The Entry Level #12

My thirst for vinyl can be blind and wild. I know this when I find myself dashing through the midday sun, from the Stereophile office and up Madison Avenue, into Grand Central Station, onto the 6 train to Astor Place, and into my favorite record shop, Other Music, like a man in lust or love or, worse yet, possessed wholly by need. But unlike some of my more dogmatic friends and colleagues, I have no real problem with the Compact Disc. It's just that CDs often lack a certain intangible charm, the ability to make my heart race.

Because we are audiophiles and because this is Stereophile, it might seem that my choice would, or even should, have something to do with sound. It doesn't. I have no strong opinion on the sonic characteristics of CDs and LPs—either can sound ravishing, dreadful, or anywhere in between—and I rarely make direct comparisons between CD and LP versions of a particular recording in an attempt to draw conclusions about the formats' relative sonic merits. (How would one do that properly, anyway? How do you eliminate the respective source components? Wouldn't you also be comparing a CD player to a turntable? What sense would that make?) Whether it's because I'm in the earlier stages of my audiophile journey or because I'm superficial or simply because I'm me, the fact remains that I am less concerned with sound than I am with beauty and soul. I see and feel a certain beauty and soul in LPs that I rarely perceive in CDs. In my mind and to my eyes, a CD is a small, cheap facsimile of the real thing, the true work of art: the magnificent and lovable LP.

Besides, as much as it is about anything, hi-fi is about creating and enjoying a memorable experience. I prefer the experience of listening to vinyl, with all its little rituals and demands intact.

All of which is why, when a particular piece of music is available on both formats, I will always choose the LP. But often, that choice does not exist, and a recording is available only on CD. Should I then forsake the music altogether, deny myself the pleasure of hearing that music at home on the hi-fi?

Of course not.

Although music has no easily identifiable adaptive function—civilization could go on without it—for me, it stands alongside food, shelter, clothing, and companionship as one of the ingredients essential to a complete and happy life: It feeds us, keeps us safe and warm, accompanies us through good times and bad. We need it.

And if it's music from, say, Alva Noto and Ryuichi Sakamoto, Mark Hollis, or Matthew Shipp, I need it any way I can get it.

In a machine-oriented way
Because I am an audiophile, I want to hear that music through the best possible source component. Lately, I've been enjoying CDs through the Emotiva ERC-2 CD player ($449, footnote 1).

The Emotiva ERC-2 measures 17? (435mm) wide by 4.25? (110mm) high by 14? (360mm) deep and, at 17.5 lbs (8kg), is the heaviest component to enter my listening room since the 25-lb Simaudio Moon i3.3 integrated amplifier ($3300, discontinued). The player's distinct appearance was developed by Emotiva's president and CEO, Dan Laufman, and VP of engineering, Lonnie Vaughn. In building the ERC-2, their goal was to "keep it simple, easy to use, and elegant . . . in a machine-oriented way."

Indeed, the ERC-2 is clearly a machine. Its satiny black faceplate of brushed aluminum is capped at each end by a strip of stainless steel. To the left are four silver function buttons (Play/Pause, Next, Stop, Previous), arranged in a diamond; at center, from top to bottom, are the large display, a thin slot for loading discs, and a large Standby button adorned with Emotiva's distinctive E logo; to the right of these, all by itself, is the Eject button. This arrangement makes ergonomic sense, but it creates a louder, busier look than would a simple straight row of buttons.

Each button on the ERC-2's faceplate is lit by a halo of bright, clear blue that perfectly matches the bright, clear blue of the player's vacuum-fluorescent display. Like a Christmas tree, these blue lights set my small apartment aglow. Fortunately, the Dim button on the ERC-2's remote control softens the display and deactivates the halos. About that remote: It's a massive brick of milled aluminum designed to match the player's overall look and feel—in a word, manly.

Indeed, the ERC-2 and its hefty remote together exude an extremely masculine look and feel that I don't fully appreciate; I would prefer a quieter, more subtle appearance. To my eyes, the ERC-2's look is gaudy, boastful; I kept thinking that the women I know would find it unattractive. But every woman who entered my listening room and whose opinion I asked gave an ambivalent shrug. "As long as it works, I don't care," one said. "They all look the same to me." (And, yes, she was talking about the CD player.)

It took me a little while to get used to the ERC-2's slot-loading transport, which is made by Toshiba. First, it requires a careful touch: Line up the CD so that its edge is perfectly centered in the slot, begin to gently insert the disc, then let the player take the disc. If the disc is too far to either side of the slot, the player won't accept it. Second, the ERC-2's loading mechanism is slow: The review sample took up to 12 seconds to load a disc and up to four seconds to eject it, so be patient. Finally, once the player has loaded the disc, it immediately begins playing the disc from the beginning—if you want to hear track 5, you'll have to then select it using the front-panel buttons or the remote.

On the rear panel are: a set of balanced outputs; two sets of analog outputs; S/PDIF, TosLink, and AES/EBU digital outputs; a trigger input; a rocker power switch; and a standard IEC three-prong power receptacle for the included AC cord. Despite my feelings about its appearance, the ERC-2's build quality is undeniably impressive, with a level of fit and finish appropriate to a component costing three to four times as much.

Correct from the ground up
How does Emotiva keep their prices so low? According to Laufman and Vaughn, all Emotiva products are designed, distributed, and supported in Franklin, Tennessee, while manufacture and assembly take place in China. Laufman and Vaughn insist that their manufacturing partners are "totally committed to quality." I buy this. In addition to spending several weeks with the ERC-2, I've met and spoken with Laufman and Vaughn, and I trust that their enthusiasm and care for their company and its customers would be clearly communicated to Emotiva's colleagues overseas, ensuring that the company's values are appropriately respected. They take special pride in having built a loyal customer base and providing exceptional customer service, as is evident in their lively online community and events such as the annual Emofest: a weekend of factory tours, live music, and entertainment open to customers and friends.

