Robert Deutsch

Sort By: Post Date | Title | Publish Date
Filed under
Robert Deutsch Posted: Mar 27, 2013 20 comments
Are there too many audio shows? With the Chicago AXPONA having been held two weeks ago, the Montreal SSI having just concluded, and the New York Audio Show coming up in what their website currently indicates is 16 days, 21 hours, 51 minutes, and 9 seconds away, people are starting to wonder whether we're getting an overload on audio shows. This is a sentiment that I've heard expressed by manufacturers and distributors—and, from the business point of view, their concerns are well founded. Participating in shows is an expensive endeavor, and the benefits in terms of additional business, while real, are difficult to measure.
Filed under
Robert Deutsch Posted: Mar 26, 2013 3 comments
"Women in Audio" was the title of the panel discussion, the panel consisting of four women of varied backgrounds who have been in the audio business for some time (left to right): Anna Popova (Conceptas cables), Agata Mossop (Lenbrook Industries), Gabi van der Kliej-Rijnveld (Crystal and Siltech cables), and Angie Lisi (American Sound and Angie's Audio Corner retailers, and AudioPathways, distributor). The lively discussion covered a variety of topics, including whether male customers tend to "test" female sales staff on their technical knowledge (the answer: yes, but if you know your stuff they will respect you), and how to attract more women to participate in the audiophile hobby (the incorporation of music into a couple's or family's lifestyle had broad support).
Filed under
Robert Deutsch Posted: Mar 26, 2013 0 comments
The striking Kronos turntable that I first saw at the 2012 Montreal show was on display again, but this time it had a new tonearm. Designed by André Thériault, this prototype tonearm is distinguished by its simplicity, with only 11 parts used. No name yet, and it's expected to sell for about $8000. That's André Thériault in the picture.
Filed under
Robert Deutsch Posted: Mar 26, 2013 0 comments
The display featuring Definitive Technology's StudioMonitor 65 speakers and Acurus A 2002 amplifier were not part of a designated "Under-$5,000 system," but, with the speakers priced at $1000/pair and the amp at $2499 (I didn't note the source or the preamp), it could have been. The speakers had a nice open sound, and played surprisingly loud in the large hall they were in. Saxe Brickenden (pictured) of Evolution Home Entertainment, the importer, was clever to set up the speakers on tall stands, so that the sound was at ear-level for people walking by.
Filed under
Robert Deutsch Posted: Mar 26, 2013 0 comments
There was lots of vinyl for sale at SSI 2013. One of the smaller—but well-stocked— dealers was Audio Sensibility, which also sells an assortment of affordable cables.
Filed under
Robert Deutsch Posted: Mar 26, 2013 0 comments
What with CES a little more than two months ago, and the Chicago AXPONA show just two weeks ago, it was difficult for SSI 2013 to claim new product introductions. Typically, the most they could claim was "First time in Canada." But there was at least one product introduction that was billed as World Premiere: the Arteluthe Satie, the entry-level speaker in the company's AirForce line, made entirely in Montreal. It's a fully active design, with two built-in 175W amplifiers in each speaker, no passive elements in the signal path, high sensitivity, and claimed 30Hz–20kHz bandwidth. All this technology, and only $7999/pair. There are two other speakers in the line: the Alegria and the Kantante, both fully active, with a top price of $15,000. The photo shows designer Robert Gaboury.
Filed under
Robert Deutsch Posted: Mar 26, 2013 0 comments
Aragon is back! Originally marketed as a kind of common man's Krell (the first Aragon amplifier and preamp were designed by Krell's Dan D'Agostino), Aragon electronics attained considerable popularity, but the brand disappeared from the audiophile landscape a few years ago. But it's back, with new, improved products that build on their history, the amplifiers featuring the familiar "V" on the top of the chassis.
Filed under
Robert Deutsch Posted: Mar 26, 2013 4 comments
When Bryston's Model T speaker was introduced at SSI 2012, it was in the form of a prototype, on passive display. From a comment that I've seen by James Tanner (who headed up the design team for the Model T), at one point it was not clear whether this was going to be a commercial product or just a personal reference. But now it's full steam ahead for a line of Bryston speakers. Model T is available in three versions: the basic passive model, $6495/piar, the Model T Signature (outboard passive crossover, with custom-made air-core chokes and proprietary film capacitors, $7495/pair), and an active version ($9495/pair, requires six channels of amplification, not included). Other speakers in the line are the Middle T ($4600/pair), mini t, as well as home-theater-oriented speakers, a sub, and in-wall and on-wall speakers. Most of these are available now, and others are slated for shipping in May and a few in Q3. Bryston is definitely serious about their speaker line.
Filed under
Robert Deutsch Posted: Mar 26, 2013 0 comments
The product literature for Tri-Art Audio says that their products are "designed, fabricated, and assembled in Canada." What all these products have in common is that bamboo is used in their construction. Pictured: the Bam Bam TA-2 turntable and tonearm (price TBD). The Pebbles turntable and TA-1 tonearm ($1200) are available now. (I'm going to make a wild guess and suggest that the designer is a Flintstones fan.)
Filed under
Robert Deutsch Posted: Mar 25, 2013 0 comments
Designed by Hans Deutsch (no relation), made in Vienna, Brodmann Acoustics speakers come from the "musical instrument" rather than the "sound reproducer" tradition, rejecting the use of filters and damping materials to minimize distortion and unwanted speaker cabinet resonances. The theory may be controversial, but the Brodmann VC 7 ($25,000/pair) , with Electrocompaniet electronics, sounded superb, with great clarity, precise imaging, and, yes, a very "musical" sound.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading