HE 2007

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Wes Phillips Posted: May 12, 2007 1 comments
Art Dudley and I didn't so much enter Hyperion Sound Design's room as get dragged in by our ears. Standing in the Hyatt's hallway, we heard some close harmony quartet singing that sounded mighty darn real.
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Wes Phillips Posted: May 12, 2007 2 comments
Omaha was showing this nifty little 10Wpc No.OD-300B integrated amplifier ($1400), which was driving Omaha's Omaha Speaker (price tbd). Do I need to say that the No.OD300B uses a pair of 300B tubes? The system sounded warm and spacious. 10Wpc may not sound like much, but the Omaha speaker seemed comfortably driven. Fit'n'finish were impressive.
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Larry Greenhill Posted: May 12, 2007 0 comments
A tradition at HE SHows is the "bazaar: in one of the hotel's ballrooms, where record companies and accessory manufacturers do a brisk business. Here, Marcia Martin of Reference Recordings shows off their latest release Serenade, a recording of the same vocal group, the Turtle Creek Chorale, as in their best-selling Rutter's Requiem CD.
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Stephen Mejias Posted: May 12, 2007 0 comments
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Stephen Mejias Posted: May 12, 2007 4 comments
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Stephen Mejias Posted: May 12, 2007 0 comments
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Wes Phillips Posted: May 12, 2007 2 comments
Jeff Wong (left) and Ken Kessler compare mustache waxes at the Classic Records event.
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Stephen Mejias Posted: May 11, 2007 3 comments
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Robert Deutsch Posted: May 11, 2007 0 comments
The press conference that I personally found the most exciting on the Show's first day was by Ralph Glasgal (left) on his Ambiophonics system. I knew about Ambiophonics (a signal-processing system designed to cancel out interference between a pair of loudspeakers, creating something akin to binaural listening but from speakers instead of headphones), but somehow I’ve never heard a demonstration, or at least not a convincing one. The demo setup at HE2007 was rather unusual, with a pair of giant Sound-Lab electrostatics at one end of the room, and another pair of floor-standing TacT speakers at the other end, the setup intended to demonstrate how the system works with these two types of speakers. I only heard the demo with the Sound-Labs, but I must say I was quite blown away with the huge soundstage, precision of imaging, and sheer ease of the sound. The Ambiophonic processing was performed by the latest TacT RCS 2.2 XP ($6000) which also functions as a full-feature preamp, a digital room correction device, and a D/A converter. Tact’s President and Designer, Radomir Bozovic (right), was also on hand to answer questions about the Tact system.
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Stephen Mejias Posted: May 11, 2007 4 comments
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Stephen Mejias Posted: May 11, 2007 3 comments
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John Atkinson Posted: May 11, 2007 0 comments
Free jazz quartet Attention Screen, which I recorded live at Manhattan's Merkin Hall in February, are performing a 60-minute set Saturday May 12 at 12:30pm, to celebrate the release at HE2007 of the resultant CD.
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Robert Deutsch Posted: May 11, 2007 0 comments
For Stereophile writers, a show like HE 2007 is not just an opportunity to find out about new audio equipment, but also to meet their colleagues and catch up on the latest industry gossip. Here, by the booth selling Stereophile CDs (including the new Attention Screen Live at Merkin Hall) we have (from left to right) Stereophileassistant editor and primary blogger Stephen Mejias, Home Theater techical editor Geoffrey Morrison, illustrator Jeff Wong (known to readers for his cartoons in the www.stereophile.com forums), editor John Atkinson, and senior contributing editor Wes Phillips. Jeff subsequently took my picture; I wonder if it’s to help him work on a cartoon...

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