CES 2011
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CES 2011
Erick Lichte Jan 12, 2011 3 comments
I was simply delighted by this clock’s slight cheekiness and subtle beauty. Seeing it also served as a reminder of how iconic the McIntosh faceplate has become in American audio. No price determined for this timepiece.
CES 2011
Stephen Mejias Jan 12, 2011 1 comments
From left: Klipsch Reference RB-61 II ($529/pair), RB-51 II ($329/pair), and RB-41 II ($279/pair). I spotted this handsome family of Klipsch Reference loudspeakers on static display at the Las Vegas Convention Center. Each is a bass-reflex design with a rear-firing port and each utilizes a 1” titanium diaphragm compression driver mated to Klipsch’s Tractrix horn. As you go up the line in size and price, you gain greater bass extension and sensitivity.

Earlier in the week, back at the Venetian, Klipsch’s Mark Casavant and Chris Aiello gave me an introduction to Klipsch’s history, philosophy, and latest products...

CES 2011
Stephen Mejias Jan 12, 2011 0 comments
Back in the Audience room, PR representative Frank Doris mentioned that Audio-Technica was displaying a turntable at the Convention Center. Of course, I wanted to see it: Audio-Technica’s AT-LP240-USB direct-drive professional turntable ($499) was mated to a pair of M-Audio BX5a active loudspeakers ($400/pair), making a fun and easy system.
CES 2011
Stephen Mejias Jan 12, 2011 0 comments
Cayin was also showing these cute, retro table radios. The four different units (MJ-22U, MJ-23U, MJ-25U, and MJ-27U) are functionally identical, with AM/FM tuner and USB input; prices range from $120–$150.
CES 2011
Stephen Mejias Jan 12, 2011 0 comments
Another Cayin/Spark mini-system on display, the MT-iP40 combines a 40Wpc amplifier with iPod dock, FM tuner, USB input, and matching speakers. Like the MM-1, price is to be determined and the package will be available sometime in late spring or early summer.
CES 2011
Stephen Mejias Jan 12, 2011 0 comments
If you don’t want to worry about how to best match amplification with loudspeakers, Cayin might have a solution for you. Cayin is a subsidiary of the Zhuhai Spark Electronic Equipment Co., and in the Cayin room at T.H.E. show, the company displayed a couple of Spark mini-systems, including the MM-1 Mini Hi-Fi integrated with FM tuner, USB input, and matching speakers. Cayin’s representative, John Hwang, explained that the company will be improving the original Spark designs for the US market. Price is to be determined and availability will be sometime in late spring or early summer.
CES 2011
Jason Victor Serinus Jan 12, 2011 0 comments
At T.H.E. Show in the Flamingo hotel, a mere half mile, 500 hawkers, and 2000 gambling-addicted alcoholics away from the bulk of high-performance audio exhibits in the Venetian, John McDonald of Audience was showing his new Adept Response aR6-TS power conditioner. Each unit comes complete with an Audience powerChord. The units sell at two different price points, depending upon choice of Audience power cords ($5000 with a standard Audience powerChord e, or $6550 with the Au24 powerChord).

The 6-outlet version of the Adept Response aR6-TS was in use in the room. A 12-outlet version is also available ($8600 or $10,150, depending upon powerChord choice).

What’s new about the unit is the “S” in aR6-TS. “T” stands for the Teflon version of power conditioner, and “S” for its new Audience Teflon aura-TO capacitors. John McDonald says the new capacitors are significantly more resolute and transparent.

CES 2011
Erick Lichte Jan 12, 2011 0 comments
Hi-Fi shows can be notorious for playing the same audiophile approved dreck over and over again. Not so in the VTL room. Luke and Bea Manley played one great tune after the next and introduced me to a bunch of albums I need to go get. Helping me enjoy this great music was VTL’s MB185 monoblock amplifiers ($14,500/pair). Using EL34 output tubes giving 185W in tetrode and 90W in triode, the MB185 offers a unique three-way setting that allows the user to dial in the amount of global negative feedback used in the amplifier. According to Luke Manley, this will allow users to fine-tune the sound of the MB185’s to best match the accompanying speakers and listeners’ tastes.

This system, the smaller of the two in the VTL room, was certainly to my taste. I preferred the MB185 in tetrode mode, finding that it offered the best balance between dynamic bass punch and smooth midrange and extended treble with the Avalon Indra speakers being used. VTL has always struck me as a serious company making serious products, but I had serious fun in their room at this year’s CES.

CES 2011
Stephen Mejias Jan 12, 2011 1 comments
The latest in a growing line of fuses from HIFI-Tuning, enjoyed by Bob Deutsch and Michael Fremer, is the Supreme. Robert Stein of The Cable Company explained that the Supreme fuses are made of 99% silver impregnated with 1% gold, combining the smoothness of HIFI-Tuning’s gold fuses with the openness and resolution of their silver fuses. Prices range from $50–$75, so you can tweak away!
CES 2011
Jason Victor Serinus Jan 12, 2011 0 comments
Although Sennheiser has come out with nothing that surpasses their wonderful, state-of-the-art HD 800 headphones, they have released three new, far less expensive audiophile models: the HD 598 most prominent in the photo ($329.95), the HD 558 ($229.95), and the HD 518 ($169.95).

I auditioned the HD 598, whose beige soft velour pads contrast elegantly with their black body. The salesperson who showed me around made a big deal of the packaging. Far more important were the frequency range, 15Hz–28kHz, and the sound. Although the rather bombastic source material was supposedly MP3, the headphones delivered impressively smooth bass and a far more natural-sounding presentation than I would have expected.

