RMAF 2013

Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: Oct 20, 2013 0 comments
German loudspeaker manufacturer ELAC showed its prototype Air-X403. Scheduled for launch at CES2014, the wireless loudspeaker system includes a passive model ($2800?) and an active baby with a 210Wpc, class-A/B amplifier ($4000 range total). This black, bottom-ported speaker system did a very nice job on a track by Diana Krall, a singer John Atkinson enjoys, and I do in moderation. I would never have expected such a good midrange from such small speakers.
Filed under
Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Walter Liederman’s Underwood Hifi showed an $11,600 system that he sells for the discount price of $8995 + freight. At its head were Emerald Physics CS3 Mk.2 open-baffle, controlled-dispersion loudspeakers complete with Emerald DSP2.4 digital equalizer/crossover ($3500/pair). Supporting them were two REL T9 powered subwoofers ($1200/each) electronically bi-amped through the Emerald DSP2.4, an Emerald Physics EP100.2SE amplifier ($2200), one DSPeaker Anti-Mode 2.0 Dual Core for preamplification and room correction ($1200), and a Jolida Fusion tube DAC/Transport ($2300). Also included, prices not supplied, were a Pro-Ject Xtension 10 turntable, PS Audio NuWave phono stage, and Mac mini.
Filed under
Jason Victor Serinus Posted: Oct 20, 2013 0 comments
No US audio show feels complete without hearing Acoustic Zen cables, interconnects, power cords, and loudspeakers connected to Triode Corporation electronics. Acoustic Zen’s Robert Lee deserved to smile, because his set-up showed everyone’s equipment at its best. Upsampled to 192kHz, a violin CD sounded gorgeous, and the low organ pedals on Saint-Saëns’ well-known “Organ Symphony” were equally convincing.
Filed under
Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Norbert Lindemann tells me that his musicbook:20 ($5000) and musicbook:25 ($5500) will be available in six weeks. The musicbook:25 is a remotely controlled network player/CD player that includes a TEAC CD drive and USB-A port. It also contains a fully balanced analog preamp with analog volume control as well as class-A headphone amplifiers. The musicbook:20 lacks the 25’s CD drive.
Filed under
Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Thanks to PS Audio’s P5 Power Plant ($3495) and Nordost’s Norse cabling, Krell’s Phantom III preamplifier ($5499, or $7000 w/optional 24/192 onboard DAC), S-350A CD 24/192 CD player ($2500), EVO 2250E amplifier ($8000), and Krell Connect ($3500) were enabling Magico’s S-1 loudspeakers ($12,600/pair) to perform wonderfully. In the room sponsored by Audio Video Logic of Iowa, a Red-Book file of Stevie Ray Vaughan’s “Tin Pan Alley” had great slam and midrange power, with the guitar singing clear and free in a deep soundstage.
Filed under
Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Thinking it was my last room—wrong—I lingered for some time with two great and dedicated guys, Keith Greeninger and Dayan Kai of Wyred 4 Sound. Listening to “The Deeper That You Love” from a Blue Coast Special album, I found a moderately bright leading edge balanced by an extremely lovely midrange. “Mids very, very nice for this price” I wrote in my notepad. Then, “Summertime” on an Original Master issue of Patricia Barber’s A Distortion of Love yielded “a fabulous sense of space and air, and great low bass.” (“A great demo track,” I noted, although the same can be said for many of Barber’s wonderfully recorded and mixed tracks).
Filed under
Jason Victor Serinus Posted: Oct 20, 2013 1 comments
Shame on me for not writing down the name of Ron Sutherland’s adorable pooch, who stayed on my lap as we orbited to bliss with the great Johnny Hartmann. Partnering with some guys named John Coltrane and McCoy Tyner, Hartmann made magic of “They Say It’s Wonderful.” Of course, that was on LP, sounding—yes—wonderful thanks to a Merrill-Williams R.E.A.L. 101 table with Tri-Planar arm, Sutherland N1 full-feature line/phone preamplifier ($18,000) and Sutherland Power Block amplifier ($6000), arrayed on a Krollo Rack and connected to each other and Avalon Transcendent loudspeakers by Incline cabling.
Filed under
Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Crescendo Fine Audio of Boulder, a year-old venture founded by music lover and second-generation audio dealer Matt Alterman, 34, made its first showing at RMAF into a major event by sponsoring two impressive rooms. In 9018, Aerial Acoustics 7T loudspeakers ($9850) danced with Ayre’s V5X 175Wpc stereo amplifier ($7950), C-5xeMP universal audio disc player ($5950), and QB-9 DSD DAC ($3250). Preamps were Octave’s tubed HP 300SE ($7000) and, for phono, Red Wine Audio’s battery powered Analogica ($1995). A VPI Classic 1 ($2800) with Sumiko Blackbird cartridge ($1099) topped a system supported by Quadraspire’s Sunoka Vent 2 bamboo shelf rack ($795/shelf), and wired with Shunyata Research cabling, with a Shunyata Triton power distributor with stainless-steel feet ($4995) making sure everything sounded at its best.
Filed under
Jason Victor Serinus Posted: Oct 20, 2013 0 comments
In the room put together by Rutherford Audio of Denver, Genesis’ 7.2f loudspeaker ($12,500/pair), whose servo-controlled bass extends down to 22Hz; Burmester’s 089 CD player ($33,000), Phono 100 ($20,000), and 956 amplifier ($19,000); Thorens’ TD 2035 Black with TP92 Genesis cartridge (price given as $6399 table, priceless cartridge); and Genesis cabling made for an ear-opening combination. An LP of Count Basie and his Orchestra’s “Me and you” had huge dynamic range, a nice and warm midrange, and an aggressive top. My JVC-XRCD of Sarah Vaughan and Basie was a bit mellower, but the top was again bright.
Filed under
Stephen Mejias Posted: Oct 18, 2013 8 comments
AudioStream.com's Michael Lavorgna took a front-row seat for Chad Kassem's discussion of his company's DSD download site. Photo: John Atkinson

