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Jon Iverson Posted: Aug 12, 2001 0 comments
Last week, InterTrust Technologies, which creates Digital Rights Management (DRM) technology, and format developer DataPlay announced a partnership intended to create a portable media distribution platform for protected content such as music. Universal Music Group, EMI Recorded Music, and BMG Entertainment have all announced that they are planning to release prerecorded music on the resultant DataPlay digital format for use in a variety of consumer electronic devices.
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Barry Willis Posted: Aug 12, 2001 0 comments
The Music Online Competition Act (MOCA) has won the imprimatur of the Consumer Electronics Association (CEA), according to an announcement made August 8. The recently-introduced bipartisan bill crafted by Congressmen Chris Cannon (R-Utah) and Rick Boucher (D-Virginia) intends to insure competition in the delivery of online music—and to preserve music lovers' rights to copy their own recordings for private use.
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Jon Iverson Posted: Aug 12, 2001 0 comments
While Napster was thriving a few short months ago, the music business was noisily seething and quietly plotting. How could they put the digital audio genie back into the content-control bottle? Although Napster has since been gutted, the labels have identified the unprotected CD as the source of their woes, and now it's payback time.
John Atkinson Posted: Aug 12, 2001 0 comments
The occasion was the 1999 Consumer Electronics Show, and I had sought out the Sony suite at Bally's—the word in the Las Vegas bars where audio journalists hung out was that Sony was demonstrating the production version of their SCD-1 Super Audio CD player. I was glad I'd made the trek along the Strip: As I reported in the May 1999 Stereophile, the sound of a DMP recording—of unaccompanied choral music recorded and mixed in DSD by Tom Jung—was breathtaking, I felt, with an exquisite sense of space. It was definitely the best sound at the CES.
Robert Baird Posted: Aug 12, 2001 0 comments
JANE MONHEIT: Come Dream With Me
N-Coded Music NC-4219-2 (CD) 2001. Joel Dorn, prod.; Carl Griffin exec. prod.; Todd Parker, eng.; Steve Mazur, asst. eng.; Gene Paul, sonic supervision. AAD? TT: 52:49
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Sam Tellig Posted: Aug 11, 2001 0 comments
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Jonathan Scull Posted: Aug 09, 2001 0 comments
Thanks to all the "Fine Tuners" out there who filled the room early on Sunday morning at the Home Entertainment 2001 Show in May for my "Fine Tunes Clinic." And thanks to Victor Tiscareno of Audio Prism/Red Rose Music for the "technical stiffening." I applaud all your intelligent curiosity, questions, and tales of woe and success. Let's do it again.
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Stereophile Staff Posted: Aug 05, 2001 0 comments
Wes Phillips is hesitant as he takes a listen to a revised version of the first speaker he ever reviewed for Stereophile. Will the new ProAc Response One SC loudspeaker vindicate his original positive assessment of its predecessor, the ProAc Response One S? Phillips admits all.
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Jon Iverson Posted: Aug 05, 2001 0 comments
Like the proverbial camel who took over the tent after getting just his nose in, it appears that once copy protection is given an inch, it will inevitably try to get in all the way. At least that's how it appears with an increasing variety of CD copy protection systems now currently being tested en masse by the major record labels. Latest to announce a new "evaluation agreement" is BMG Entertainment, which will use and evaluate SunnComm's MediaCloQ "digital content cloaking technology", first put to the test earlier in the year on a Charley Pride CD (see previous).
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Barry Willis Posted: Aug 05, 2001 0 comments
The National Association of Broadcasters has lost a round in its fight to avoid paying royalties for music streamed over the Internet.


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