Informed by feedback from those customers, Laufman and Vaughn told me that they decided "to build a player that was correct from the ground up." Under the ERC-2's hood, four individually regulated and shielded power supplies drive the CD transport mechanism, VFD display, and digital and analog electronics. The result, according to Emotiva, is "dead-quiet ground-floor noise, extremely low distortion, and complete freedom from interaction between circuit elements." At the heart of the ERC-2 is a high-quality Analog Devices AD1955 24-bit oversampling DAC. The ERC-2 carries its balanced topology from the output of this chip straight through to the rear-panel XLR jacks.

Emotiva sells direct, with free shipping to anywhere in the continental US. All Emotiva products are backed by a 30-day "hassle-free" return policy and a five-year transferrable warranty.



Footnote 1: Emotiva Audio Corporation, 135 Southeast Parkway Court, Franklin, TN 37064. Tel: (615) 790-6754. Web: www.emotiva.com.
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Comments
superaudiolistener's picture
$499?

What a value!

Stephen Mejias's picture
Yes

$449, actually.

Barb Shissias's picture
Love this player!

I have been enjoying this player for several months now.  The build quality and sound are excellent.  This is my first purchase of a higher end cd player and can now truly appreciate the details of the music that was lacking with other players.  I also own several Emotiva amps that run my home theatre and workout room system and they perform flawlessly.  Not to mention they are an excellent value with a 5 year warranty! Thanks for the review.  I enjoyed reading it.  The Jersey Girl

Stephen Mejias's picture
Cool

Glad to hear you're enjoying the player, Barb.  And I'm always happy to hear from a Jersey Girl.

...'cause tonight I'm gonna take that ride / 'cross the river to the Jersey side...

c-ville billl's picture
The Entry Level column

    I LOVE your column! This is what the music lover and budding audiophile needs-

a place to start. There's a lot of gear under $500 that will make beautiful music.

Similarly, one needn't buy a Porsche or Ferrari to have fun driving.

   Your review of the Emotiva CD player highlights one way to stretch your buck -

buying direct from online manufacturers. You might also consider trying the

Axiom, Ascend and Aperion brands of speakers; I don't believe Stereophile has

ever reviewed any products from the first two. Used gear from Audiogon or

eBay might also be considered.

    My 3 systems:

Reference: Yamaha A1000 integrated; Pioneer universal player;Techincs

                  SL-1800 turntable; Polk SDA-2 speakers.

Computer: Yamaha CR640 receiver; Polk Monitor 30 speakers.

Bedroom: Yamaha RX396 receiver; Sony DVD player; Boston HD9 speakers.

   Keep up the good work!

Stephen Mejias's picture
Thanks

Thanks very much, C-Ville. I've been curious about the latest products from the three brands you've mentioned.

That Yamaha A1000 also looks really cool.  I'd like to listen to Yamaha's stuff at some point, too.

Doctor Fine's picture
The whole CD versus LP thing

Your instincts about a piece of gear either driving you to want MORE music or not is proof you speak words of life white man.  Chief Humping Buffalo say in life there is answer to question how to compare CD to vinyl. 

OK enough with funny voices, Stephen all you gots to do is build a CD playback and a vinyl playback that do not leave ANY significant quality on the table so to speak...  These do not have to cost a fortune however they should both wring enough life from either format so that they can "represent" for each tribe.  (ooops there I go with the indian thing, sorry).

So in this corner I present a Technics SL-1210M5G with Denon DL-103 moving coil cart and K&K Audio transformers of the proper type, properly loaded with upgrade resistors to match your Jolida JD9 tube phono preamp.  Over here in the other corner is a basic Sony DVD player with coax spdif out plugged into a Benchmark DAC.  Let the battles begin!

The Technics has to be modified to handle the stiff compliance of the Denon, or course, as that cart needs something heavy to push against.  So put on the extra headshell weight Panasonic provides and add some coins to the real tailpiece to balance it out (these may be drilled and screwed on with a new screw from Home Depot---it will all look stock.  And that Technics can pull the stiff Denon needle around without needing a speed controller as it is a torque monster).

These two formats then have a pretty good clear shot at each other.  And each will show its various strengths and weaknesses.  CD will frequently sound like towells have been placed over the instruments, but will have deep black backgrounds with little noise--look Ma, no clicks and pops!  Vinyl will  have gorgeous singing treble ( ahhhhhh!) and as much or more "bloom" than CD.  But you will have to put up with occasional less than stellar record pressings and all the pitfalls of hundred year old technology.  But you will have to admit it is more "high fi" than CD.  Isn't it annoying we can't yet seem to have a mass consumption higher resolution format?  SACD is great for that occasional release that comes on a hybrid SACD/CD disc.  Oh well, be happy with what we've got. 

Personally I have tried to avoid any tendency towards "etched" playback in my choice of monitors (Harbeth) and electronics.  And find I can spend entire days simply listening to (gasp!) MP3 128K internet radio from Europe playing classical music over at my house. 

And so in conclusion I wish you well and if ANYBODY out there is not having a ball right now with all these riches spread before us---I say tie them to ant hill and dance around them shouting---woo woo woo wooo!

coruja's picture
I only read you column to

I only read your column to find out about your friend Nicole.

The rest of the stuff is quite interesting too!

Thanks for the Summvs tip - have been wanting to buy some music like this for some time.

Stephen Mejias's picture
Nicole, Summvs

Nicole is awesome. Summvs is awesome, too, but not quite as awesome as Nicole.

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