“We’re so lucky that it’s all coming together at once,” said Acoustic Sounds’ Chad Kassem.

On the final morning of the 2013 Rocky Mountain Audio Fest, editors from Stereophile, AudioStream.com, and AnalogPlanet.com gathered in Kassem’s demo room to learn more about his new Super HiRez DSD download site.

Filed under
Jason Victor Serinus Posted: Oct 18, 2013 0 comments
Warned that the speakers and phono cartridge were not fully broken in, I entered Vana Ltd’s Room 9025 to discover Vienna Acoustics Beethoven Baby Grand SE loudspeakers ($5500/pair) paired with the debut of the Dr. Feickert Analogue Woodpecker turntable with 12 Jelco and Acoustical Systems Arché headshell ($8000) and equipped with an Ortofon Windfeld phono cartridge ($3900). Also in the system were Primare’s CD 32 CD player ($2800), I32 with MM30 media upgrade integrated amplifier ($4500), and R32 phono amp ($1200); IsoTek’s EVO3 Aquarius Mains conditioner ($2000), EVO3 Syncro active DC blocking cable ($1750), and EVO3 premier power cables ($195/each). Analysis Plus analog cables completed a system whose bass was not under control, and whose midrange was somewhat muffled, but whose highs, on an LP test pressing of Mahler’s Symphony 3, were quite wonderful.
Filed under
Jason Victor Serinus Posted: Oct 18, 2013 7 comments
It was all psychedelic retro in Room 9000, as Odyssey’s Klaus Bunge dimmed the lights and headed to Fillmore West as he played Iron Butterfly’s "In-A-Gadda-Da-Vida.” Given that I was hardly prepared to drop acid in the midst of blogging the show (as in who is that strange person from Stereophile who has spent the last 15 minutes staring at our turntable while muttering something about God being the deepest groove of all?), I didn’t know what was going on equipment-wise until I found Klaus outside the room and asked which way was up.
Filed under
Stephen Mejias Posted: Oct 18, 2013 1 comments
Lambertville, New Jersey’s Channel D was in full effect at the 2013 RMAF, exhibiting in two rooms and proving that high-end doesn’t necessarily have to be high-priced.
Filed under
Jason Victor Serinus Posted: Oct 18, 2013 0 comments
I discovered the popularity of the “Cartridge Alignment” seminars presented by Vana Ltd.’s Stirling Trayle and the “Speaker Set-Up” presentations by AudioBeat.com’s Roy Gregory were when I passed the closed doorway to their seminar room and discovered people already lined up for the next presentation.
Filed under
Jason Victor Serinus Posted: Oct 18, 2013 5 comments
What actually transpired as the person in charge of the darkened room began to change LPs:

Me: What are you putting on?
Him: (sounding slightly hostile) What am I putting on?
Me: Yes. What music are you playing?
Him: It’s violin music.
Me: (To myself: Yes, I do know what a violin sounds like.) To him: What violin music?
Him: “I can’t pronounce it. Here, you look.”

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading