LATEST ADDITIONS

Filed under
Paul Messenger Posted: Jan 16, 2000 0 comments
On January 14, anyone calling Naim Audio heard an Elgar recording, and visitors to the Naim website forum learned the sad news that founder and managing director Julian Vereker had died. The company—indeed, British hi-fi as a whole—is mourning the loss of one of its brightest and strongest personalities.
Filed under
Jon Iverson Posted: Jan 16, 2000 0 comments
The buzz about digital audio downloads from the Internet would lead one to think that the only way we'll be buying music in the not-too-distant future is through the Web. But the reality this past holiday season looks quite different. Reuters is running stories saying that there was "No Santa for the Internet Music Industry," and record companies attempting to get online are having a tough time (see related item). MP3 for Dummies author Andy Rathbone states bluntly: "It [the digital music business] hasn't taken off as much as analysts expected," and EMI Records' Jay Alan Samit laments, "this year, over a billion songs were downloaded. None of our artists got paid."
Filed under
Barry Willis Posted: Jan 16, 2000 0 comments
At the moment, music fans who want to add to their collections by trolling the Internet are limited to bootlegs of dubious quality and legality, low-resolution shareware from innumerable unsigned bands, and teaser samples intended to help sell CDs by mail. Despite the subject's near-constant presence in the media, sales of downloadable music amounted to only about $1 million in 1999—as compared to total music sales of approximately $13 billion. The trickle of business is in large part due to reluctance by the music industry to open up its vaults because of a lack of copyright protection.
Filed under
Jon Iverson Posted: Jan 16, 2000 0 comments
At this year's recent CES in Las Vegas, the Consumer Electronics Association (CEA) announced the first 50 inductees into its Consumer Electronics Hall of Fame, chosen from the nominees by a panel of 11 media and industry professionals.
Filed under
Stereophile Staff Posted: Jan 16, 2000 0 comments
In "Working in the Front Line," Martin Colloms writes: "A committed audio equipment reviewer operates at the front line of audio subjectivity. How is it possible to do this successfully, when a similar task undertaken by an industrial laboratory or test house would take five times as long, cost ten times as much, and deliver a verdict of arguably poorer relevance?" How indeed . . . Colloms explains himself.
Larry Greenhill Posted: Jan 10, 2000 0 comments
If you've read Stereophile regularly over the past decade, you know that ProAc Audio's Stewart Tyler has a winning formula for designing loudspeakers. In review after review, this magazine's writers have celebrated the sonic profile he has created for ProAc speakers: a spacious soundstage with a big, coherent image; a clean, grain-free midrange; extended highs that don't intrude on the music; and tight, tuneful bass response.
Filed under
Stereophile Staff Posted: Jan 09, 2000 0 comments
Jonathan Scull writes: "Cable dressing is actually a rather delicate issue that requires a certain leap of faith. The concept is so simple that even I can explain the science to you." And explain he does. Read "Fine Tunes #7" to learn the whole story.
Filed under
Jon Iverson Posted: Jan 08, 2000 0 comments
Digital perfectionists Meridian obviously pulled out all the stops on their new flagship speaker product, the DSP8000. Checking in at $45,000/pair, the eight-driver Digital Active design is expected to hit the market sometime in March. Meridian claims the three-way powered speaker has a 24/96 digital input on the back and processes the digital signal internally with two 100MHz DSP engines operating with 24/192 resolution. Also on display were the new DSP33s, also Digital Active but more modestly priced at $4500/pair.
Filed under
Jon Iverson Posted: Jan 08, 2000 0 comments
The music business is a $13-billion-a-year industry, but the high-end audio industry reaches only a tiny fraction of the music lovers that number represents. "Everybody loves music, so why don't they love specialty audio?" was the question addressed to a group of industry experts at one of a series of AudioCafe.com-sponsored panel discussions on Friday, January 7, at the Alexis Park, during the 2000 Consumer Electronics Show in Las Vegas.
Filed under
Jon Iverson Posted: Jan 06, 2000 0 comments
High-end audio in trouble? That's been the consensus the last few years, but the sheer number of new products at this year's Consumer Electronics Show hints at a steady trend in the opposite direction. New developments in power conditioning abound, and several brave companies are even testing the SACD/DSD and DVD-Audio waters.

Pages

Share | |

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading