Evolution Audio's Saxe Brickenden was equally pleased with his awardeven though his name on the award statuette was mis-spelled. "I've seen my name mis-spelled so many ways over the years that I'm used to it."
Nordost provided the lanyards for the all badges (attendees, exhibitors, and press), with the Nordost name prominently displayed, and to the casual observer it might have seemed that everyone at SSI 2014 worked for Nordost! Not so, but Nordost cables were in a number of systems, and Nordost did brisk business at their booth selling cables and other accessories at a show discount.
One of the not-so-secret principles audio design is that no matter how good the design of the basic circuitry, the ultimate sound quality will be a major function of the power supply. Simaudio has taken this to heart with a new product that builds on the already-excellent power supplies of the Moon Evolution series. The new 820S ($8000), pictured here, can serve as power supply for any two products in the Evolution series, providing separate power supplies for digital and analog components.
I have a fondness for electrostatic transducers, and one of my early stretch-the-budget audio equipment purchases was a pair of Stax Lambda headphones. So I was happy to see the display of Stax headphones at SSI 2014. They even had one that looked like a descendent of my Lambda: the $3495 SRS-5170. My Lambda still works, but the foam inside the earpiece has deteriorated. I should get it fixed...
As reported previously in Stereophile, the Montreal Salon Son & Image is now owned by the UK-based Chester Group, but with Sarah Tremblay continuing as the director of the Montreal show. (Sarah is also the manager of the upcoming New York Audio Show.) On hand at the Montreal show were (left to right) show organizer Scott Humphrey, Chester Group Chairman and Founder Roy Bird, and Sarah Tremblay.
Anne Bisson is a talented vocalist/pianist/composer who often appears at audio shows. She was at SSI 2014 to promote her about-to-be-released CD, entitled Tales from the Treetops (Camilio Records CAM2-4335.) All but one of the songs on this recording are in English (with Percy Bysshe Shelley credited as one of the lyricists). Bisson told me that, listening to the recording, she was surprised to note that her voice sounds different in English and French, a difference she attributes to the fact that French has no diphthongs, only pure vowels.
Bryston's James Tanner, shown here with the Model T external crossover, told me that this crossover also uses special components, and that the improvement in sound quality with the external crossover is quite noticeable.
What is this replica of the DeLorean used in the Back to the Future movies doing at an audio/video show? It's to advertise a company called Le Studio Secret, which organizes office parties with a cinema theme. But this is obviously not just a business; the Back to the Future DeLorean was a labor of love for Thierry Lacombe, with some extra gadgetry that Doc Brown and Marty McFly would have appreciated. You have to admit that it looks cool.
Friday was Day One of a three-day show, but I'd already picked my best soundwhich I'm quite certain will not be exceeded by listening to any collection of electronic/mechanical contrivances. It was provided by soprano Sophie De Cruz, tenor Eric Thériault, accompanied by Dominique Boulianne on the piano. Standing near the entrance to the bar/restaurant at the Hilton Bonaventure, De Cruz and Thériault, sang arias and duets from La Traviata, La Bohème, Tosca, and other pieces of the Italian and French operatic repertoire.
Electronics manufacturer Bryston is going full-steam-ahead with their line of speakers, which continue to impress me. The system on demo at SSI 2014 had a pair of Model T Signatures in a stylish white finish. The Signature differs from the base model in having an outboard crossover, with a price difference of $1000 ($6495/pair vs $7495/pair).