John Atkinson

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John Atkinson Posted: Jan 17, 2014 0 comments
VANA’s Kevin Wolff was showing off the new Liszt speaker, which is expected to sell for $15,000/pair when it becomes available at the end of the first quarter of 2014. This impressive sounding speaker has been in development for two years and combines a new version of VA’s distinctive flat coaxial HF/MF unit with three woofers operating below 150Hz, these mounted in different sub-enclosures and loaded with two vents.
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John Atkinson Posted: Jan 17, 2014 0 comments
The floorstanding Canalis loudspeakers in the Spiral Groove room, driven by Qualia digital source and amplification, were new to me, but were sounding clean, uncolored, and dynamic on the classic LP of Massenet’s Le Cid from Louis Fremaux and the City of Birmingham Symphony Orchestra, played on a Spiral Groove SG1.1 player fitted with an Ortofon Anna cartridge. Like all Canalis speakers, the new Amerigo ($10,000/pair) was designed by Joachim Gerhard (erstwhile designer of AudioPhysic and Sonics) and manufactured in the Bay Area by Spiral Groove, and should be available in March.
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John Atkinson Posted: Jan 17, 2014 2 comments
Jason Serinus has already reported on the excellent sound being produced by Joseph Audio’s Pearl Mk.3 speakers ($31,500/pair), which were being shown in their new, white finish and were being driven by the new Bel Canto "Black" electronics. But of more interest to this reporter were two new models from Jeff Joseph, who is shown in my photo with a pair of the Prism standmounts ($3699/pair) and a single Profile floorstander ($6999/pair).
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John Atkinson Posted: Jan 17, 2014 0 comments
Back in January 2007, Bob Deutsch reviewed the single-driver Eclipse TD712z loudspeaker from Japanese manufacturer Fuijitsu Ten. He was impressed by what he heard from this idiosyncratic full-range speaker, but the brand never established a strong foothold in the US market. CES saw the reintroduction of Eclipse to North America, now distributed by On A Higher Note. A new version of the TD712z, the Mk.2, made its debut at the Venetian, along with the TD520W subwoofer. "Female voice—simply perfect!" I scrawled in my notepad, there always being special to the presentation when you dispense with a crossover.
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John Atkinson Posted: Jan 17, 2014 2 comments
Arcam used to CES to launch a “statement” integrated amplifier, the FMJ A49. Priced at $5000, the A49 offers 200Wpc into 8 ohms (with the first 50W in class-A), 400Wpc into 4 and features a class-G output stage, fully balanced topology, MM/MC phono stages, and a onboard power supply for Arcam’s rSeries of wired and wireless DACs. While Arcam’s lower-priced products are made in China, the new amplifier is the first products to be manufactured in the USA, at the parent company’s facility in Rochester, New York.
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John Atkinson Posted: Jan 16, 2014 0 comments
Scottish manufacturer Tannoy was showing the Carbon Black version of the Kingdom Royal speaker ($85,000/pair), which adds carbon-fiber trim panels, individually machined metal components, and a “specially formulated” paint on the cabinet surfaces. The speaker combines a 12” Dual-Concentric driver with a supertweeter and a 15”, vented woofer with a corrugated surround for maximum linearity. The Kingdom Royal looked elegant indeed, and driven by Cary single-ended power amplifiers with Cary’s new streamer as source, the full-range, wide-dynamic-range sound was equally elegant.
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John Atkinson Posted: Jan 16, 2014 0 comments
The Belgian Venture company introduced its Vidi speaker at CES. Costing $30,000/pair, the floorstanding, three-way Vidi speaker combines two 4" midrange units with a 1" tweeter and two 7" woofers, these mounted on the speaker’s sidewalls. All the drive-units use AGC (Abaca Graphite Composite) diaphragms. The crossover operates with first-order slopes at 250Hz and 3kHz and the speaker is specified as having a frequency range of 30Hz to 40kHz. Used fullrange but with an AW500 subwoofer also operating below 70Hz, the beautifully gloss-finished Vidis did a creditable job with the the live Bootleg Series recording of Bob Dylan’s "Desolation Row," played back from a laptop running the XX HighEnd software feeding digital data to a Weiss Medusa DAC. The opening up of the soundstage as the initially mono recording, made with a Nagra tape recorder, was spliced to the stereo backup tape when the Nagra ran out of tape, was delicious.
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John Atkinson Posted: Jan 16, 2014 2 comments
Shown in Tom Norton’s photo are the Platinum versions of Dynaudio’s Confidence C2 floorstander ($15,000, left) and C1 stand-mount (middle)loudspeakers in the new Platinum trim, which I had seen and heard at 2013 shows. But I was more interested in the news that the Excite 12 loudspeaker, which has been a reference for Bob Reina since he reviewed it in March 2010, has been replaced by the Excite X14 ($1500/pair). My photo wasn’t usable, unfortunately, but I auditioned the X14s in a system comprising the Octave V40 SE 45Wpc, tube integrated amplifier ($5300), T+A DAC S8 ($3250), with Amarra running on a MacBook, Dynaudio Stand 3X stands ($350/pair), and in-akustik Reference interconnects and speaker cables, and was impressed by what I heard.
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John Atkinson Posted: Jan 16, 2014 0 comments
The German ADAM company has been developing the idea of the Air Motion Transformer HF unit, originally developed by Dr. Oskar Heil. The latest version of their tweeter, the X-ART tweeter, is featured in the Mk.II version of the Tensor Beta loudspeaker ($25,000/pair), which was being demmed with Cary electronics. The X-ART tweeter is married to a folded-ribbon upper-midrange unit, a new lower midrange unit and two woofers, all mounted on a solid aluminum baffle. The enclosure is made from 1” and 2” MDF panels, extensively crossbraced. Interestingly, waffle-shaped inner panels are loosely filled with steel shot, which absorbs vibrational energy. The speaker is also supported on fluid-filled feet to further absorb vibration.
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John Atkinson Posted: Jan 16, 2014 0 comments
With new US distribution, by the Katli Audio Co. from LA, the Taiwanese Usher loudspeaker manufacturer premiered its Grand Tower flagship ($37,800/pair) at CES. Combining Usher’s diamond-dome tweeter with two in-house 7" midrange units and two Eton 11" woofers, the Grand Tower weighs 500 lbs and has a claimed low-frequency extension of 24Hz, with a 90dB sensitivity. My experience of a percussion recording suggests that both specifications are valid!

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