RMAF 2013

Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: Oct 16, 2013 0 comments
There was a lot of talking going on when I entered room 8012 in the Marriott’s Tower, but Rosa Passos and bassist Ron Carter sounded very mellow through Funk Audio powered loudspeakers ($19,875/pair) David Berning ZOTL Pre One preamplifier ($12,360), Silver Circle Audio Juice Box One w/Vesuvius power conditioner, and Luminous Audio cabling. Although I don’t know if the RCA LP of tenor Jussi Björling I heard next was inherently bright, it sure sounded such through a VIP Classic 1 turntable with 3D-printed arm ($4400) outfitted with a Soundsmith Hyperion cartridge ($7500), which I know is not inherently bright, and a Dynamic Sounds Associates Phono II phono preamp ($12,000).
Filed under
Stephen Mejias Posted: Oct 16, 2013 0 comments
I walked away from Diana Krall only to run into Elvis Costello, this time thanks to T+A's new MP3000 HV digital media player ($12,500). (A couple of weeks ago, I saw the couple walking along Prince Street in SoHo. Apparently, they’re stalking me.)

In addition to the MP3000, this small, attractive system was made of Dynaudio’s Confidence C1 loudspeakers ($9000/pair), driven by T+A’s new PA3000 HV integrated amplifier ($16,500).

