T.H.E. Show Newport 2013
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John Atkinson Jun 09, 2013 0 comments
German electronics manufacturer Einstein had made a virtue out of necessity, using the packing crates as stands for their The Source player and The Amp integrated amplifier (approximately $19,000). With Audio Machina CRL speakers ($10,000/pair), a recording of the operetta Die Fledermaus offered an enormous yet stable soundstage, with the whistling featured on the chosen cut set well back.
John Atkinson Jun 09, 2013 0 comments
I was familiar with the unique concentric, point-source, multiway drive-unit from French manufacturer Cabasse, as Michael Fremer had reviewed the spherical Baltic II speaker that used it back in 2005. But the floorstanding Pacific 35A speaker ($19,900/pair), which complements the smaller spherical Riga(inboard, on stands) with a pair of powered 7" woofers was new to me. In a system featuring Esoteric’s A-02 monoblock amplifiers and K-03 disc player—Esoteric distributes Cabasse in the US—and WireWorld cables, the late Eva Cassidy’s voice on “Field of Gold” was reproduced with rock-solid stereo imaging and a natural tonality.
John Atkinson Jun 09, 2013 0 comments
Bill Evans’ piano sounded palpably real in the room featuring Angel City Audio’s Trinity Monitor speakers ($3000/pair), driven by Melody Valve HiFi P2688 tube preamp ($6999) and MN845 tube amps ($13599), MG Audio Design interconnects and speaker cables, Triode Wire Labs power cables, and AC conditioning supplied by Spiritual Audio. The Trinity is a largish two-way standmount, combining a VIFA ring-radiator tweeter with two 7” woofers. Frequency response is specified as 40Hz–37kHz, ±3dB, with a 90dB sensitivity.
John Atkinson Jun 09, 2013 0 comments
“That’s the speaker I am holding,” explained Exelway’s representative, “it includes a 20W amplifier and a Bluetooth connection. It is called the Slimspeaker.” Slim this Korean speaker certainly was and sounded bigger than I was expecting, given a degree of low-frequency reinforcement from the wall it was mounted on.
John Atkinson Jun 09, 2013 2 comments
I was taken back more than 20 years when I entered the Musical Surroundings room in the Atrium, as Garth Leerer was playing “Le Temps Passé” from Michel Jonasz’s LP La Fabuleuse Histoire du Mr. Swing. This cut from the French singer used to be a staple at shows in the late 1980s. Played on the AMG Viella 12 turntable and arm ($17,000) that Michael Fremer describes as a “good value” in our August 2013 issue, fitted with the same sample of the Clearaudio Goldfinger Statement cartridge that Mikey reviewed, with Wilson Sasha W/Ps driven by an Aesthetix Atlas amplifier ($10,000), Aesthetix Janus Signature preamplifier ($10,000), the LP produced a wall-to-wall soundstage with excellent dynamics.
John Atkinson Jun 09, 2013 1 comments
“That sounds like the Crusaders,” I said as I sat down to listen to the Kharma DB9 Signature speakers ($36,000/pair) driven by Exquisite Signature monoblocks ($88,000/pair) and an Exquisite preamplifier ($40,000), hooked up with Transparent cables. It was, the Second Crusade LP from the Jazz Crusaders, played on a Spiral Groove SG1.1 turntable with a Zesto phono preamplifier sounding very good indeed.
John Atkinson Jun 09, 2013 0 comments
The Hungarian Heed speakers in the first of the two Profundo rooms were new to me. The odd-looking Enigma speaker ($3850/pair), similar in appearance to the Direct Acoustics Silent Speaker combines a 1" soft-dome tweeter with an 8" woofer in a vented cabinet that is claimed to combine the benefits of a quarter-wave transmission line and a reflex design. Louis Armstrong performing “Mood Indigo” had excellent presence, though the clarinet sounded a little "hooty."
John Atkinson Jun 09, 2013 0 comments
The price of the Duke loudspeaker from Trenner & Friedl—$175,000/pair—took my breath away when I heard it at the 2011 CES. The Austrian company’s Isis ($40,000/pair), on display in Profundo's second room, uses the same compression driver for the HF as the Duke but combines it with an 8" paper-cone midrange unit and a 15" paper-cone woofer in a conventional, if large, cabinet. (Each cone is doped with six coats of lacquer.) The sound of Saint-Saëns’ Danse Macabre, from the Witches’ Brew RCA LP on a Basis turntable, with the speakers driven by Viva Audio Aurora tube monoblocks ($43,500/pair), had huge dynamics and a natural tonal balance. The image of the solo oboe that represents the cock crow at dawn in this work was superbly well-defined, without any exaggeration of its size.
