Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever sincealthough not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
John DeVore introduced a new speaker at CES that is said to take "fidelity and flexibility to a new level." The Gibbon X ($11,000/pair), the first three-way speaker in the Gibbon series, has a new midrange driver that incorporates DeVore's Adaptive Surround, a new tweeter in its own isolated enclosure, dual 7" woofers that are claimed to move more air than some 10" drivers, and a hand-built cabinet made from solid bamboo.
Larry Greenhill has reported on Revel's Ultima2 Salon, which, at $22,000/pair, is well beyond my CES coverage limit of $15,000,. But I can tell you about Revel's more affordably-priced offerings. Speakers in the new Performa3 series started shipping in December, the price range starting at $1500/pair (M105 bookshelf-type) to the top-of-the-line $5000/pair F208 floorstanders. The speakers feature new transducer designs, next-generation tweeter waveguides, stylish enclosures, and low-distortion ports. The design process of Revel speakers utilizes position-independent double-blind listening tests.
Wisdom's planar-magnetic drivers are used in some very expensive speakers, and they had a pair of their LS4 floor-to-ceiling wall-mounts at CES, which sounded superb, easily one of the best at the show. (It was in the "if you have to ask" price category.) Of more interest to me was the new Insight series of in-wall speakers, which use the same technology as Wisdom's more cost-no-object offerings. The drive units start at $1250 each (P2i) and go up to $5000 (L8i). That's more my speed!
Sarah Tremblay and Caroline St-Louis, representatives of the Montreal Salon Son & Image (SSI) show were at CES, promoting their upcoming show in March. Visitors to the Montreal show may be expecting to see Sarah and Caroline wearing blue wigs, but they've apparently abandoned that look. They're now dressed up as hockey playersthe Montreal Canadiens, of course. I'll be reporting on SSI 2013, along with, hopefully, Art Dudley. There's a chance that John Atkinson may attend as well. Boys and girls, if you all write to him about how much you would like him to attend SSI, perhaps he can be persuaded.
As I said in an earlier blog posting, I was sufficiently intrigued by B&O's single-cabinet stereo speaker at the CES Unveiled event that I made a note to myself to check it out later. The opportunity presented itself in the form of a B&O press conference. The press conference did not involve any demonstrations of sound, but when the press conference was concluded I managed to prevail on Henrik Taudorf Lorensen, CEO of B&O's PLAY division, to give me a demonstration of the A9. The setting was not ideal, with no attempt at optimal positioning of the speaker, but the speaker certainly had a smooth, room-filling sound. I continue to be intrigued by this product. The A9 looks more like a satellite dish than a speaker, and is sure to be a conversation piece. B&O also has some new wireless speakers that are more conventional-looking, such as the BeoLab 12-1 ($2950/pair), pictured here.
Canadian speaker manufacturer Paradigm is celebrating its 30th anniversary with a limited edition speaker, called the Tribute ($6000/pair). The Tribute (pictured here) has a new cabinet, built in-house, a beryllium tweeter from the Signature range, a new mounting system for the drivers, corrugated drivers surrounds, and a chrome-plated stainless steel plinth.
Many speaker manufacturers give their various speaker lines fanciful names that make it difficult to determine a given speaker's position in the manufacturer's intended quality range. Polk, in contrast, simply places their speakers in three categories: Good, Better, and Best. I suspect this helps sales staff in stores enormously in communicating what the differences are between various speakers from Polk.
Sandy Gross has done it again! At CES 2011 I was blown away by the sound quality and value offered by the GoldenEar Triton Two, my highly positive impression confirmed by more extended listening (see my review). At CES 2013, Sandy introduced a speaker with possibly an even greater quality/value combination: the Triton Seven. This is another floorstander, but much smaller than the Triton Two (or the Triton Three that was introduced last year). It uses similar drivers as the Triton Two, including the High Velocity Folded Ribbon (aka Heil) tweeter, but, unlike the Triton Two, the bass is not powered. The lack of a powered subwoofer has allowed Triton Seven to be priced at $1399/pair. Surprisingly, the bass, which is one of the major strengths of the Triton Two, does not appear to have suffered, and the speaker has the same sort of transparency and precise imaging that characterizes the Triton Two. The Triton Seven is expected to be available in May. Photo: Sandy Gross with the Triton Two and the Triton Seven.