John Atkinson

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John Atkinson Posted: Apr 16, 2014 4 comments
It's been getting closer and closer the past few days. But this morning, Stereophile's Facebook page got its 20,000th "Like."

Woo hoo!!!!

Sam Tellig John Atkinson Posted: Jul 18, 2014 Published: Apr 01, 2014 12 comments
They can't sound very good—they're not big enough. As we all know, in hi-fi, big products mean big performance. Musical Fidelity's V90 series can't be any good. They don't cost enough. With your golden ears, you must pay through the nose.

The V90 components turn all this around. They are tiny. Inexpensive. Beautifully built.

John Atkinson Posted: Mar 28, 2014 5 comments
In February 2013, I was taking part in a "Music Matters" evening at Seattle retailer Definitive Audio, playing some of my recordings and talking about my audio philosophy. I love taking part in these events—in addition to Definitive's, in recent years I've participated in evenings organized by North Carolina's Audio Advice, Colorado's Listen-Up, and Atlanta's Audio Alternatives—but, as might be obvious, at each one I use a system provided by the retailer. The February 2013 system comprised Classé electronics and, to my surprise, Bowers & Wilkins Nautilus loudspeakers.
John Atkinson Posted: Mar 07, 2014 1 comments
Back in the summer of 2009, USB-connected D/A processors that could operate at sample rates greater than 48kHz were rare. Ayre Acoustics had just released its groundbreaking QB-9, one of the first DACs to use Gordon Rankin's Streamlength code for Texas Instruments' TAS1020 USB 1.1 receiver chip. Streamlength allowed the chip to operate in the sonically beneficial asynchronous mode, where the PC sourcing the audio data is slaved to the DAC. But high-performance, USB-connected DACs like the Ayre were also relatively expensive back then, so in the January 2010 issue of Stereophile I reviewed a pair of soundcards from major computer manufacturer ASUS , the Xonar Essence ST and STX, which, at $200, offered a much more cost-effective means of playing hi-rez files on a PC.
John Atkinson Posted: Feb 25, 2014 Published: Mar 01, 2014 7 comments
I well remember my first "real" headphones: a pair of Koss Pro4AAs that I bought back in 1970. The Kosses were relatively expensive, but, like headphones today, they allowed an audiophile with limited cash to get a taste of high-end sound that was not possible with a speaker-based system. I bought the Pro4AAs because I had become fascinated with how the images of the instruments and singers were strung along a line between my ears inside my head. It seemed so much more intimate—a more direct connection with the music—than playback through loudspeakers.
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John Atkinson Posted: Feb 23, 2014 16 comments
All photographs by Lily Szabo Photography and used with permission

Thursday February 13 was a day most of us in New York would have preferred to stay indoors. With 10” of snow falling since the night before, the Stereophile office closed, the roads in my neighborhood impassable, and public transport iffy at best, I really didn’t want to make the trek into Manhattan. But I did and was glad to have done so. English loudspeaker manufacturer KEF, represented by a team led by the company's brand ambassador Johan Coorg (above right), was promoting a unique event for the press at MSR Studios on 48th Street featuring legendary engineer and producer Ken Scott (above left).

John Atkinson Posted: Feb 04, 2014 0 comments
Erick Lichte's review of Benchmark's DAC2 HGC D/A converter in this issue gave me an ideal opportunity to spill some ink on the company's ADC1 USB A/D converter. The ADC1 is housed in the same small case as the DAC (one rack unit high, half the rack unit width), and is offered with a black front panel with rack ears, or a silver aluminum panel without ears, either for $1795.
John Atkinson Posted: Jan 31, 2014 Published: Feb 01, 2014 11 comments
I was alerted to the new VEGA D/A processor from Chinese manufacturer AURALiC by Michael Lavorgna's rave review for our sister site AudioStream.com in April 2013: "Everything I played through the Auralic Vega was equally wow-inducing. Everything. . . . Music I've heard hundreds of times was presented with a crisp, clean, and delicate clarity that was simply uncanny and made things old, new again. . . . Its ability to turn music reproduction into an engaging and thrilling musical experience is simply stunning."
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John Atkinson Posted: Jan 19, 2014 0 comments
Daft Punk's "Within" was playing when I entered Magico's suite at the Venetian. The sound produced by the pair of the new S3s ($22,600/pair) was large and dynamic, with rich low frequencies. A solo version of "God Bless the Child" followed, and Gregory Porter's baritone was uncolored, with a well-defined, palpable image hanging between the loudspeakers. Finally, the bass drum on Copland's Fanfare for the Common Man pressurized the large room with low frequencies, all this from a a pair of speakers, each with two 8" woofers in a sealed enclosure powered by 100Wpc of amplification, with source an Aurender server feeding data to a dCS Vivaldi DAC and a Vitus preamp.

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John Atkinson Posted: Jan 19, 2014 9 comments
Though English manufacturer Naim Audio has had some very affordable products in their line, like the original Nait integrated amplifier from the mid-1980s, their reputation for sound quality was established with relatively expensive models. But nothing in the company’s history prepared me for the Naim Statement six-piece preamplifier/twin monoblock system (center in photo) that made its debut at CES. To be available in July, the Statement, which comprises the NAC S1 line preamplifier and two NAP S1 power amplifiers, will be priced at $200,000 and is specified as delivering one horsepower (740W) into 8 ohms! Its weight matches its power: the preamp weighs 135 lbs and the power amplifiers each weigh 222 lbs.

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