CES 2011
Jason Victor Serinus Jan 12, 2011 1 comments
Ted Sindzinski, Internet Marketing Director for Monster, introduced me to the Beats by Dr. Dre Pro headphones ($399 street) that Stephen Mejias reviewed a few months back for Stereophile. A partnership with Beats by Dr. Dre, these recently released “mixing phones with high-end capabilities” were designed by Monster and marketed as part of the Beats family products.

Due in spring 2011 will be Monster’s Miles Davis Trumpets in-ear speakers (not yet priced). Featuring drivers in the front instead of the back of the buds, which allows them to be very, very small, these headphones look and feel very special.

Ted Sindzinski, holding the new ‘phones in the photo, believes these are one of the company’s best-sounding headphones. “They’ve been manufactured for a nice, warm, full, rich sound,” he assured me. Note the cute little silver trumpet on the cables. If you ask me, they’ve got Stephen Mejias’s name written all over them.

CES 2011
Jason Victor Serinus Jan 12, 2011 0 comments
After Thursday’s full day at the Venetian’s high-performance audio exhibits, it was time to throw all caution to the winds and head to some of the major headphone exhibits at CES’ official three-ring circus, aka the Las Vegas Convention Center’s South, Central, and North Halls.

I’m glad that John Atkinson suggested I spend no more than a half-day at the LVCC. That’s how long it took to navigate through tens of thousands of people (or so it seemed) in the South and Central Halls to reach the displays of Audio-Technica, Sennheiser, and Monster.

First stop was Audio-Technica, where I encountered former audiophile critic turned publicist Frank Doris. Together we examined three new over-ear “Audiophile headphones” and one set of in-ear noise-canceling headphones.

I sampled the most expensive of the audiophile bunch, the Audio-Technica ATH-W1000x Grandioso ($699.95) that Tyll Hertsens writes about elsewhere in this report. I also briefly checked out their new in-ear QuietPoint active noise-canceling (ANC) ATH-ANC23 headphones ($99.95). Complete with an in-line volume control, the phones will first reach the market in February 2011. I found them a pleasure to use. Unfortunately, Unfortunately, all that was available to audition were MP3s of highly compressed, noisy pop and rock.

CES 2011
Jason Victor Serinus Jan 12, 2011 0 comments
Joe Lavrencik, owner of Critical Mass Systems, designs all Critical Mass Systems Precision Component Support Systems. All of the company’s products are built in the Chicago area.

The newest Critical Mass product is Maxxum ($5650 per shelf), a precision component-support system. The shelf and rack architecture operate together to mitigate vibration in the floor, the rack, the shelf, and the component at the same time.

“We do more than isolate,” the sleep-deprived designer offered by way of explanation. “We give energy in the air a pathway out of the component so that components are not saturated with vibration from the loudspeakers.”

Lest you think Critical Mass Systems only manufactures high-priced products, prices start at $195 for a set of four MXK spikes, and $195 for a basic shelf. “Even though we’re very expensive, we start very low,” says Lavrencik.

At CES 2011, Critical Mass Systems products were used in the Lamm, Hansen/Tenor, and BAT rooms. In the photo, Lavrencik kneels near his Maxxum amplifier/component stands ($5650/each) and the Lamm ML3 Signature monoblocks ($139,290/pair) being used to drive Wilson Alexandria II speakers.

CES 2011
Jason Victor Serinus Jan 12, 2011 10 comments
Audioquest formally released their current top-of-the-line reference USB cable at CES, the Diamond USB ($650/1.5m). The cable’s conductor is solid-core, perfect-surface silver (100% silver).

A key feature of the Diamond USB, which is held in the photo by Audioquest’s Andrew Kissinger, is the Audioquest DBS (dielectric bias system). Invented and patented by Richard Vandersteen, with the cable version co-patented by Vandersteen and Audioquest’s Bill Low, the DBS creates an electrostatic field that saturates and polarizes the molecules of the insulation to minimize energy storage in the dielectric. The result is claimed to be much greater dynamic range, lower background noise, and reduced phase distortion.

Steve Silberman, VP of Marketing, explained that all insulators have capacitance. Energy from the conductor enters the insulation and needs to discharge. The DBS’ electrostatic field lowers the discharge, which in turn lowers the amount of phase distortion and makes for a cleaner signal.

In a very short demo, Silberman compared music through a stock USB cable that came with his printer to music through the Diamond. Using the new Arcam R asynchronous USB DAC, Arcam AVR 600 receiver, AQ Niagra interconnects ($1600/1m pair), AQ Redwood speaker cables ($2300/3ft pair), and Vandersteen 2Ce 30th anniversary edition speakers, the difference in transparency and color was striking.

CES 2011
Jason Victor Serinus Jan 12, 2011 0 comments
Wireworld’s David Salz released two new USB cables, the Platinum Starlight ($600/1m) and the Silver Starlight ($300/1m). The Platinum Starlight USB uses molded carbon-fiber connectors, while the Silver Starlight uses aluminum connectors.

Both cables use a new technology, called DNA Helix, that Salz originally developed for use in Wireworld’s premiere PS and SS HDMI cables. DNA Helix utilizes twice as many signal conductors as conventional USB cable designs.

When Salz was first developing the DNA Helix design, he began to measure the transmission speed of cables. By designing a more efficient cable, he found he was able to increase transmission speed by 20%.

“I always start with the direct connection as my reference,” he explains. “What I heard from cables at the start of my work was really disappointing. This new design allows me to get substantially closer to the purity of the direct connection.”

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