LATEST ADDITIONS

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Stereophile Staff Posted: Oct 20, 2002 0 comments
The release of our 2001 Recommended Components online last month was such a success, we now offer readers the opportunity to buy the 2002 "Recommended Components" from both the April and October issues as .pdf files.
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Barry Willis Posted: Oct 20, 2002 0 comments
Making good on a promise made several months back, Avantgarde Acoustic is moving into the retail realm. The company's German-made horn loudspeakers are the featured products at Avantgarde Music & Cinema, a new showroom at 27 West 24th Street, Suite 502 in Manhattan. The store is privately owned and operated by Bob Visintainer, who emphasized that his business is "definitely Avantgarde focused" but also carries other brands of electronics and accessories.
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Jon Iverson Posted: Oct 20, 2002 0 comments
To date, record label attempts at adding copy-control systems to CDs to restrict their use have been less than totally succesful. We've had Sony discs that get stuck in computers, discs that don't reliably play in all CD players, trademark violations, and CDs that generate lawsuits and consumer frustration from not being able to create a "fair-use" personal copy of a disc to throw in the car.
Robert Deutsch Posted: Oct 20, 2002 0 comments
Single-ended triode amplifiers (SETs) have a considerable following, but even their most devoted fans admit that its maximum power output is not among an SET's strengths. You'd be lucky to get an SET that puts out 7Wpc, and some (like those using the 45 tube) are closer to 2Wpc. Highly sensitive speakers (eg, horns) will tend to offset the power limitation, and SETs usually sound more powerful than their measurements indicate, but the laws of physics still apply: 2W is 2W, regardless of the kind of amplifier that produces it, and an amplifier's manner of clipping and recovery from overload take us only part of the way toward achieving greater volume.
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John Marks Posted: Oct 20, 2002 0 comments
The subject was horses' fannies.
Kalman Rubinson Sam Tellig Posted: Oct 15, 2002 0 comments
I have a way of grating on people's nerves. Ask Marina, my wife. She calls it my "mean streak."
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Barry Willis Posted: Oct 13, 2002 0 comments
Beginning early next year, digital satellite radio startups may have some competition from terrestrial broadcasters, thanks to an October 10 decision by the Federal Communications Commission (FCC).
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Jon Iverson Posted: Oct 13, 2002 0 comments
For years, we've seen attempts to disguise loudspeakers as paintings. A pair of announcements last week highlights the ongoing drive within the consumer electronics industry to find new ways to hide speakers within other objects.
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Barry Willis Posted: Oct 13, 2002 0 comments
Sales of recorded music declined by 9.2% on a monetary basis and 11% on a unit basis worldwide during the first half of 2002, according to recently released figures from the International Federation of the Phonographic Industry (IFPI). The drop is a continuation of a long slump that began in the mid-1990s, blamed by many music industry executives on the widespread use of CD burners and the popularity of downloading tunes on the Internet. Others acknowledge that increasing competition for consumers' time and money—especially films on DVD—is eating into music industry profits.
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Barry Willis Posted: Oct 13, 2002 0 comments
A long-running dispute between the music industry and small webcasters may have come to an amicable conclusion. Over the weekend of October 5-6, representatives from both sides agreed on a system of royalties to be paid to record labels and artists based on a percentage of webcaster revenue or expenses, rather than on a per song basis. Last summer, Librarian of Congress James Billington decreed that all webcasters should pay a royalty rate of 0.07¢ per song per 1000 listeners. Many small webcasters, including many college radio stations, chose to go offline rather than face fees they couldn't afford.

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