RMAF 2013

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Jason Victor Serinus Posted: Oct 17, 2013 0 comments
I’ve grown quite fond of Nola Metro Grand Reference Gold loudspeakers ($33,000/pair). Mated once again with ultra-transparent, full-range Nordost Odin cabling and several Nordost Quantums ($2200/each), the system brought out the true nature of Audio Research’s CD-8 CD player ($9000), Reference 75 amplifier ($9000), and Reference 10 preamplifier ($30,000). On a recent Mercury Living Presence CD reissue of music by Chabrier, that made for an easy-on-the-ears, slightly damped top and the dominant ARC midrange that so many people love.
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John Atkinson Posted: Oct 17, 2013 4 comments
I first heard Rockport's Avior speaker ($29,500/pair) in the VTL room at the 2012 CES where both Stephen Mejias and I were impressed by their sound. They sounded as good in the Xact Audio room at RMAF, driven by Absolare Passion Signature, zero-feedback, class-A, single-ended power amps ($48,500/pair). But contributing to the sound was the intriguing room treatment that you can see on the wall, cardboard diffusors that Xact calls the MIO and sells for $99/12 square feet.
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Jason Victor Serinus Posted: Oct 17, 2013 16 comments
Photo: John Atkinson

At a 9am press conference Saturday, October 12, whose attendance was curiously dominated by Stereophile and our sister computer audio online site, AudioStream.com, Jared Sacks of Channel Classics and Philip O’Hanlon of On A Higher Note announced the November 1 launch of nativedsd.com. A world-wide accessible, multi-label download site dedicated exclusively to native DSD recorded stereo and multi-channel studio masters, the site promises centralized shopping for native DSD recorded Edit Master files, along with information and discussion of both software and hardware. We are also assured of “extensive site-wide search capability through the use of ID3v2 compliant metadata across all labels.”

