As We See It
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As We See It
Jason Victor Serinus Apr 11, 2004 Published: Apr 01, 2004 0 comments
Hilary Hahn must be a chameleon. At least, that's how it seemed at the 2004 Consumer Electronics Show.
As We See It
John Atkinson Mar 07, 2004 Published: Mar 01, 2004 0 comments
One of my mentors, John Crabbe—my predecessor as editor of the English magazine Hi-Fi News—used to insist that a magazine's soul is its "Letters" column. If a magazine was able to publish a lively collection of readers' letters, said John, it would enjoy a lengthy life. Conversely, if its letters column was dull or nonexistent, then no matter how much advertising it had or how many readers it could boast, it was just a matter of time before it had the lid shut on it. In the 28 years since John told me this, I have not found an exception. The kicker, of course, is that there's no easy way of ensuring that a magazine has lively letters to publish.
As We See It
Barry Willis Feb 08, 2004 Published: Feb 01, 2004 0 comments
To every action there is always opposed an equal reaction.—Sir Isaac Newton, 1687
As We See It
John Atkinson Jan 11, 2004 Published: Jan 01, 2004 0 comments
Hanging above the expensive desk in my penthouse office atop Manhattan's prestigious Stereophile Tower is a photocopy of a New Yorker cartoon, in which a bewildered-looking guy complains, "There has been an alarming increase in the number of things I know nothing about."
As We See It
Wes Phillips Dec 15, 2003 Published: Dec 01, 2003 0 comments
It's only a CD-R with a self-adhesive label and computer-generated inserts, but it's what the major record labels are really scared of.
As We See It
Jim Austin Nov 16, 2003 Published: Nov 01, 2003 0 comments
"Imagine a lake," reads the website of the Noise Pollution Clearinghouse (NPC) , "filled with semi-tractor-trailer trucks, magically skimming across the water.
As We See It
Jon Iverson Oct 12, 2003 0 comments
Readers are constantly telling us that downloaded audio files suck. I tend to agree with them.
As We See It
John Atkinson Sep 14, 2003 0 comments
There is one date I dread every year: my wife's birthday. After nearly 16 years of marriage, I have exhausted every last iota of my spousal resources in trying to think of a suitable present. Nothing too ordinary, nothing too out of the ordinary, nothing that will trigger those dreaded words, "You did keep the receipt, right?"
As We See It
John Atkinson Aug 17, 2003 0 comments
Perhaps it's the air in San Francisco, or more likely the fact that exhibitors and attendees were equally upbeat, but I came back from Home Entertainment 2003, held at the grand old Westin-St. Francis Hotel days before I write this month's column, jazzed. I was one of 15,123 consumer, international press, and trade attendees, according to the official stats, and we were treated to more than 100 exhibit rooms showing and demonstrating 225 brands of audio and home-theater gear. Stereophile's full report on what we saw and heard at the Show will appear in our September and October issues, while our web coverage can be found starting here(footnote 1).
As We See It
John Atkinson Jul 13, 2003 0 comments
The keyboard player looked at his watch. It was midnight. "Time for my break," he said. My heart sank.
As We See It
John Atkinson Jun 29, 2003 0 comments
The song ended. My friend gestured to me to remove the wads of Kleenex I had stuffed in my ears.
As We See It
Barry Willis May 11, 2003 0 comments
"There's a flat screen in your future."
As We See It
Jon Iverson, Michael Fremer Apr 06, 2003 0 comments
At the 2003 Consumer Electronics Show in January—see the report in this issue—Sony and Philips held an SACD Event at the Hard Rock Hotel in Las Vegas. There were trippy lights. There were the Grand Pooh-Bahs of Sony, Philips, and the record labels. There was loud multichannel Big Brother and the Holding Company. And there was Sony's main SACD man in the US, David Kawakami, supplying the pep talk.
As We See It
Jim Austin Mar 09, 2003 0 comments
There's a widespread myth that writers who get published are more talented than writers who don't get published, and that musicians who make records are more talented than musicians who don't make records. But anyone with any talent who has ever tried to earn a living as a writer, a musician, or any other kind of artist understands that the correlation between merit and success is, at best, loose. Some successful artists are talented, and some talented artists are successful. But for every talented artist who manages to make a living there are a dozen more, equally deserving, who have no choice but to keep their day jobs.
As We See It
John Atkinson Feb 09, 2003 0 comments
"What? What??? No Smiths?" asks reader Steven J. Wilder in this issue's "Letters" (p.9), regarding my interjection in the "Honorable Mentions" sidebar of last November's "40 Essential Albums." Hey, I think The Smiths suck—okay, Mr. Wilder? Morrissey's self-absorbed adolescent whining had no place on a list that included music from such grownups as Morrison, Mitchell, and Mingus. I'm not alone in this sentiment. Jon Iverson, www.stereophile.com's webmaster, almost stapled together the pages of Mojo magazine's April 2001 retrospective of Morrissey's and Marr's music so he could skip over it without running the risk of the veins on his forehead exploding.
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