CES 2011

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Erick Lichte Posted: Jan 12, 2011 0 comments
Prima Luna’s Kevin Deal was showing off the new Prologue Premier monoblocks ($4399/pair). These 70Wpc tube amps contain two output transformers per amp and have two, four and eight ohm taps. The amps also feature a bad tube indicator and relay-based protection which, according to Deal, will offer bullet-proof protection for just about anything that could happen to the amplifier. As in all Prima Luna designs, the Prologue Premier auto biases the tubes and is capable of running any number of different output tubes.
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Jason Victor Serinus Posted: Jan 12, 2011 1 comments
Ted Sindzinski, Internet Marketing Director for Monster, introduced me to the Beats by Dr. Dre Pro headphones ($399 street) that Stephen Mejias reviewed a few months back for Stereophile. A partnership with Beats by Dr. Dre, these recently released “mixing phones with high-end capabilities” were designed by Monster and marketed as part of the Beats family products.

Due in spring 2011 will be Monster’s Miles Davis Trumpets in-ear speakers (not yet priced). Featuring drivers in the front instead of the back of the buds, which allows them to be very, very small, these headphones look and feel very special.

Ted Sindzinski, holding the new ‘phones in the photo, believes these are one of the company’s best-sounding headphones. “They’ve been manufactured for a nice, warm, full, rich sound,” he assured me. Note the cute little silver trumpet on the cables. If you ask me, they’ve got Stephen Mejias’s name written all over them.

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Erick Lichte Posted: Jan 12, 2011 0 comments
Constellation also showed a brand new line of products at a more “real-world” price point. The components of the new Performance line will each go for between $15,000 and $20,000 and feature (from left to right) a preamp, digital source, phono preamp, and power amp. I was told that the circuit designs of the Performance line are exactly the same as Constellation’s Reference line but use less expensive parts.
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Erick Lichte Posted: Jan 12, 2011 0 comments
Cary Audio Design is known for producing both solid state and tube gear. This year Cary unveils a new set of solid-state amplifiers, the SA-500.1 ($4995 each)and SA200.1 ($3995 each). Shown here is the SA-500.1, a 500W monoblock amplifier that can also push 1 kilowatt of juice into a 4 ohm load. Both amps are built around a modular design that allows a dealer to convert an SA-200.1 to an SA-500.1 and vice versa. The amps each use 1500kVA low-noise transformers and employ 16 bipolar output devices. The amps have been voiced to maintain a similar house sound to Cary’s tube amplifiers. The SA-500.1 sounded warm, open, coherent and dynamic playing high-resolution files courtesy of David Chesky and HDTracks.
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Erick Lichte Posted: Jan 12, 2011 0 comments
Hi-Fi shows can be notorious for playing the same audiophile approved dreck over and over again. Not so in the VTL room. Luke and Bea Manley played one great tune after the next and introduced me to a bunch of albums I need to go get. Helping me enjoy this great music was VTL’s MB185 monoblock amplifiers ($14,500/pair). Using EL34 output tubes giving 185W in tetrode and 90W in triode, the MB185 offers a unique three-way setting that allows the user to dial in the amount of global negative feedback used in the amplifier. According to Luke Manley, this will allow users to fine-tune the sound of the MB185’s to best match the accompanying speakers and listeners’ tastes.

This system, the smaller of the two in the VTL room, was certainly to my taste. I preferred the MB185 in tetrode mode, finding that it offered the best balance between dynamic bass punch and smooth midrange and extended treble with the Avalon Indra speakers being used. VTL has always struck me as a serious company making serious products, but I had serious fun in their room at this year’s CES.

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Erick Lichte Posted: Jan 12, 2011 0 comments
All of Bel Canto’s equipment was powered by their VBS-1 Virtual Battery Supply ($1495), which effectively takes their equipment off the electrical grid. The VBS technology was debuted at last year’s CES, but new this year are the VB-Ref power cables which connect the 12V output of the VBS-1 power supply to the component. Having tried these cables out in my own system at home during my audition of the Bel Canto DAC3.5 VBS, I can testify to their ability to bring out the best in this new Bel Canto gear.
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Erick Lichte Posted: Jan 12, 2011 2 comments
Onkyo showed a nice new set of high-quality, two-channel separates, including the M-5000R Power Amplifier ($2499). This amp puts out 80Wpc into an 8 ohm load but can also deliver dynamic power of 450W into 1 ohm. The products begin shipping this January. It was great to see a mainstream company like Onkyo keeping up a commitment to two-channel music!
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Stephen Mejias Posted: Jan 12, 2011 0 comments
Another Cayin/Spark mini-system on display, the MT-iP40 combines a 40Wpc amplifier with iPod dock, FM tuner, USB input, and matching speakers. Like the MM-1, price is to be determined and the package will be available sometime in late spring or early summer.
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John Atkinson Posted: Jan 12, 2011 1 comments
It was released in 2009, but Krell's Modulari Duo Reference loudspeaker ($65,100/pair) was new to me when I visited THE Show and ventured up to the 28th floor of the Flamingo. The two-box speaker features all-aluminum enclosures, and features twin port-loaded woofers and a ring-radiator tweeter. The Modularis were hooked up with Zen Satori cable to Krell's new Evolution 2250e amplifiers, which offer 250Wpc into 8 ohms and 500Wpc into 4 ohms ($20,000/pair). Also new to the Connecticut company's line at CES was the Phantom preamplifier ($17,500, or $20,000 with optional crossover module, completely adjustable for high-pass and low-pass slopes and frequencies) and the 525 CD player ($12,000 in basic form).
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Jon Iverson Posted: Jan 12, 2011 2 comments
With the show spread out between a half dozen hotels, and Las Vegas one of the most inefficient cities to move around in, it's tough to see everything. I simply ran out of time before getting over to the Bellagio to see Olive, but Kal Rubinson was able to make it one morning.

