Herb Reichert

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Herb Reichert Posted: Jul 31, 2014 2 comments
Once, on a cold, dank, soundless day deep in the Eastern bloc, I watched a man spend over a million dollars on an audio system: a turntable, a fancy horn tweeter, a few wires, and some amplification for his modified Klipschorns. I asked him what he did for a living, and he told me he was a notary public.
Herb Reichert Posted: Jul 29, 2014 12 comments
Gary Gill of Sousahorn, plus Dave Slagle and Jeffrey Jackson of Emia Audio, combined to demonstrate some of that dissention and diversity in the Sousahorn room. Try to imagine a show so easy-rolling and human-scaled, that the organizer and hour-to-hour manager of the show—Gary Gill—can team up with his buddies and demonstrate one of his own products!
Herb Reichert Posted: Jul 29, 2014 3 comments
The sound Gary Dews was getting from the Border Patrol P21 push-pull 20W 300B amp ($12,750) driving the Living Voice Avatar loudspeakers ($11,850/pair) with Gary's own non-oversampling DAC ($9500) was lively, colorful, and unabashedly refined. When I got to Gary's room my head was spinning. Being a first-time show reporter had me revved up, forgetful and anxious. I felt like Mr. McGoo. The easy flow and gentle melodies in the Border Patrol room allowed me to breathe air, relax, and slip into a dreamy mood of peace and admiration.
Herb Reichert Posted: Jul 27, 2014 4 comments
Most of the exhibitors at CAF are not big brandnames with factories employing more than 100 persons. Most are highly inspired and maximally driven "ma & pa" operations like Klaus Bunge's Odyssey Audio. What is unique about Klaus is that he appears to begin designing with a very clear idea of what he wants (precision, dynamics, and laser-clear soundstages). Starting with a cost-is-no-object design, Mr. Bunge distills it over and over making it simpler and less costly each step of the way.
Herb Reichert Posted: Jul 27, 2014 9 comments
Hold an audio show in a hotel? VPI's Mat Weisfeld was snapped taking full advantage of the amenities and listening to music courtesy of VPI's new Nomad record player!

At the end of a long day of standing in halls and sneaking into converted bedrooms with little rows of chairs I find myself wondering—are there any other trade shows or hobby fairs that take place in the sleeping-rooms part of hotels? Certainly there are no others where so many are hoping so much—for a seat in the middle!

Herb Reichert Posted: Jul 26, 2014 2 comments
Stalking the halls to experience 38 rooms at Capital AudioFest in three days feels like trying to see the whole Smithsonian in one day. When I got back to my room tonight my ears were ringing from the rock-concert volume levels played in most rooms. My eyes were spinning from trying to read upside down name tags scribbled with Sharpies. But because I have been an exhibitor so many times, I remember that the most important thing I can do is recognize and respect the hope and effort (and money) all these exhibitors and organizers have invested.
Herb Reichert Posted: Jul 25, 2014 5 comments
It is really funny how a simple thing like what hat I am wearing can affect everything I see and hear. When I used to wear my audio show "visitor" hat—only a few rooms had good sound and the equipment all seemed overpriced. When I wore my "exhibitor" hat my room always had the best music and the best sound. Now, I am wearing my "reporter" hat and a little tag that says Stereophile at the Capital Audio Fest, which runs Friday through Sunday at the Silver Spring, Maryland, Sheraton and the first three rooms I visit have amazing sound. How can this be?
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Herb Reichert Posted: Jul 21, 2014 7 comments
Playing recorded music in the home is a complex, coded, cultural experience: We sit, we listen, we think and dream—and, when it feels just right, we admire. We admire who we are and how we arrived at this beautiful moment. This simple act of admiration is usually a happy sort of self-congratulatory expression of our basic desire to have meaningful as well as enjoyable experiences. We are proud of our good taste and love of music. But this type of listening can also provoke anxiety and self-recrimination. We ask ourselves why we like this music and not some other kind. What would my friends think if they knew I was listening to "truckin' wit' th' doo-dah man"—or Deodato?
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Herb Reichert Posted: Feb 25, 2014 Published: Mar 01, 2014 12 comments
Way back when, I met this maenad woman at Caffe Reggio in Greenwich Village and told her I was an artist. She told me she was an art collector and invited me to her loft to see her collection. While she was showing me an impressive assortment of African and contemporary art, she was dropping names: William Burroughs, Bob Marley, John Cage, etc. Hmmm . . . really? I spoke up. "Oh, I love John Cage. What was he like?"

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