CES 2011

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Erick Lichte Posted: Jan 13, 2011 0 comments
“Biggest. Tube. Ever.” I said, in my best Comicbook Guy voice. The Kronzilla DX Mk.II ($32,000/pair) from KR audio of the Czech Republic uses two T1610 output tubes in parallel to achieve 100Wpc of triode power. The amp also uses zero negative feedback.
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John Atkinson Posted: Jan 13, 2011 3 comments
Looking at the ginormous horn speakers in the Silbatone room, all I could think was "how did they get them through the door?" The speakers were a hybrid, the lower half being vintage Western Electric with field-coil–energized 18" woofers, and the midrange and highs being modern recreations from GIP in Japan.

I hadn't been aware of the Silbatone brand before this CES. Their website says that "The goal of Silbatone Acoustics is to recreate the musical enjoyment of the great theater systems in the home, creating practical realizations for today's serious music listeners." Okay. It turns out that their beautifully constructed power amplifiers ($150,000, depending on tube choice) are vehicles for unusual and rare tubes. The amplifier seen in front of the speakers, for example, used square-base Marconi DA100 broadcast modulation tubes (around $5000 each) for the outputs, with pre-WWII Siemens ED red-base tubes as the drivers. The audiophile air in this room was rarefied, indeed.

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Erick Lichte Posted: Jan 13, 2011 2 comments
New from E.A.R. USA is the V12 integrated amplifier ($9595), one of the prettier looking and sounding pieces I heard at CES. Many may remember E.A.R.’s V20 integrated, to which the V12 owes some inspiration. The V12’s visual design is also inspired by a Jaguar V12 engine, minus the motor oil stains. The V12 was designed by Tim de Paravicini and uses six EL84 tubes per channel. It puts our 50Wpc in triode mode. The sound, driving Marten speakers and using Jorma cables, was airy yet colorful.

Jason Victor Serinus elaborates on the Jorma cables: Jorma Koski, who owns Jorma Design of Sweden, designs all of his cables. When asked what makes them unique, he initially replied, “It’s the best cables in the world, except that everybody says that.”

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Stephen Mejias Posted: Jan 13, 2011 0 comments
I was sort of shocked to see the Kiso Acoustic HB-1. While I’d never heard of Kiso Acoustics, the speaker looked so darn familiar. The HB-1 is nearly identical in size and shape and design philosophy to the Onkyo D-TK10, a collaboration between Onkyo and guitar-maker Takamine, which I discussed back in late 2006...
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Jason Victor Serinus Posted: Jan 13, 2011 0 comments
To celebrate the 25th anniversary of Purist Audio Design, founder/designer Jim Aud has just introduced their 25th Anniversary cable. Shown at T.H.E. Show for the first time, the 25th anniversary line consists of interconnects ($8100/1m pair) and speaker cable ($18,000/1.5m pair).

“Basically we’re using solid silver, single crystal wiring surrounded by Ferox 103, which is a proprietary doped silicon,” Aud explained. “Our other cables only use copper or copper alloys, and don’t use the Ferox 103.” While Purist still makes two cables that contain fluid, the 25th Anniversary cabling does not.

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Erick Lichte Posted: Jan 13, 2011 1 comments
Parasound showed off the guts of their new Halo JC 3 Phono Stage ($2300) in the same room as the butt-kicking Atlantic Technology AT-1 loudspeakers. Designed by John Curl, the JC 3’s signal/noise ratio is a high 83dB for moving-magnet cartridges and 73dB for moving-coils. The RIAA curve is said to be accurate to within ±0.1dB and the units are currently shipping. Michael Fremer reviews the JC 3 in the March issue of Stereophile.
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Jon Iverson Posted: Jan 13, 2011 0 comments
Qsonix has been providing a touchscreen-based product line for several years, and have recently teamed up with Wadia to collaborate on the DAC side. The Q205 is a one box single zone system with either 1TB or 2TB of storage, and a touchscreen ranging in size from 15" to 19". Price ranges from $7,450 to $8,250 and comes in six configurations.

The Q210 is a one box five zone system with the same screen and storage options and ranges in price from $7,750 to $8,450. The company also has a standalone server without the touschscreen (but can be controlled by the qsonix app) for $6,650 to $7,150 depending on storage and number of zones.

Qsonix's Mike Weaver was on hand to demonstrate the company's new iPad app which should be available later this quarter. I found I liked how the app was laid out better than their touchscreen software, and it offered real-time scrolling of album covers for browsing a collection, something I haven't seen in other iPad apps yet.

