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Thomas J. Norton Sam Tellig Posted: Nov 12, 2015 Published: Oct 01, 1988 0 comments
Let's go back a few years. Well, more than a few, actually. The electronics end of high-end audio consisted of two companies—Marantz and McIntosh. If you were not up to shopping at their stratospheric price level—even though the industry hadn't yet invented components priced to compete with automobiles—you could always fall back on Dynaco, the poor man's high end in kit form. You hooked all this together with two-dollar connecting cables and 16-gauge zip cord purchased from the local electrical supply house, or—if you felt particularly flush—you'd spend a few (very few) bucks more at Fred's Stereo for the cables with the fancy molded plugs. Hoses were used for watering the lawns.
Sam Tellig Posted: Dec 24, 2014 Published: Nov 01, 2000 4 comments
Can an $18,000 power amplifier be a bargain?

Can an $18,000 wristwatch?

Sam Tellig Posted: Nov 19, 2014 19 comments
Hi-fi firms have begun in garages. The English Spendor company was started in a bathtub. Or was it a kitchen sink?

By days in the late 1960s and early 1970s, Spencer Hughes worked as part of the BBC's loudspeaker research team. Among other accomplishments, he helped develop the 5" midrange/woofer for the fabled LS3/5A loudspeaker.

Sam Tellig Thomas J. Norton Posted: Aug 09, 2014 Published: Jan 01, 1990 0 comments
666acoustat11.jpgI wish I could be enthusiastic about the Acoustat Spectra 11—an electrostatic/dynamic hybrid selling for $999/pair. At first glance, the Acoustat Spectra 11 looks like a good deal. They could almost be called knock-offs of the Martin-Logan Sequels—they're about the same size. As with the Sequels, there are moving-coil bass cabinets below, electrostatic panels on top. The Spectra 11 cannot be bi-wired and does not come with spikes. Tiptoes are recommended, and I used them. I let the speakers run in for about 24 hours before doing any serious listening.
Sam Tellig John Atkinson Posted: Jul 18, 2014 Published: Apr 01, 2014 13 comments
They can't sound very good—they're not big enough. As we all know, in hi-fi, big products mean big performance. Musical Fidelity's V90 series can't be any good. They don't cost enough. With your golden ears, you must pay through the nose.

The V90 components turn all this around. They are tiny. Inexpensive. Beautifully built.

Sam Tellig Posted: Jul 16, 2014 Published: Jan 01, 2012 3 comments
These are great times for hi-fi gear, especially loudspeakers.

I latched on pretty fast to Dynaudio's Excite X12, but I wasn't the first at Stereophile to discover that loudspeaker. That was Bob Reina.


Robert Harley Sam Tellig Posted: Jun 18, 2014 Published: Aug 01, 1991 0 comments
No, the $399 price listed in the specification block isn't a misprint. And yes, the Audio Alchemy Digital Decoding Engine v1.0 is indeed a full-function outboard digital processor. And since this is the August issue, not April, you can stop worrying that this review is some kind of joke.

The $399 Digital Decoding Engine is for real.

Sam Tellig Peter W. Mitchell Posted: Jun 13, 2014 Published: Mar 01, 1989 0 comments
I once told Larry Archibald it might be worth, say, a 10% loss in sound quality with CD not to have to jump up and turn over the damned record. Sometimes a CD saves you from popping up twice—Mahler's Fifth or Bruckner's Seventh on a single disc instead of three LP sides—or three times—Mozart's Magic Flute on three CDs instead of 6 LP sides. That might be worth a 15% sacrifice.
Sam Tellig John Atkinson Posted: Feb 14, 2014 Published: Dec 01, 2013 6 comments
Am I the only one who values content and convenience over sound quality?

There. I've said it. I am not an audiophile; ie, someone who's in love with recorded sound for its own sake. The search for ideal sound can leave a person burned out and broke.

John Marks Sam Tellig Posted: Dec 03, 2013 Published: Jun 01, 2013 4 comments
For the high-performance audio market, it makes a lot of sense to process digital audio data via sophisticated software running on a dedicated personal computer. Which brings us to Parasound's Halo CD 1 CD player ($4500). Some might find it questionable to release today, as one's first digital-disc player, a machine that plays only "Red Book" CDs, rather than a universal or near-universal (non–Blu-ray) player.


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