LATEST ADDITIONS

David Patrick Stearns Posted: Sep 09, 2004 Published: Sep 01, 2004 1 comments
MOZART: Requiem
Christine Schafer, soprano; Bernarda Fink, alto; Kurt Streit, tenor; Gerald Finley, bass; Arnold Schoenberg Choir, Concentus Musicus Wien; Nikolaus Harnoncourt
Deutsche Harmonia Mundi 82876 58705 2 (SACD/CD). 2004. Friedemann Engelbrecht, prod.; Michael Brammann, Josef Schutz, engs. DDD. TT: 50:23
Performance ****
Sonics *****
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Jim Austin Posted: Sep 09, 2004 Published: Sep 01, 2004 0 comments
Conventional wisdom has it that you should listen to an audio component, preferably in your own system, before you decide to buy it. But who, these days, has the opportunity to do this consistently? Even an audition in the store isn't guaranteed; I have to drive two hours to get to the nearest dealer with decent customer service and a good inventory of interesting gear. And though he generally stocks a fairly wide range of components, like any dealer, he carries only a small sample of all the hi-fi gear that's currently, in principle, available.
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Art Dudley Posted: Sep 09, 2004 Published: Sep 01, 2004 0 comments
"How could there be a bad song called 'Iron Man,' or 'War Pigs,' or—my cup runneth over—'Rat Salad'?"—Nick Hornby, explaining his youthful fondness for Black Sabbath
John Atkinson Posted: Sep 09, 2004 Published: Sep 01, 2004 0 comments
Simaudio has been doing well in the middle of the high-end market, providing products such as their Moon i-5 integrated amplifier (reviewed by Chip Stern in July 2002), which offers a glimpse of high-quality sound at an affordable price. That's not to say that the Canadian manufacturer neglects the cost-no-object market: the two-box, $5700, Simaudio Moon Eclipse CD player impressed the heck out of Brian Damkroger when he reviewed it for Stereophile in April 2001 (with a Follow-Up in April 2003). So when Simaudio's Lionel Goodfield offered me their Moon Equinox player ($2000) for inclusion in my irregular series of CD-player reviews (footnote 1), I didn't need to be asked twice.
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Stereophile Staff Posted: Sep 06, 2004 0 comments
Twenty years ago, the introduction of the compact disc put the music world on a new path. Not long after its debut, Meridian Audio Ltd. launched the world's first audiophile CD player, the MCD. That player and others that followed drew audiophiles into the digital age.
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Stereophile Staff Posted: Sep 06, 2004 0 comments
From the September 1992 issue, Corey Greenberg checks in with a review of the Dynaco Stereo 70 II power amplifier. According to CG, "Panor's Stereo 70 II reissue looks similar to a vintage Dyna, but contains several circuit additions claimed to improve the original design's performance."
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Stereophile Staff Posted: Sep 06, 2004 0 comments
"Whole-house entertainment systems" and "ease of use" may be anathema for many audiophiles, but they bring joy to the lives of many music lovers—as they seem to do for manufacturers with a keen eye on the bottom line.
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George Reisch Posted: Sep 01, 2004 Published: May 01, 1997 0 comments
I'm starting to hate computers. They take up all my time. Whether I'm writing, preparing classes to teach, toying with computer-generated music, managing finances, or (too often) upgrading hardware, I'm spending too much time in the computer chair, not enough in the listening chair.
Chip Stern Posted: Sep 01, 2004 Published: Apr 01, 2000 0 comments
In Hinduism, an avatar is an incarnation of spirit—a god who descends to earth in bodily form. For Kevin Hayes of the Valve Amplification Company (VAC), the Avatar was meant to be nothing less than his defining statement of the state of the audio designer's art. Drawing on the high-tech refinements and scrupulous attention to individual components that distinguish his flagship high-end amps and preamps, Hayes has filtered it all down into one attractively priced integrated amplifier.
Corey Greenberg Posted: Sep 01, 2004 Published: Sep 01, 1992 0 comments
I dig tube amps. When all's said and done, good tube amps seem to sound more like real life than most solid-state gear; even after listening to and enjoying the hell out of musical solid-state designs like the Audio Research D-240 II and the Muse Model One Hundred, once I hook up the big VTL Deluxe 225s again it's just like going home. I could go on about timbral accuracy and clearer midrange textures, but the bottom line is, music just plain sounds better when you shoot it through good tubes, and once most people experience that magic, they're hooked.

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