His photo above shows the company's new O6HD which is described as a "music server for audiophiles". On top is a modest 10.1" touch screen and inside is a fully balanced differential DAC design that can run at 24bit/192kHz. There is also a headphone jack and slot for ripping discs under the lip on the front. Internal storage is 2TB and it has both balanced and unbalanced analog outputs in addition to HDMI, USB, Ethernet and WiFi which supports the free iPad/iPhone apps. Price is $4,999.

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John Atkinson Posted: Jan 12, 2011 0 comments

Bluebird Music's Jay Rein wanted to hear the Bluetooth-driven Chordette Gem-based system at the front of the room, with Spendor A6 speakers, but my attention was drawn to the familiar-looking speakers at the other end of the room, Peak Consult El Diablo Vs ($89,000/pair), which Michael Fremer reviewed in May 2007. Jay explained that he is ow the North American distributor for these Danish speakers.

The speakers were being driven by Chord SPM1400 monoblocks ($$32,900/pair) and a Chord CPS5000 preamp, with van den Hul's new Mountain interconnects and Nova speaker cables. Jay put the Reference Recordings CD of Scheherazade (RR-89CD) with Jose Serebrier conducting the London Philharmonic Orchestra into the Chord Red Reference Mk,II CD player ($25,900) and for an all-too-brief interlude, I was transported from the fake glitz of Las Vegas into the more real sonic world of the Arabian Nights.

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Jon Iverson Posted: Jan 12, 2011 0 comments
Famed audio designer/engineer Demian Martin, known for his work with Spectral Audio, Constellation and others, is also part of Auraliti, who were displaying their wares at T.H.E Show in the Flamingo.

Shown above is the heart of their new product line, the L1000 File Player, which is controlled by either a wireless iPhone/iPad type device or networked web browser and runs Linux. The company says there are no moving parts in the L1000 which boots from a Solid State Drive and has an AES/EBU output for connecting to your DAC. The L1000 Outputs up to 24 bit/192kHz and can handle FLAC, WAF and AIFF files. Price is around $3,000.

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Stephen Mejias Posted: Jan 12, 2011 1 comments
From left: Klipsch Reference RB-61 II ($529/pair), RB-51 II ($329/pair), and RB-41 II ($279/pair). I spotted this handsome family of Klipsch Reference loudspeakers on static display at the Las Vegas Convention Center. Each is a bass-reflex design with a rear-firing port and each utilizes a 1” titanium diaphragm compression driver mated to Klipsch’s Tractrix horn. As you go up the line in size and price, you gain greater bass extension and sensitivity.

Earlier in the week, back at the Venetian, Klipsch’s Mark Casavant and Chris Aiello gave me an introduction to Klipsch’s history, philosophy, and latest products...

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Jason Victor Serinus Posted: Jan 12, 2011 0 comments
Wireworld’s David Salz released two new USB cables, the Platinum Starlight ($600/1m) and the Silver Starlight ($300/1m). The Platinum Starlight USB uses molded carbon-fiber connectors, while the Silver Starlight uses aluminum connectors.

Both cables use a new technology, called DNA Helix, that Salz originally developed for use in Wireworld’s premiere PS and SS HDMI cables. DNA Helix utilizes twice as many signal conductors as conventional USB cable designs.

When Salz was first developing the DNA Helix design, he began to measure the transmission speed of cables. By designing a more efficient cable, he found he was able to increase transmission speed by 20%.

“I always start with the direct connection as my reference,” he explains. “What I heard from cables at the start of my work was really disappointing. This new design allows me to get substantially closer to the purity of the direct connection.”

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Jason Victor Serinus Posted: Jan 12, 2011 0 comments
Steven Hill, designer and owner of Straight Wire, has released his new Expressivo line of speaker cable ($700/8 ft pair). The cables, which contain four conductors surrounded by multiple spiral shields, include a compressed conductor of special OFHC certified copper and a spiral polyethylene rod that encapsulates the conductor. The net result of his geometry is that the spiral rod only touches the conductor group in a small area, resulting in an effective air-spaced dielectric.

Hill claims that Expressivo’s soundstaging, imagery, and detail retrieval surpass those of his Maestro speaker cable. Expressivo occupies the middle of Straight Wire’s loudspeaker cable line, with three lines above it. The company’s full range of cables ranges in price $1/foot to $150/foot for speaker cable, and from $15 to $900/1m pair of interconnects.

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