As We See It

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Jim Austin Posted: Dec 12, 2004 0 comments
In early 2000, the British magazine The Economist published a lead editorial addressing America Online's acquisition of media giant Time Warner. In the editors' view, TW was a clunky, old-style media company that needed a fresh injection of dot-com blood to help them reach a more narrowly targeted audience. "Sex, shopping and violence," the editors wrote, echoing Internet visionary George Gilder, "...are what people have in common. What differentiates them is their enthusiasm for folk music, tropical fish, or Viennese waltzes."
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John Atkinson Posted: Nov 08, 2004 Published: Nov 01, 2004 0 comments
"Bugger!" A Pennsylvania state trooper had stepped out from behind the overpass on the Turnpike and was aiming his radar gun straight at me. I reflexively jammed on the anchors, which was a) pointless and b) downright dangerous, considering I was in the middle of a phalanx of cars and trucks all cruising 5-10mph over the speed limit. But what can you do?
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John Atkinson Posted: Oct 15, 2004 Published: Oct 01, 2004 0 comments
"Let's face it, we recommend way too many components."
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Jim Austin Posted: Sep 09, 2004 Published: Sep 01, 2004 0 comments
Conventional wisdom has it that you should listen to an audio component, preferably in your own system, before you decide to buy it. But who, these days, has the opportunity to do this consistently? Even an audition in the store isn't guaranteed; I have to drive two hours to get to the nearest dealer with decent customer service and a good inventory of interesting gear. And though he generally stocks a fairly wide range of components, like any dealer, he carries only a small sample of all the hi-fi gear that's currently, in principle, available.
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John Atkinson Posted: Aug 15, 2004 Published: Aug 01, 2004 0 comments
Stereophile is devoted to getting the best sound from a home audio system. But as I have written before, audiophiles don't have access to an absolute sound, only to what has been captured in the pits or grooves of their discs, which is itself the result of a creative process. The playing back and the making of recordings are therefore two sides of the same coin. This is why I get actively involved in recording projects and why I publish articles about those projects, the most recent of which appears on p.50. "Project K622" describes the making of a new recording of Mozart's Clarinet Concerto (work number 622 in the Köchel catalog of Mozart's compositions, hence the article's title), which is being released both on hybrid SACD and on 180gm vinyl. (You can buy both from our secure "Recordings" page.)
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John Atkinson Posted: Jul 10, 2004 Published: Jul 01, 2004 0 comments
I recently came across a 1998 report, "Explaining the Computer Productivity Paradox," by Kevin Stiroh and Robert H. McGuckin III, that discussed the apparent fact that the widespread use of computers has not resulted in any significant increase in worker productivity. This is indeed a paradox, as my experience in the magazine business has left me with the opposite impression. We all do more, with less, than at any earlier time.
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Jim Austin Posted: Jun 19, 2004 Published: Jun 01, 2004 0 comments
I recently bought a turntable, the first I've owned in about 15 years. I had sold my vinyl collection—a mix of classic rock, early 1980s pop, and the odd jazz or classical LP—when I was in grad school, for economic reasons: I needed the money for rent, or food, or beer, or something. Nor do I know what happened to my old plastic turntable; more than likely, I left it curbside for anyone strolling by who was able to appreciate its value.
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John Marks Posted: May 09, 2004 Published: May 01, 2004 0 comments
There's this really awful joke:
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Jason Victor Serinus Posted: Apr 11, 2004 Published: Apr 01, 2004 0 comments
Hilary Hahn must be a chameleon. At least, that's how it seemed at the 2004 Consumer Electronics Show.
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John Atkinson Posted: Mar 07, 2004 Published: Mar 01, 2004 0 comments
One of my mentors, John Crabbe—my predecessor as editor of the English magazine Hi-Fi News—used to insist that a magazine's soul is its "Letters" column. If a magazine was able to publish a lively collection of readers' letters, said John, it would enjoy a lengthy life. Conversely, if its letters column was dull or nonexistent, then no matter how much advertising it had or how many readers it could boast, it was just a matter of time before it had the lid shut on it. In the 28 years since John told me this, I have not found an exception. The kicker, of course, is that there's no easy way of ensuring that a magazine has lively letters to publish.
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Barry Willis Posted: Feb 08, 2004 Published: Feb 01, 2004 0 comments
To every action there is always opposed an equal reaction.—Sir Isaac Newton, 1687
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John Atkinson Posted: Jan 11, 2004 Published: Jan 01, 2004 0 comments
Hanging above the expensive desk in my penthouse office atop Manhattan's prestigious Stereophile Tower is a photocopy of a New Yorker cartoon, in which a bewildered-looking guy complains, "There has been an alarming increase in the number of things I know nothing about."
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Wes Phillips Posted: Dec 15, 2003 Published: Dec 01, 2003 0 comments
It's only a CD-R with a self-adhesive label and computer-generated inserts, but it's what the major record labels are really scared of.
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Jim Austin Posted: Nov 16, 2003 Published: Nov 01, 2003 0 comments
"Imagine a lake," reads the website of the Noise Pollution Clearinghouse (NPC) , "filled with semi-tractor-trailer trucks, magically skimming across the water.
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Jon Iverson Posted: Oct 12, 2003 0 comments
Readers are constantly telling us that downloaded audio files suck. I tend to agree with them.

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