HE 2007

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Stephen Mejias Posted: May 12, 2007 0 comments
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Wes Phillips Posted: May 12, 2007 2 comments
Jeff Wong (left) and Ken Kessler compare mustache waxes at the Classic Records event.
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Wes Phillips Posted: May 12, 2007 0 comments
Lars Goller proudly rests on the GamuT Phi7 (price tbd), which couples five-midrange woofers in what he calls "perfect unison," thanks to GamuT's proprietary DC Coupled Midrange technology and Acoustic Coupled Driver technology. He says the tall, thin baffle, which arrays the woofers along almost its entire height, delivers excellent acoustic coupling to the listening room.
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Wes Phillips Posted: May 12, 2007 0 comments
The HT845 single-ended monoblock amplifiers ($2500/ea) were so new, Hyperion had no literature on them. They looked and sounded good, though.
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Stephen Mejias Posted: May 12, 2007 1 comments
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Wes Phillips Posted: May 12, 2007 1 comments
Verity Audio had Nagra's CDP CD Player ($13,495) driving its P-LP line stage ($11,495) and pyramidal PMA mono amplifiers ($10,995/pr)—all connected with Silversmith Audio Palladium interconnects ("starting at $4000/pair). At the other end was a pair of Parsifal Ovation loudspeakers ($19,495/pair).
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Stephen Mejias Posted: May 12, 2007 0 comments
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Robert Deutsch Posted: May 11, 2007 0 comments
The press conference that I personally found the most exciting on the Show's first day was by Ralph Glasgal (left) on his Ambiophonics system. I knew about Ambiophonics (a signal-processing system designed to cancel out interference between a pair of loudspeakers, creating something akin to binaural listening but from speakers instead of headphones), but somehow I’ve never heard a demonstration, or at least not a convincing one. The demo setup at HE2007 was rather unusual, with a pair of giant Sound-Lab electrostatics at one end of the room, and another pair of floor-standing TacT speakers at the other end, the setup intended to demonstrate how the system works with these two types of speakers. I only heard the demo with the Sound-Labs, but I must say I was quite blown away with the huge soundstage, precision of imaging, and sheer ease of the sound. The Ambiophonic processing was performed by the latest TacT RCS 2.2 XP ($6000) which also functions as a full-feature preamp, a digital room correction device, and a D/A converter. Tact’s President and Designer, Radomir Bozovic (right), was also on hand to answer questions about the Tact system.
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Stephen Mejias Posted: May 11, 2007 4 comments
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Stephen Mejias Posted: May 11, 2007 3 comments
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John Atkinson Posted: May 11, 2007 0 comments
Free jazz quartet Attention Screen, which I recorded live at Manhattan's Merkin Hall in February, are performing a 60-minute set Saturday May 12 at 12:30pm, to celebrate the release at HE2007 of the resultant CD.
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Robert Deutsch Posted: May 11, 2007 0 comments
For Stereophile writers, a show like HE 2007 is not just an opportunity to find out about new audio equipment, but also to meet their colleagues and catch up on the latest industry gossip. Here, by the booth selling Stereophile CDs (including the new Attention Screen Live at Merkin Hall) we have (from left to right) Stereophileassistant editor and primary blogger Stephen Mejias, Home Theater techical editor Geoffrey Morrison, illustrator Jeff Wong (known to readers for his cartoons in the www.stereophile.com forums), editor John Atkinson, and senior contributing editor Wes Phillips. Jeff subsequently took my picture; I wonder if it’s to help him work on a cartoon...
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Stephen Mejias Posted: May 11, 2007 1 comments

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