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Stereophile Staff Posted: May 27, 2001 0 comments
It was 15 years ago this week that an enthusiastic John Atkinson was lured From London to Santa Fe to take the helm of Stereophile. As JA recounted back in 1986, "From London, England, to Santa Fe, New Mexico, is a pretty big jump, both geographically and culturally. From Hi-Fi News & Record Review to Stereophile, however, is a mere hop; the similarities overwhelm the differences."
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Barry Willis Posted: May 27, 2001 0 comments
Two scuttled mergers in the past year haven't damaged the profit picture for EMI Group PLC. Neither has a global slowdown in music sales. EMI announced May 22 that it expects to see a 5.7% increase in pretax profits for its fiscal year ended March 31: £259.5 million (US $374 million), up from £245.4 million (US $353 million) a year earlier. EMI's sales for the year rose 12% to £2.67 billion (US $3.84 billion).
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Barry Willis Posted: May 26, 2001 0 comments
The Secure Digital Music Initiative has decided to reconfirm San Diego–based Verance Corporation's watermarking technology as its choice for inhibiting piracy in digitally recorded music. The May 21 announcement was made by the SDMI Plenary after a year-long campaign to evaluate the effectiveness and audibility of watermarks from 14 different vendors. The group has also apparently decided to halt further research and development efforts, which have been widely blamed for hobbling the rollout of DVD-Audio.
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John Marks Posted: May 26, 2001 0 comments
Henry David Thoreau once wrote that "The eye is the first circle; the horizon it forms is the second." A profound observation, indeed: The horizon exists only in being perceived. Kind of like music, in fact.
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John Atkinson Posted: May 26, 2001 0 comments
As part of this issue's coverage of the recent Consumer Electronics Show (see Sidebar), I report on my dissatisfaction with almost all the surround-sound demonstrations I experienced in Las Vegas. As a music-lover, the last thing I want is to have trumpets and drums attacking me from behind, yet almost without exception, that is what record producers seem to feel is an essential part of the DVD-Audio and SACD experiences.
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Jonathan Scull Posted: May 26, 2001 0 comments
The L2 Reference sits at the top of Lamm Industries' preamplifier line. According to the manual, its "unique" circuitry uses specially selected, superlinear, high-voltage MOSFET transistors that ensure class-A operation from input to output, with no overall negative feedback at any stage. All stages, including the high-current output buffers, are single-ended.
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Jonathan Scull Posted: May 26, 2001 0 comments
"J-10, tweakoman," began the e-mail from one of Stereophile's Web mavens and a contributor to "Industry Update," the estimable Barry Willis, "hockey pucks are the cure for what ails you."
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Stereophile Staff Posted: May 20, 2001 0 comments
The Home Entertainment 2001 show, held in New York City May 11–13, 2001, received high marks and a standing ovation from show attendees, who came to experience some of the most innovative and exciting consumer electronics products in decades.
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Jon Iverson Posted: May 20, 2001 0 comments
It's been a roller coaster ride for satellite radio upstarts Sirius Radio and XM Radio this past week as both companies fortunes shifted yet again. In a classic billion-dollar consumer electronics gamble, Sirius and XM are betting that they can reach critical mass by selling enough specially equiped digital radio receivers through car manufacturers while simultaneously signing up enough subscribers to reach profitability.
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Stereophile Staff Posted: May 20, 2001 0 comments
Mark Levinson has traveled from Woodstock to the Whitney, and Michael Fremer lends an ear to his Red Rose Music R3 loudspeaker to determine if the journey was a fruitful one. As Fremer characterizes it, "If Levinson's Cello foray was haute monde, Red Rose is Dockers: loose-fitting and relaxed."

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