John Atkinson Jun 09, 2013 0 comments
“I recognize those speakers,” I thought to myself as I entered Cary Audio’s room. They were ADAM Audio’s Column MK3 towers ($7500/pair), that Kalman Rubinson had very favorably reviewed in August 2012. New in the room was Cary’s promising DAC-100T tubed D/A processor ($2995), which uses an ESS Sabre 9023 DAC chip with a USB input using an XMOS USB chip running Gordon Rankin’s Streamlength asynchronous code. There are also two each coaxial and TosLink S/PDIF inputs and both balanced and single-ended analog outputs.
John Atkinson Jun 09, 2013 0 comments
I was familiar with the glass-cabinet Waterfall speakers in Room 239, but not the brightly colored speakers flanking them, from Arizonan company Emme Speakers. The white speakers are the New Gamma ($30,000/pair), the red ones the New Beta ($12,000/pair). Offering “Fashion and Passion,” the Emme speakers are available in 24 designer colors from two retailers, in Arizona and Malibu, CA.
John Atkinson Jun 09, 2013 0 comments
I still remember how much I enjoyed the sound of hi-rez files decoded by MSB’s DAC, when it resided briefly in my system after I performed the measurements to accompany Jon Iverson’s review last October. So MSB’s room at the Atrium was one of my first stops. A pair of YG Anat 3 Signature speakers with Billet-Core midrange units and woofers was being driven by MSB’s S200 200Wpc, zero-feedback, class-A amplifier ($17,995) and source was the Platinum Data CD IV transport. However, the bits were being converted to analog not with the Diamond DAC but MSB’s new “entry-level” Analog DAC ($6995 with standard outboard power supply, $9990 with upgraded Analog Power Supply, which shares the same form factor and is shown sitting underneath the DAC), which is said to offer “a generous percentage of MSB’s technology.”
John Atkinson Jun 09, 2013 0 comments
That was the message on the poster in Magnepan’s room. Wendell Diller, celebrating his 40th anniversary with the Minnesota company, explained that Magneplanar speakers use 90% US-sourced parts and demmed the new, 48”-tall, two-way-plus-woofer Super MMG ($1199/pair with one bass panel, $1750 /pair with two) with an Ati amplifier and a Theta Casablanca preamplifier. The sound on a varied program was sweet, almost full-range. I couldn’t see the bass panels; Wendell pointed to the end tables on the outside edges of the speakers. To increase the Spouse Acceptance Factor, he had disguised the planar woofers.
John Atkinson Jun 09, 2013 3 comments
Chicago retailer Tweak Studio has been a fixture at the 2013 shows, and proprietor Arnold Martinez was demming a system featuring Elac 249 Black Edition speakers ($8000/pair) driven by a Burmester 911 amplifier ($31,000), Esoteric C-03X preamplifier, Burmester A/D phono preamplifier ($26,500), and Music Hall MMF-11 turntable fitted with a Goldring Legacy cartridge ($600). Wiring was all WireWorld Platinum series and the racks was a Stillpoints. The L-shaped lobby-level room had problematic acoustics, which Martinez had addressed by firing the Elac speakers, with their AMT tweeter and distinctive faceted lower-frequency drivers, across a diagonal, A dub version of Bob Marley’s “Waiting In Vain,” played from LP, was musically convincing.
John Atkinson Jun 09, 2013 0 comments
Because the show was too big for one person to see it all, Jason Serinus and I split our responsibilities: he would cover the Hilton and I would cover the Atrium Hotel, plus some of the rooms at the Hilton that he failed to visit. The first room I visited at the Atrium was the large ballroom on the mezzanine featuring Dynaudio’s new Evidence Platinum loudspeaker ($85,000/pair). Did I say “large”? I meant to write “enormous”! The room was way too big, but with acoustic treatment from Vicoustic, the system produced much better sound than I was anticipating. I listened to Jeff Buckley’s “Lilac Wine” (from Grace), Bill Evans in hi-rez, and a live Dutch recording from David Crosby with an electric band performing a song called “Morrison”; with all three recordings, the imaging was solid and tangible, the low frequencies rich but well-defined, and the midrange uncolored.
Jason Victor Serinus Jun 08, 2013 1 comments
Damn. In the midst of my power coverage, my brief listen in the Perfect8/BAlabo room was so enjoyable that I resolved to return. But when I finished my final floor of the Hilton on Saturday, with just enough time for a return visit before I headed across the street to the airport, I found the door locked. Only later did I learn that the door had not been locked intentionally; if I had pounded hard enough, I could have gotten more of this equipment configuration’s wonderful sound.
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