Kudos Audio is a line of British speakers designed by Derek Gilligan, formerly of NEAT, which uses custom drivers made for them by SEAS. The one demoed at SSI 2013 was the X2 ($2900/pair), a modestly-sized floorstander, in a system that included a Mimetism 15.2 integrated ($6690). The source was a CD in a laptopnot conforming to audiophile ideals, but the sound did not seem to suffer from it.
As discussed in an earlier blog posting by Art Dudley, one of the innovations of SSI 2013 was the Personal Audio Zone, staffed by SSI, where show attendees could listen to 150 different pairs of headphones, and was hoped to attract younger listeners to the show. I made two visits to the Personal Audio Zone: on the first visit, the place was nearly empty, so I recruited SSI staff member Catherine P. Lauzon to act as model for a photo.
The English translation of the French word image in Salon Son & Image is "picture," or, well, "image." But it's been an open secret for some time that the show is much stronger on the son (sound) than on the image. I saw just one projection video setup at SSI 2013, and there were a few LCD/LED monitors, but no one seemed to pay much attention to them. However, SSI managed to enlist as an exhibitor Photo Service, a major camera store, which offers a wide range of products related to photography. This worked out extremely well for all concerned.
One of the most memorable musical events of SSI 2013 was the "live-plus-recorded" mini-concert by cellist Vincent Bélanger, presented by MBL. There were several of these every day of the show; Art Dudley wrote about it in an earlier blog posting. I had attended one of these events last year, and ended up playing the celloafter a fashion. This time the special guest was Stereophile publisher Keith Pray, and, as you can see in the picture, he had a great time.
One of the by-invitation-only events of SSI is the party held by Montreal high-end retailer Coup de Foudrethe invitees being personnel of their suppliers and the media. This year's CDF party followed their usual formula of good food and drink and genial hosting by Graeme Humfrey and Jennifer Cytrynbaum. Who are the people in this picture? OK, I'll start naming the ones I know. That's Gerard Rejskind of UHF Magazine in the approximate center, next to the right (Gerard's left), Philip O'Hanlon of On A Higher Note, and the tall fellow with the scarf is John DeVore of DeVore Fidelity. Do you know any others?
Are there too many audio shows? With the Chicago AXPONA having been held two weeks ago, the Montreal SSI having just concluded, and the New York Audio Show coming up in what their website currently indicates is 16 days, 21 hours, 51 minutes, and 9 seconds away, people are starting to wonder whether we're getting an overload on audio shows. This is a sentiment that I've heard expressed by manufacturers and distributorsand, from the business point of view, their concerns are well founded. Participating in shows is an expensive endeavor, and the benefits in terms of additional business, while real, are difficult to measure.
The display featuring Definitive Technology's StudioMonitor 65 speakers and Acurus A 2002 amplifier were not part of a designated "Under-$5,000 system," but, with the speakers priced at $1000/pair and the amp at $2499 (I didn't note the source or the preamp), it could have been. The speakers had a nice open sound, and played surprisingly loud in the large hall they were in. Saxe Brickenden (pictured) of Evolution Home Entertainment, the importer, was clever to set up the speakers on tall stands, so that the sound was at ear-level for people walking by.
Aragon is back! Originally marketed as a kind of common man's Krell (the first Aragon amplifier and preamp were designed by Krell's Dan D'Agostino), Aragon electronics attained considerable popularity, but the brand disappeared from the audiophile landscape a few years ago. But it's back, with new, improved products that build on their history, the amplifiers featuring the familiar "V" on the top of the chassis.
The product literature for Tri-Art Audio says that their products are "designed, fabricated, and assembled in Canada." What all these products have in common is that bamboo is used in their construction. Pictured: the Bam Bam TA-2 turntable and tonearm (price TBD). The Pebbles turntable and TA-1 tonearm ($1200) are available now. (I'm going to make a wild guess and suggest that the designer is a Flintstones fan.)
The striking Kronos turntable that I first saw at the 2012 Montreal show was on display again, but this time it had a new tonearm. Designed by André Thériault, this prototype tonearm is distinguished by its simplicity, with only 11 parts used. No name yet, and it's expected to sell for about $8000. That's André Thériault in the picture.