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Erick Lichte Posted: Jan 13, 2011 0 comments
Pass Labs showed off two nice beer fridges, er, amplifiers at this year’s CES. Lacking any model numbers or nomenclature, the top monoblock amp (the top two units) is a single-ended 200W amp ($45,000/pair) and the bottom monoblock is a single-ended 300W amp ($75,000/pair). Nelson Pass is shooting to use no feedback on these circuits and maintain the Super Symmetry design made popular in far less extreme applications. The new part for these amps is a brand new silicon-carbide FET. These FETs were initially designed for the military—way to turn swords into plow shares and space heaters, Nelson!—and Pass Labs intends on exploring their use in future products.
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Jason Victor Serinus Posted: Jan 13, 2011 0 comments
Kerem Kücükaslan, whose surname means “Little Lion,” was born in Istanbul, where he resides for at least part of the year. Fluent in English, he received his BS in industrial engineering at WPI and a minor degree at MIT.

Kücükaslan founded Echole four years ago in New Hampshire. On display at T.H.E. Show was the complete line of Obsession Signature: speaker cable ($11,000/6ft pair), interconnects ($7500/3ft pair), and power cords ($6850/6ft).

Parts for Echole’s two cable lines, Echole Obsession and Echole Obsession Signature, are manufactured in both the US and Turkey. The wire, which is manufactured in Japan, consists of a proprietary ratio of silver, gold, and palladium. (The Obsession line has less gold and palladium that the Obsession Signature).

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Robert Deutsch Posted: Jan 13, 2011 0 comments
Several weeks before CES, I got an email from PS Audio, inviting me to a press conference that will be held during CES but not as part of the official CES itself. They promised to provide transportation from the Venetian to the Wynn, where PS Audio had a suite. I knew that PS Audio was very much into computer-based audio, an area that for the most part I’ve stayed away from, so I wasn’t all that interested in that part of their presentation; however, I’ve reviewed, and use in my system, PS Audio’s Power Plant Premier AC power regenerator, so I was intrigued by word that they would have information on the successor to the Power Plant Premier.

It turns out that they have two successors, both representing substantial reworking of the product while staying with the principle of “regenerating” rather than merely “conditioning” power. Alas, the “power plant” terminology—which I’ve always thought was quite apt—is gone: the two products are called PerfectWave P5 ($2999) and P10 ($4499). They differ mostly in terms of the amount of maximum current they can produce, the P5 putting out 1000VA and the P10 1200VA. The bigger unit also has more zones. Output impedance is lower than ever, and so is distortion.

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Robert Deutsch Posted: Jan 13, 2011 0 comments
I was very impressed with the Monitor Audio PL200 that I reviewed last April; apparently, so were a lot of other audiophiles, but many were put off purchasing the speakers by the $8000/pair price. The new Monitor Audio Gold GX series is intended to appeal to these folks. The GX series offers most of the technology and aesthetic appeal of the Platinum, but at substantially lower prices. The GX300 is broadly similar in appearance and driver complement to the PL200, but costs an easier-on-the-wallet $5500/pair. It was making fine sounds at CES with Simaudio electronics and Simaudio digital source.
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John Atkinson Posted: Jan 13, 2011 0 comments
Internally, Ayre's new VX-R stereo amplifier features the same carved-from-solid-aluminum chassis construction as the famed MX-R monoblock. And that chassis is packed full!
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Robert Deutsch Posted: Jan 13, 2011 5 comments
I took this picture of a room at T.H.E. Show just because I thought it looked cool. The system featured old Apogees, long out of production. The music playing was pleasant. But what were these people selling? Maybe cables. Everyone sells cables. And then I looked at the sign on the door: N.F.S. Audio. N.F.S. Not For Sale. Here’s what a Google search turned up:

“We are a couple of Las Vegas audiophiles who love good music and wine. This will be our sixth year at T.H.E. Show. We hope to provide a fun and relaxing listening experience for show exhibitors and patrons alike. We'll have plenty of music and libations. Every year we bring an excitingly different stereo system with interesting visual effects. Come visit! . . . we'll pour you a glass. . ."

Makes me glad I’m an audiophile.

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Stephen Mejias Posted: Jan 13, 2011 0 comments
NuForce’s Jason Lim explained that the people behind NuForce and Oppo have been friends for a long time, and now that friendship has produced the NuForce Edition Oppo BDP-93 Blu-ray player ($899), scheduled to be available by the end of this month. The NuForce user-upgradeable output board, seen here, will add $400 to the cost of existing Oppo BDP-93 players. “It sounds as good as our CDP-8,” Lim smiled.

An “Extreme” version, featuring synchronous re-clocking of all eight channels, will be available in March for around $1300.

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Erick Lichte Posted: Jan 13, 2011 0 comments
Like the Marten room, the Engström & Engström room also played the new large Coltrane 2 speakers by Marten of Sweden. This year, the Coltrane 2 speakers met The Lars Type 2 monoblock amplifiers ($60,000/pair), which each use two 300B tubes and deliver 36Wpc.

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