As We See It

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John Atkinson Posted: Apr 15, 2007 0 comments
"The whole band was in the hot tub. As water frothed over my bare breasts in the moonlight..."
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John Atkinson Posted: Mar 09, 2007 0 comments
I began writing this essay on New Year's Day 2007. The passing of the old year reminded me that I am now in the 21st year of editing Stereophile, my 25th of being the editor-in-chief of a mainstream audio magazine, and my 31st of working full-time as an audio journalist. (Prior to joining Stereophile in 1986, I had worked for 10 years at British magazine Hi-Fi News & Record Review, the final four as its editor.) Back in the innocent 1970s, reviewers and editors generally picked and chose what products to review based on their own interest and what they felt appropriate for their readers to know about. Back then, there was only a tiny fraction of the audio brands now available to the audiophile, and even with fewer review pages than we now have, it was possible each year to cover a representative sample of the products being offered our readers. But such was the explosion in high-end audio throughout the 1980s that, by 1989, I felt it necessary to impose some restrictions on what products we choose for full review coverage in Stereophile.
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Wes Phillips Posted: Feb 11, 2007 0 comments
Finding myself in the Northwest on business, I reckoned I'd grab some Seattle dim sum with my nephew before heading my rental car south on I-5 to visit old friends in Oregon. "You live here," I said to Sean. "What are the good radio stations?"
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John Atkinson Posted: Jan 14, 2007 0 comments
It's called the "Cocktail Party Effect." You may be immersed in the middle of a crowd of audiophiles all talking at once, but when someone says something that catches your attention, such as your name, you can focus on the sound of that person's voice and exclude the babble. The noise suppression can be 9–15dB; ie, the sound being concentrated on seems to be three to four times louder than the ambient noise, according to Wikipedia. The exact mechanism of the Cocktail Party Effect is not known, but it is conjectured that it has something to do with the binaural nature of human hearing: the fact that we have two ears allows us to apply spatial discrimination to what would otherwise be a jumble of sound.
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Steve Guttenberg Posted: Dec 17, 2006 0 comments
"You listen to these modern records, they're atrocious, they have sound all over them. There's no definition of nothing, no vocal, no nothing, just like—static."—Bob Dylan, interviewed by Jonathan Lethem. Rolling Stone, September 7, 2006
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John Marks Posted: Nov 12, 2006 0 comments
The single most enduring controversy in audio is: What method or methods should we use to evaluate the performance of audio equipment?
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John Atkinson Posted: Oct 15, 2006 0 comments
It's a jungle out there. The shrinking shelves of your neighborhood newsstand drip with the blood and corpses of magazines that have gone under in the intense battle for browsers' eyeballs. And only if we can make our latest issue's cover sufficiently eye-catching to get enough newsstand browsers to pick up and buy a copy do we get to play another round of the game. (Conventional publishing wisdom holds that, at most, a magazine's cover has six seconds to get its message across.)
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Jason Victor Serinus Posted: Sep 17, 2006 0 comments
"The trouble with some reviewers..."
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Jason Victor Serinus Posted: Aug 12, 2006 0 comments
It seemed a bit like the game of Telephone: Someone at the head of a long line of people whispers a sentence or two into the ear of the next in line, who in turn passes it along. By the time the last person in line repeats aloud what they think they've heard, the message is often barely recognizable to the first person.
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John Marks Posted: Jul 16, 2006 0 comments
High-end audio is not a rational construct. It is a sensory experience that leads to emotional engagement. In slightly different words: High-end audio is not about a concept, but about the experience of having our emotions engaged. The difference between reading about a high-end audio system and hearing great recordings played on one is almost as big as the difference between reading a love poem and falling in love.
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Jason Victor Serinus Posted: Jun 16, 2006 0 comments
I couldn't believe it. Something was off.
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John Marks Posted: May 14, 2006 0 comments
Tom Swift is a talented young loudspeaker designer. Tom believes that he has never been able to prove exactly how talented he is, because the company he works for refuses to build the cost-no-object loudspeaker he's been doodling designs for (on company time).
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John Atkinson Posted: Apr 16, 2006 0 comments
Getting a name check from the mainstream press can be a good thing. But as Wes Phillips wrote in his blog on February 5, "to paraphrase Mason Williams on winning an Emmy Award, 'It's like being kissed by a girl with bad breath—you appreciate the honor, but...'"
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Jason Victor Serinus Posted: Mar 11, 2006 0 comments
The debates may be old, but they're not tired. They rage on with a virulence that suggests there's plenty of life in these old dogs yet. Online forums and Letters to the Editor are filled with them: objectivist vs subjectivist, engineer vs audiophile, double-bind vs doubly blind. The divisions may be artificial or downright specious—false dichotomies perfectly set up for cheap shots—but that doesn't dissuade people from drawing sides, driving stakes into the ground, and firing off volley after volley of accusation and retaliation.
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John Atkinson Posted: Feb 12, 2006 2180 comments
"BRIDGE WILL BE RAISED AT 1:45 PM," said the road sign. I looked at my watch. 1:35. I sighed and let my right foot become even more leaden.

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