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Stephen Mejias Posted: Oct 17, 2013 0 comments
M•A Recordings' Todd Garfinkle is proud to now offer Sera Una Noche’s beautiful La Segunda—on vinyl. Garfinkle explained that the source was upsampled to 5.6MHz and that the record was then cut "on the fly." The result is "a double-DSD–mastered LP."
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John Atkinson Posted: Oct 17, 2013 2 comments
Taiwanese speaker manufacturer used an 400Wpc/8 ohms Jeff Rowland Design Group 825 stereo amplifier and Aeris DAC to demonstrate its new Double Bass loudspeaker ($28,000/pair), with audio data sourced from a Bryston BDP-1. The Double Bass combines an MTM ribbon array with an 8" sandwich-cone mid-woofer and 12" sandwich-cone woofer in a vented enclosure that resembles, yes, a double bass.
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Jason Victor Serinus Posted: Oct 17, 2013 1 comments
In the first of MIT’s two adjacent rooms, Steven Holt, in his last appearance with the company before moving on to Light Harmonic, showed off MIT’s newest Z-Plug 3 ($199) and Z-Plug 6 ($399) AC noise traps. Demonstrated with Audio Prism’s noise-sniffing device, these parallel power filters seemed to do a fine job of quieting things down. Also new are two power cables, the SL-Z-Cord3Fp AC Noise trap ($349) and SL-Matrix Z-Cord 6 AC Filter power cord ($699), both of which incorporate Z-series power filtration. Don’t you love these ridiculously long names that make you feel like you’ve bought something special, which, despite the name, it may very well be?
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Stephen Mejias Posted: Oct 17, 2013 0 comments
SVS Sound’s Gary Yacoubian explained that his company’s speakers are designed to combine the dynamics of a home theater system with the neutrality of an audiophile system. “When voicing the speakers, we used real music that real people listen to in their homes.”
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Jason Victor Serinus Posted: Oct 17, 2013 1 comments
Did that title get your attention? Andrew Jones’ TAD Evolution 1 loudspeakers ($29,500/pair) usually do by themselves. But, in this case, they were paired with TAD’s visually understated M600 amplifiers ($68,000, presumably for the pair), C600 preamp ($42,000), and D600 (CD/SACD) disc player ($32,000), as well as Ron LaPorte’s forthcoming Blue Smoke Entertainment Systems’ Black Box II digital music server/client ($3995) and USB to 384/32 digital output ($2995—both expected late 2013).
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Stephen Mejias Posted: Oct 17, 2013 0 comments
The UK’s Neat Acoustics is distributed in the US by High Fidelity Services in Braintree, Massachusetts. Here we see the company’s Motive SX2, in sassy pink ($2395/pair), driven by a Sonneteer Orton integrated amplifier ($3795). The digital source was Sonneteer’s Byron CD player ($2795), while vinyl was being spun on a VPI Scout 2 ($2400) with a Dynavector 20-2 XL cartridge ($850). The attractive rack is the Custom Design Ikon 750 Reference ($1475). Neat, indeed.
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John Atkinson Posted: Oct 17, 2013 0 comments
When I walked into the On A Higher Note room at RMAF, Philip O'Hanlon was playing Doug McLeod's There's a Time LP, our May 2013 "Recording of the Month," and very good it sounded too. Turntable was a Brinkmann Bardo fitted with a TriPlanar 12" tonearm and a Brinkmann Pi cartridge, with a Luxman L590X integrated amplifier ($9500) driving the superb Vivid B-1 loudspeakers ($14,990/pair) that I reviewed in October 2011. Cables and power conditioning was by Shunyata.
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John Atkinson Posted: Oct 17, 2013 0 comments
The KingSound King III electrostatic loudspeakers ($12,000/pair) sounded superb at RAF, without the sweet-spot beaming I would have expected from their width. Amplifier was the 120Wpc, $6500 Innamorata from Wells Audio that I first heard at the 2013 Newport Beach Show, with an EAR 868 tube preamp ($7395) and Kaplan cables. Source was the latest Sound Science Music Vault M7 ($5595) with an Antelope Zodiac Platinum DAC with Voltikus power supply ($5500). Analog source was a Townshend Rock 7 turntable ($3900) fitted with an Ortofon Rondo Blue cartridge ($879).
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John Atkinson Posted: Oct 17, 2013 3 comments
John Wolff's Classic Audio company has been a fixture at audio shows the past few years, always showing his beautifully made speakers, combining hornloaded midrange and highs with big paper-cone woofers, most recently using field-coil–energized drivers. This year John was demming the T-3.4, which combines a field-coil–energized midrange unit, with a 4" beryllium diaphragm loaded by a wooden horn horn with a 2" throat, with a pair of 15" woofers operating below 500Hz, one firing forward, the other at the floor, and a "Ultra-High-Frequency" supertweeter operating above 12.5kHz.
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John Atkinson Posted: Oct 17, 2013 1 comments
My sleeping room at the Tech Center Marriott was next to the Jeff Rowland Design Group's sound room. The night before the show started, though I wasn't kept awake, I was puzzled by the low-level, low-frequency noises coming through the wall. When I went into the room after the show had begun to take a listen, JRDG's Lucien Pichet, who for many years had been a stalwart at Avalon Acoustics, explained that they had been breaking in the system. This comprised Raidho D1 speakers, driven by the Continuum S2 400Wpc integrated amplifier ($9800) via Cardas Clear cables, with source the Aeris D/A processor ($9800) hooked up to a Bryston BDP-1 file player. The components were supported by one of the impressively built Harmonic Resolution Systems racks.
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Stephen Mejias Posted: Oct 17, 2013 0 comments
If you’re going to spend time scrubbing records, the task might as well be made fun and easy. That seems to have been Jonathan Monks’ goal when he designed the new discOveryOne record-cleaning machine ($2495, base price).
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Stephen Mejias Posted: Oct 17, 2013 2 comments
The Antelope Audio Zodiac Platinum DAC ($5500, including Voltikus power supply and remote control), seen here in the shadow of the wild Rubicon, utilizes the company’s 64-bit clocking technology, supports sampling rates up to 768kHz, and plays DSD files. It offers both analog and digital inputs, including balanced analog XLRs, unbalanced analog RCAs, AES/EBU, two coaxial, two Toslink, USB, and a 10MHz input for Antelope’s Rubidium Atomic Clock. Dual front-panel 1/4" headphone jacks, an analog volume control, and a spiffy app for PC, Mac, and mobile devices add to the fun.

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