Filed under
John Atkinson Posted: Oct 16, 2013 0 comments
I have listened to Legacy's Aeris loudspeaker at earlier shows this year, but this impressive tower ($17,750/pair) sounded better at RMAF. Driven by an AVM SA8 stereo amplifier ($13,880) an AVM PA5.2 tube preamp ($5650), and AVM CD5.2 tube CD player ($6995) and wired with Morrow cables, the system reproduced the Crash Test Dummies' "Superman's Song" with authority.
Filed under
John Atkinson Posted: Oct 16, 2013 4 comments
"I don't want you to talk about the nuts and bolts of computer audio, FLACs and DACs and files, etc, but to talk about the impact the computer has had on high-end audio," said AudioQuest's Steve Silberman when he asked me to be on the Saturday lunchtime panel session he was organizing for RMAF. Titled "Computer Audio and Beyond—the Ever-Shifting Landscape of Hardware, Media, and Content Providers," the session featured (from right to left in my photo), as well as Silberman, Joe Harley of AudioQuest and Music Matters, Chris Connaker (ComputerAudiophile.com), Matt Ashland (J River Media Center), Gordon Rankin (Wavelength), and Matt Green (Logitech/Ultimate Ears).
Filed under
Stephen Mejias Posted: Oct 16, 2013 0 comments
Founded in 2006, the Devon, UK–based Puresound audio company is distributed in the US by NYC’s High Water Sound. Puresound’s compact M845 monoblocks ($10,000/pair) were partnered with the company’s L300 line-level preamp ($8000) to drive a pair of Horning Aristotle loudspeakers ($15,000/pair). The source was a TW-Acustic Raven turntable with a Miyajima Shilabe phono cartridge going through Puresound's P10 phono preamp ($1000) and T10 MC step-up trannie ($500).
Filed under
Stephen Mejias Posted: Oct 16, 2013 2 comments
Earlier this year, Michael Lavorgna told us about Grimm Audio’s attractive and intelligent LS1 system ($39,900), which incorporates high-resolution (24-bit/192kHz-capable) A/D and D/A converters, six Bruno Putzeys–designed NCore amplifiers, a DSP processor, USB interface, a preamp/control unit, integrated bass modules, and all the necessary cables. There is even an analog input. All you need to add, then, is a source.
Filed under
Jason Victor Serinus Posted: Oct 16, 2013 0 comments
Every music lover/audiophile with vision longs for the same thing: those magical moments when the system disappears, the time-space continuum parts, and we find ourselves mystically transported to a place where only the transcendent wonder and beauty of musical creation exists. For me, one of those unexpected listening experiences that make life worth living occurred on the Marriott’s mezzanine, when Kevin Hayes of VAC (Valve Amplification Company) played my JVC-XRCD of Sarah Vaughan and the Duke Ellington Orchestra performing Sondheim’s “Send in the Clowns.”
Filed under
Jason Victor Serinus Posted: Oct 16, 2013 0 comments
Mated with B&W 804D speakers and Cardas Clear cabling, Simaudio’s Moon 180 MiND network player ($1250), new Moon Neo 260D CD transport w/optional DAC ($2000 + $1000), Moon Neo 380D DAC ($4350), Moon Neo 350P preamp ($3650), and Moon Neo 400M monoblock amplifiers ($4300), I was struck by the very clear, crisp, and solid sound of Jefferson Airplane’s “Come Back to Me,” sourced from an original Japanese pressing. The Neo 260D, released September 4, includes an optional asynchronous 32-bit DAC with four digital inputs that allows direct streaming and Blu-ray playback.
Filed under
Stephen Mejias Posted: Oct 16, 2013 0 comments
The combination of Octave Audio V 40 SE integrated amplifier ($5300) and Dynaudio Excite X34 compact floorstander ($3400/pair) produced some of the fastest, most agile, and muscular sounds I heard at RMAF.
Filed under
Stephen Mejias Posted: Oct 16, 2013 0 comments
It’s no exaggeration to say that I love Harbeth’s Monitor 30.1 loudspeakers ($5995/pair). No matter where I hear them, regardless of music or associated gear, I’m always impressed by the warm, full-bodied, detailed sound. In Sam Tellig’s December 2012 review, he wrote of the Harbeths, “Whatever amp I used, the tonality was superb. Never, ever fatiguing.” My thoughts, exactly.
Filed under
Stephen Mejias Posted: Oct 16, 2013 0 comments
As John Atkinson mentions below, the Marriott’s lobby level was converted into a veritable hypermarket of hi-fi goodies: music, accessories, mini systems, and more. Stereophile occupied a small table toward the end of one busy hall, where we were happy to supply free copies of our November issue, featuring on its cover NAD’s new D 3020 integrated amplifier ($499).
Filed under
John Atkinson Posted: Oct 16, 2013 0 comments
The Marriott's lobby area was packed with booths, with exhibitors actively engaged with showgoers all weekend. Shown here is the booth shared by The Cable Company and sister company Ultra Systems, which was opposite the Nordost Sort Füt booth Jason Serinus wrote about below. Ethan Wood is helping an audiophile through the process of using his computer as a high-end audio source while Robert Stein looks on.
Filed under
Jason Victor Serinus Posted: Oct 16, 2013 4 comments
There were so many exhibitors at this year’s RMAF that it was not possible to go back to rooms. One of two wonderful rooms in the Marriott Tower that I most regretted not having time to revisit, Apex Audio’s mezzanine set-up of equipment mainly distributed by Musical Surroundings produced warm, gorgeous sounds and a “midrange to die for” on Reference Recordings’ LP version of Doug MacLeod’s There’s a Time (Stereophile’s May 2013 Recording of the Month). Managing to let the brightness of the latest CD transfer of Mercury Living Presence’s stereo version of Schoenberg’s Five Pieces for Orchestra come through while remaining a joy to listen to, the system inspired me to scribble, after listening to a track from an LP of guitar duo Rodrigo y Gabriela, “one could listen for hours without fatigue.”
Filed under
Jason Victor Serinus Posted: Oct 16, 2013 0 comments
Ah, Zu Audio, ever the chameleon, albeit with a distinctive color. At the California Audio Show last August, Zu paired their loudspeakers with gray-tinged tube electronics that toned down their sometimes metallic leading edge; at RMAF, with Peachtree Audio’s Grand Integrated ($4500), whose design let the true nature of Zu’s Druid Mk.V loudspeakers ($5200/pair), Submission sub ($3995/each), and Zu Event cabling, emerge in the best possible light.
Filed under
Jason Victor Serinus Posted: Oct 16, 2013 0 comments
My photo fails to do justice to the eye-catching aesthetics of the Wadia Intuition 01 ($7500) on the stand. You can catch much better views of the modern digital integrated amplifier/DAC/preamp combo here. Offering 350Wpc into 4 ohms (190Wpc into 8 ohms), 192/24 resolution via coax, optical, and AES/EBU, and 384/32 and native DSD playback via USB, this beaut mated with Sonus faber’s equally handsome Olympica I loudspeakers ($6500/pair + $1200 optional stands) and Nordost Tyr 2 cabling to produce very mellow sounds on a track by Bill Callahan, and captivate me with the voice of Lucrecia Dalt.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading