Headphone Reviews

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Stephen Mejias Posted: Aug 08, 2013 9 comments
Even before I'd really listened to PSB's Alpha PS1 powered desktop speakers (see last month's column), I suspected that I'd like them: They're affordable, attractive, small enough to actually fit on my desktop, and designed and manufactured by a true high-end audio company. Besides all that, the PS1s had been highly recommended by a friend, AudioStream.com's Michael Lavorgna. I only needed the speakers to sound good in my home. And they did—clean, clear, detailed, and dynamic, with a surprisingly big and bold overall sound.
Stephen Mejias Posted: Dec 12, 2013 8 comments
In an August 21 post to his popular Lefsetz Letter blog, music-industry analyst Bob Lefsetz shared with his readers the great and often surprising joy of listening to music through a good set of headphones, specifically the open-back, planar-magnetic Audeze LCD-2. Lefsetz clearly does not mess around: He went straight to the top of the headphone hierarchy. If you're at all familiar with the exciting world of headphone listening, you've heard of Audeze (pronounced odyssey). Since their impressive debut at the 2009 Rocky Mountain Audio Fest, the young audio company has drawn from hi-fi critics and enthusiasts the sort of rave reviews typically reserved for the most respected brands.
Stephen Mejias Posted: Mar 12, 2014 Published: Mar 01, 2014 12 comments
In his article on the future of audio engineering in this issue, John La Grou tells us—succinctly and correctly, I think—that we are rapidly moving from a culture of handheld devices to one of headworn devices. He postulates that by perhaps as early as 2025, rather than being actively sought out, most audio/video media will be delivered, like milk or the newspaper—but delivered not to our front doors, but more or less straight to our brains. Fascinating? Sure. Frightening? Kinda, yeah.
John Marks Posted: Mar 23, 2003 0 comments
The lease said about my and my fathers trip from the Bureau of Manhattan to our new home the soonest mended. In some way ether I or he got balled up on the grand concorpse and next thing you know we was thretning to swoop down on Pittsfield.
John Marks Posted: Jun 26, 2005 0 comments
Morten Lauridsen's magisterial work for chorus and orchestra, Lux aeterna, appears in a fresh new recording, in truly excellent sound, on England's Hyperion label. The vocal ensemble Polyphony is accompanied by the Britten Sinfonia; both are led by Stephen Layton. Better yet, in addition to the CD-only version, there is a separate SACD/CD hybrid release (Hyperion SACDA67449), meaning that it is backwardly-compatible with CD players. Furthermore, the SACD layer contains a surround-sound program in addition to the stereo one.
John Marks Posted: Jul 08, 2007 Published: Jun 08, 2007 0 comments
The recording project I've mentioned before in this column, that of documenting the historical and significant pipe organs of Rhode Island, is finally (!) in the can. (Except that today, of course, we no longer use cans. Or tape, for that matter.) It has been a learning and growing experience for us all—more than a dozen remote-location recording dates, spread over eight months.
John Marks Posted: Dec 29, 2007 0 comments
I want to start this year's gift recommendations by briefly revisiting the results of my Musical Cultural Literacy for Americans write-in competition, which ran in the April issue. All 12 winning entries of 12 selections each are posted online (footnote 1).
John Marks Posted: Feb 26, 2010 0 comments
February is traditionally the month for music features, so I start this column with some recordings you really should hear. This year I had a greater-than-usual number of worthy candidates for "Records To Die For." Which discs got named as R2D4s and which got column coverage was, to quote the Iron Duke, a near-run thing.
John Marks Posted: Dec 20, 2011 5 comments
I've been reading a fascinating book, Leonard Shlain's The Alphabet Versus the Goddess: The Conflict Between Word and Image (New York: Viking, 1998). Shlain's thesis is that the invention of the alphabet was the cause of immense changes in primitive society, upsetting previously widespread norms of gender equality and horizontal (rather than hierarchical) social relations in general.
Stephen Mejias Posted: Mar 21, 2011 3 comments
Thinksound ts02 in Black Chocolate finish.

I haven’t had much luck with in-ear headphones.

Kelli’s Etymotic ER-6i earphones ($99) offered a well-balanced sound, with satisfying bass and natural highs, but I found them extremely uncomfortable and I had a difficult time getting them to fit properly in my ear canals. I liked Shure’s SE210 ($149.99) and SE115 ($139.99), but they felt large and heavy in my ears, and friends often balked at their prices. Don’t get me started about the V-MODA Remix Metal in-ears ($99.99); their highs were so pronounced and glaring and bass so completely absent, I wanted to run away from my music—never a good sign. (But I’ll take the blame here: I should’ve known what to expect from an earphone with the word “Metal” in its name. I have since steered clear of models designed to look like bullets, arrows, and jet engines or whose product literature uses the words “crisp,” “sharp,” or “edgy.”)

John Atkinson Posted: Dec 27, 2010 0 comments
Headphone listening is hot these days, due not only to the ubiquity of the iPod as a music source but also because it is possible to get state-of-the-art headphone playback without having to have stupidly bottomless pockets. A plethora of affordable high-quality headphone amplifiers are available, and high-performance 'phones can be had for a few hundred dollars. Used with a computer or iPod to play uncompressed WAV or AIF files or losslessly compressed FLAC or Apple Lossless (ALAC) files, a headphone-based system can offer the audiophile on a budget seriously good sound.
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Wes Phillips Posted: Oct 22, 2006 0 comments
All of a sudden, it seems there's a renaissance in in-ear monitors. Used to be there was just Etymotic, but now Etymotic, Shure, and Ultimate Ears are all producing high-performance in-ear headphones. It's almost enough to make me suspect we audiophiles have become a marketing juggernaut.
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Wes Phillips Posted: May 27, 2008 0 comments
Meeting strangers at social events, I've learned not to say that I write about hi-fi for a living. It's generally a conversation killer—unless your idea of scintillating repartee is "People make a living doing that?" (Short answer: Not many, and not really.)
Wes Phillips Posted: Nov 12, 2008 0 comments
You know me. I'm not perzackly an audio slut, but I am easy. When Audio Advisor's Wayne Schuurman called me to pitch the Vincent KHV-1pre tube-transistor headphone amplifier, he pretty much had me at "tube" and "headphone." But I wasn't familiar with Vincent Audio.

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