RMAF 2013

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Stephen Mejias Posted: Oct 16, 2013 2 comments
Earlier this year, Michael Lavorgna told us about Grimm Audio’s attractive and intelligent LS1 system ($39,900), which incorporates high-resolution (24-bit/192kHz-capable) A/D and D/A converters, six Bruno Putzeys–designed NCore amplifiers, a DSP processor, USB interface, a preamp/control unit, integrated bass modules, and all the necessary cables. There is even an analog input. All you need to add, then, is a source.
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Stephen Mejias Posted: Oct 16, 2013 0 comments
The combination of Octave Audio V 40 SE integrated amplifier ($5300) and Dynaudio Excite X34 compact floorstander ($3400/pair) produced some of the fastest, most agile, and muscular sounds I heard at RMAF.
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Jason Victor Serinus Posted: Oct 16, 2013 0 comments
Mated with B&W 804D speakers and Cardas Clear cabling, Simaudio’s Moon 180 MiND network player ($1250), new Moon Neo 260D CD transport w/optional DAC ($2000 + $1000), Moon Neo 380D DAC ($4350), Moon Neo 350P preamp ($3650), and Moon Neo 400M monoblock amplifiers ($4300), I was struck by the very clear, crisp, and solid sound of Jefferson Airplane’s “Come Back to Me,” sourced from an original Japanese pressing. The Neo 260D, released September 4, includes an optional asynchronous 32-bit DAC with four digital inputs that allows direct streaming and Blu-ray playback.
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Stephen Mejias Posted: Oct 16, 2013 0 comments
It’s no exaggeration to say that I love Harbeth’s Monitor 30.1 loudspeakers ($5995/pair). No matter where I hear them, regardless of music or associated gear, I’m always impressed by the warm, full-bodied, detailed sound. In Sam Tellig’s December 2012 review, he wrote of the Harbeths, “Whatever amp I used, the tonality was superb. Never, ever fatiguing.” My thoughts, exactly.
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Stephen Mejias Posted: Oct 16, 2013 0 comments
As John Atkinson mentions below, the Marriott’s lobby level was converted into a veritable hypermarket of hi-fi goodies: music, accessories, mini systems, and more. Stereophile occupied a small table toward the end of one busy hall, where we were happy to supply free copies of our November issue, featuring on its cover NAD’s new D 3020 integrated amplifier ($499).
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John Atkinson Posted: Oct 16, 2013 0 comments
The Marriott's lobby area was packed with booths, with exhibitors actively engaged with showgoers all weekend. Shown here is the booth shared by The Cable Company and sister company Ultra Systems, which was opposite the Nordost Sort Füt booth Jason Serinus wrote about below. Ethan Wood is helping an audiophile through the process of using his computer as a high-end audio source while Robert Stein looks on.
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Stephen Mejias Posted: Oct 15, 2013 1 comments
I’ve come to expect nothing but great and interesting music from Audioarts’ Gideon Schwartz. I walked in to Dead Can Dance’s Spirit Chaser, and, though the volume was much lower than that heard in most other rooms, the music was nevertheless engaging and in many ways more inviting: smooth and detailed, with exceptional image focus and superb stage balance.
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Jason Victor Serinus Posted: Oct 15, 2013 0 comments
Roger Fortier, US distributor for ADAM Audio (Advanced Dynamic Audio Monitors), paired ADAM Column loudspeakers ($7500/pair) with Clarus Audio cabling from Tributaries and Cary’s CA0211 monoblocks ($20,000/pair), SLP-05 preamp ($6500) and Cary’s brand-new, prototype, full-function media streamer ($3995). Playing Christy Baron’s oft-heard “Ain’t No Sunshine When He’s Gone,” the system produced an exceptionally nice, warm midrange with an overall touch of sweetness. It also handled bass very well.
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Jason Victor Serinus Posted: Oct 15, 2013 0 comments
Count on McIntosh to invariably dem something new, albeit in chassis that maintain the company’s distinctive aesthetics. This time around, Ron Cornelius showed the new MCD550 SACD/CD player ($6500) with volume control, headphone output, asynchronous USB 2.0 input, and 32-bit, “192kHz PCM/SD digital to analog conversion”; and MA8000 300Wpc integrated amplifier ($10,000) with MC/MM phono inputs, five digital inputs that decode music up to 32/192, home-theater bypass, and headphone amplifier. In an all-McIntosh set-up, the system delivered the classic warm midrange and solid bottom end I’ve come to expect. Highs, at least in this small hotel room, were a touch metallic, however.
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Jason Victor Serinus Posted: Oct 15, 2013 0 comments
Naim Audio has just introduced three new great-sounding products in its NAIT (Naim Audio Integrated Series). The entry-level NAIT 5si Integrated amplifier ($1800) outputs 60Wpc into 8 ohms, and has four analog inputs (including DIN, which they think sounds best), a headphone output, and unity gain inputs for AV pre/pro or receiver. Climbing up the ladder gets you the 70Wpc Naim NAIT XS 2 integrated ($2900) and "audiophile version" 80Wpc Naim SuperNAIT 2 integrated ($4900). In addition to more inputs and features, these higher-level products include upgradeable external power supplies, which counts for a lot in Naimland.
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Jason Victor Serinus Posted: Oct 15, 2013 4 comments
There was so much going on in Audiohouse’s Parasound–Monitor–Kimber etc . . . room that all I’m certain of is that the system had a really nice midrange. The Monitor Audio Platinum PL200 speakers ($9000/pair), alas, were insufficiently broken in, and there was no time to return on the last day when, I’m told, the system strutted its stuff so well that Audiohouse’s David M. McPhee sold two pairs of the Platinum PL200s to attendees.
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Jason Victor Serinus Posted: Oct 15, 2013 0 comments
McIntosh’s Carl Porter was in the midst of demming McIntosh’s MEN220 room correction system ($5000) when I snapped this photo. I’ve heard this baby in action several times, and was not surprised by the positive effects its room correction, custom-EQ, and 2-way crossover had on a recording by Alison Krauss.
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Stephen Mejias Posted: Oct 15, 2013 0 comments
Raven Audio is a relatively new audio company whose products are handmade in Groveton, Texas. This was the company’s first showing at RMAF.
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Jason Victor Serinus Posted: Oct 15, 2013 0 comments
The Danish speaker manufacturer Danish Audiophile Loudspeaker Industries (DALI) should have a winner in its new wireless Kubik Free+Xtra Loudspeaker System. Available in black, white, or red, the optional two-part system consists of the Kubik Free ($1295), an active single-stereo speaker that can be used by itself in tight quarters, and the Xtra passive second speaker ($695) for those who want a wider soundstage and better imaging. Demmed by Thomas Knudsen in wireless aptX Bluetooth 3.0 mode—the Kubik Free can also be played via USB, optical, and analog connections—the speaker's 100W class-D amplifier delivered lovely sound. The drivers are composed of the same proprietary DALI wood-fiber cone drivers used in DALI's big babies.
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Jason Victor Serinus Posted: Oct 15, 2013 0 comments
Sonus faber mated its Olympica 3 loudspeakers ($13,500/pair) with Audio Research’s Reference CD9 CD/DAC player ($13,000), Reference 75 amplifier ($9000), and SP20 preamplifier ($9000). Heard through AudioQuest Redwood cables, the system uncompromisingly conveyed the take-no-prisoners nature of the demo CD that was playing during my time in the room.

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