and to chat with designer Hervé Délétraz. But my attention was caught by Evolution Audio's beautifully finished MMMini Two speakers ($40,000/pair). Ostensibly a two-way design combining a 5" aluminum ribbon with a 7" ceramic-cone woofer, the stand also contains an 8"x12" subwoofer.
"You have got to check out Vitus," Jon Iverson enthused. When I did, I took his point. Vitus Audio is the love child of Hans-Ole Vitus, who takes a holistic approach to audio design. Vitus products are, he explains, the result of relationshipsnot just parts and circuits, but how they interact with one another. I suspect, from looking at the gear, Vitus is also concerned about beauty, too.
I walked into Audience's room expecting to see the usal assortment of cables, power conditioners, and high-quality parts, but I was confronted with an entire Audience system, from a heavily modded Denon CD player to preamplifier, power amplifiers to loudspeakers!
The diminutive Harbeth HL-P3 has been one of this magazine's consistently recommended speakers since we first reviewed it in 1993. While some details have been improved over the years (and been reported on in the magazine), its design has remained consistent over the years: a diminutive two-way stand-mount intended to take the place of the classic BBC-designed LS3/5a for location monitoring and for audiophiles with small rooms who value midrange purity and superbly stable, well-defined stereo imaging over bass extension and ultimate loudness capability.
Taking pride of place in distributor Sumiko's suite on the Venetian's 35th floor were the new Vienna Acoustics Kiss loudspeaker ($15,000/pair). Part of the company's Klimt series, the Kiss is ostensibly a stand-mounted design, but the side-pillared, faintly convex stand is part of the design concept. One drive-unitthe flat, radially ribbed unit first seen in the Vienna Musik, covers the entire range of the human voice, 120Hz2.6kHz, and is married to a tweeter in its center and a port-loaded woofer. The latter features the ribbed, transparent polymer cone material used in Vienna's line, but has a multiple-radius cone profile to maximize stiffness and minimize mass.
While bunches 'o companies were hopping on the USB DAC bandwagon, Weiss quietly goes their own way, focusing on getting the audio out of your computer via FireWire. The company also sells professional audio equipment.
Music Hall was showing a new USB DAC wit a tube output stage. The Music Hall dac25.5 ($600) uses an Electro-Harmonix 6922 tube, a Texas Instruments PCM1796 24-bi/192kHz DAC chip, a TI SRC4192 Asynchronous sample-rate converter (with a high-precision active crystal oscillator master clock), and four digital inputs (S/PDIF, TOSLINK, XLR, and USB). It sports re-clocking and user-adjustable upsampling (96kHz or 192kHz). It outputs analog via XLR or RCA.
Lamm was driving the new Wilson Maxx series 3 with its 32Wpc ML3 Signature SE triode monoblocks ($139,290/pair). It was my first chance to hear either, so I can't tell you if it was the speakers or the amps that were making the magic happen, but happen it did.