LATEST ADDITIONS

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Art Dudley Posted: Jul 28, 2015 0 comments
During our second trip to the UK, my wife and I drove from Heathrow Airport to Swindon, to visit an older couple we'd met on our first trip. We arrived around noon, and Vera and Ross made us a nice lunch, which we enjoyed while looking at scrapbooks filled with family photos and well-worn newspaper clippings. Vera asked where we intended to spend the night, and I said that our next stop was York.
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John Marks Posted: Jul 28, 2015 0 comments
Chris Huston is as soft-spoken and unassuming a chap as you would ever hope to meet, a real gentleman of the old school. He also has an amazing backstory. He and John Lennon were close friends at Liverpool's College of Art, and later had "dueling bands" that played at Liverpool's Cavern Club. Huston's band was the Undertakers, with lead singer Jackie Lomax. Like the Beatles, the Undertakers spent time playing gigs in scrappy clubs near the Hamburg docks. However, Huston is not just an asterisk in the music encyclopedias. He co-engineered Led Zeppelin's II, earned a Grammy for producing War's The World Is a Ghetto, and has produced and/or engineered more than 80 gold and platinum records.
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Stereophile Staff Posted: Jul 27, 2015 0 comments
Saturday, August 1, 11am–4pm, David Michael Audio (4341 Delemere Court, Royal Oak, MI 48073) will host an event showcasing and demonstrating MSB Technology's DACs and sources, including the new ground-breaking Select DAC (above). Confirmed guests include MSB Technology's Director of sales Vince Galbo and the company's CEO and Managing Director Larry Gullman. Larry has long experience in industrial engineering and digital electronics and has many innovations and patents to his name. Larry and Vince will be demonstrating the MSB Select DAC, explaining its innovative new technologies.
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Fred Kaplan Posted: Jul 25, 2015 4 comments
Jerome Sabbagh, 41, born and bred in Paris, a low-key staple of the New York jazz scene for the last decade or so, plays tenor sax with a plaintive tone and moody lyricism reminiscent of Stan Getz. And he's a composer, too, wading more in the vibe of early Sonny Rollins or the sinuous modalism of Paul Motian. His new album, The Turn (Sunnyside), is a fine display of Sabbagh as player, composer, and bandleader.
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Jason Victor Serinus Posted: Jul 24, 2015 4 comments
The most refreshing music I encountered at the huge 2015 Munich High End Show was an excerpt from David Chesky's children's ballet, The Zephyrtine, which Paul McGowan played in the PS Audio room. Hence it comes as no surprise that another of Chesky's recordings, his Rap Symphony, has just won the Independent Music Award (IMA) for Best Contemporary Classical Album.
Herb Reichert Posted: Jul 23, 2015 13 comments
When all you've ever heard are wooden boxes that shout, it's difficult to recognize their highly accented "voice." Few of us actually notice how miserably distorted all loudspeakers are. Don't believe me? Try listening to a recording of your child's voice, the sounds of rattling keys, or an audience applauding.
John Atkinson Posted: Jul 23, 2015 0 comments
Of the hundreds of product reviews I have written over the years, it is perhaps those of power amplifiers that present the hardest task in defining their worth. This is not because power amps are unimportant. As I wrote in my review of the MBL Corona C15 monoblock, in June 2014, "it is the power amplifier that is responsible for determining the character of the system's sound, because it is the amplifier that must directly interface with the loudspeakers. The relationship between amplifier and loudspeaker is complex, and the nature of that relationship literally sets the tone of the sound quality." But because the amplifier's role is so fundamental, it can at first be difficult to determine a given amp's balance of virtues and failings. A paradox.
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Jason Victor Serinus Posted: Jul 21, 2015 32 comments
Most of us have experienced the proverbial curveball that comes out of nowhere to smack us right in the head. My most recent such encounter was pitched by Stereophile contributor Steve Guttenberg.

Steve's whammy arrived amid an e-mail exchange among Stereophile writers concerning a rather clueless column in another publication on the dearth of women audiophiles. After asking how many female audiophiles each of us knew, Steve G. defined what he meant by audiophile: "a person who frets over their system, agonizes over choices, loves gear, and sometimes music. You know, the kind of person who reads Stereophile or The Abso!ute Sound. Merely owning a nice stereo doesn't make you an audiophile. Owning a Leica doesn't make you a photographer. You have to be at least a little obsessed."

Robert Baird Posted: Jul 21, 2015 1 comments
Sly and the Family Stone: Live at the Fillmore East, October 4th & 5th, 1968
Epic 88843023712 (4 CDs). 2015. Sly Stone, orig. prod.; Bob Irwin, reissue prod.; Vic Anesini, mastering. AAD? TT: 3:27:31
Performance *****
Sonics ****

The first thing you hear is not Sly Stone's keyboards or harmonica. Not Freddie Stone's guitar. Not Greg Errico's amazing drumming. Not Larry Graham's slapping bass. Not the voices of Rose Stone (also keys) and Cynthia Robinson (also trumpet). Not Jerry Martini's saxophone.

No. The first thing you hear is pure energy: the nuclear reaction of musical power that Sly and his Family Stone generated onstage on two October nights in 1968 at the Fillmore East. James Brown and his band(s) had nothing on these seven. This is prime Sly, when the band was still hungry, before the hits, before his life spun out of control, the music suffered, and the family split.

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Stereophile Staff Posted: Jul 20, 2015 0 comments
High-end audio dealer Audio Den of Long Island (2845 Middle Country Road, Lake Grove, NY 11755) is hosting a music evening Friday, July 24, 5:00–8:00pm, to launch Technics' new Premium and Reference series integrated amplifier, network player, and speakers in North America.

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