Sort By: Post Date | Title | Publish Date
Robert Deutsch Posted: Apr 21, 2016 12 comments
I first encountered the work of Dave Wilson in the late 1970s. He was then a recording engineer responsible for some great-sounding records, including pianist Mark P. Wetch's Ragtime Razzmatazz (LP, Wilson Audio W-808), which quickly became one of my favorite system-demo records.

Then Wilson turned his attention to designing loudspeakers. His first model was the Wilson Audio Modular Monitor, reviewed for Stereophile by its then-publisher, Larry Archibald, in August 1983, who described it as "the most enjoyable speaker system I've listened to, and significantly valuable as a diagnostic tool." At $35,000/pair ($83,577 in today's dollars), the WAMM may have been the most expensive speaker then on the market.

Filed under
Robert Deutsch Posted: Mar 05, 2016 6 comments
Was a sunny day. Not a cloud was in the sky. (With thanks to Paul Simon.) A good day for a drive. But where? "Is there some audio store you haven't been to for some time that you'd like to visit?" (My wife is well-acquainted with my interests.)

But of course! Aardvark Boutique Audio, in Orangeville, Ontario.

Robert Deutsch Posted: Feb 09, 2016 4 comments
For some time now, I've been thinking that my record player was due for an upgrade. My Linn LP12 turntable and Ittok LVII tonearm are about 25 years old, and my AudioQuest AQ7000nsx cartridge is going on 15. During that time, my listening has become increasingly dominated by CDs, but I am not yet ready to give up on LPs. Updating my LP12—for which I have Linn's Lingo power supply but no other upgrades—would involve installing the Keel subchassis, for $3250—for which price I could get another maker's new, current-design turntable and still have the LP12 to sell. The Linn Ittok can't be upgraded, and its replacement, the Ekos SE, costs $4950—out of my range. AudioQuest no longer makes cartridges. Examining my AQ7000nsx's stylus under a microscope showed no visible wear, and there was no obvious audible problem that could be traced to the cartridge's suspension, but age must be having some sort of effect. Taking all these factors into account, I decided to replace my entire phono front end.
Filed under
Larry Greenhill Robert Deutsch Posted: Jan 13, 2016 10 comments
Bang & Olufsen celebrated its 90 years of existence by releasing a $75,000/pair loudspeaker that had been 12 years in design. Geoff Martin, Bang and Olufsen's Tonmeister and Technology Specialist in Sound Design, played an instrumental role in bringing the Beolab 90 from its origin as a blue-sky project...
Filed under
Robert Deutsch Posted: Jan 12, 2016 0 comments
Made in Slovenia, the Ubiq One ($13,750/pair) is a striking-looking speaker, whose sound (in a system with the Absolare Passion integrated amplifier and Memory Player 64) had a horn-like quickness. I looked up Ubiq Audio on the internet, and was interested to note that Igor Kante, Ubiq's CEO and project leader, is a big fan of Avantgarde horns, as am I.
Filed under
Robert Deutsch Posted: Jan 12, 2016 0 comments
The French speaker company, Cabasse, is probably best known for their huge spherical speaker (La Sphère—reviewed by Michael Fremer in September 2008) but they make a wide range of speakers, most of them more conventional-looking. Making its US debut at CES 2016 was the Murano, a 3-way bookshelf type with a coaxial tweeter.
Filed under
Robert Deutsch Posted: Jan 12, 2016 0 comments
Coming from the pro market, where active loudspeakers have been the norm, ATC is a major advocate of the active approach. According to ATC, the advantages include more accurate crossovers, lower intermodulation distortion, improved frequency response and stereo matching, and better low-frequency control. The active speaker from ATC being demoed at CES was the SCM40A, ($12,999/pair; $6999/pair in the passive version).
Filed under
Robert Deutsch Posted: Jan 12, 2016 0 comments
"Clear sound from the north" is how the speakers from Penaudio are identified in the product literature, and my immediate thought was that this is a speaker from The Great White North, ie, Canada. Actually, the speakers are designed in Finland, with the factory in Latvia. The speaker in the photo is the Serenade Signature ($10,999/pair), a slim floorstander that uses custom SEAS drivers. Good sound with Conrad-Johnson electronics.
Filed under
Robert Deutsch Posted: Jan 12, 2016 1 comments
Not having been actively involved in the turntable scene until recently, I found out for the first time about European Audio Team (EAT) at this year's CES. I was intrigued by the look of the various EAT turntables and arms, especially the E-Flat turntable with its flat arm ($4475). My guess was that the turntable was direct-drive, but the charming Jozefina Lichtenegger, the company's CEO (above), told me that the turntable was belt-driven, with a 35 lb platter.
Filed under
Robert Deutsch Posted: Jan 12, 2016 1 comments
Now distributed in the US by MoFi distribution, the venerable Quad Electroacoustics has a new non-electrostatic line, the Z series, which uses woven glass-fiber cones for the midrange and bass units, allied to a "true ribbon" tweeter. The tweeter is said to have descended from the original Corner Ribbon, which preceded the electrostatic Quad ESL-57. On static display at CES 2016 were the Z-3 ($4199/pair, left side of the ESL-2812 in the center of the photo) and the Z-4 ($4000/pair, on the right).

Pages

X