Sort By: Post Date | Title | Publish Date
Art Dudley Posted: Jul 19, 2016 7 comments
Your little car gets in and out of traffic better than minivans or monster trucks. Your little dog runs rings around the other dogs at the park. Maybe it's time to get a couple of little loudspeakers, too?

The reasons for doing so are pretty much the same: little speakers deserve consideration not because they sell for little prices—although some of them do—but because they're nimble, they're fast, and they get out of the way of the music they play.

Art Dudley Posted: Jul 12, 2016 3 comments
If you must know, I do in fact maintain on my desktop computer a file-folder labeled Vintage, which is where I put all my audio porn…
Art Dudley Posted: Jul 11, 2016 4 comments
Every good show has a vibe, and the vibe at Capital Audiofest owes a lot to the region's very spirited DIY community…
Art Dudley Posted: Jul 10, 2016 6 comments
To hear the system demonstrated by The Voice That Is was to conclude, on the basis of that experience and previous experiences with systems put together by proprietor Doug White, that the man is utterly incapable of making bad sound…
Art Dudley Posted: Jul 10, 2016 3 comments
I like the out-of-the-ordinary, possibly because I have been disappointed by the ordinary often enough that I'm not uncomfortable looking elsewhere. So I'll admit up-front that I was predisposed toward enjoying Larsen loudspeakers, from Sweden, which are designed to perform their best, not in an anechoic chamber but in a real room, when positioned up against a real wall. Even that bit of psychological preconditioning didn't prepare me for how impressed I was by the Larsen 8 ($7000/pair), driven by a GamuT Di150 integrated amplifier ($13,990), itself fed by a Pear Audio Blue Kid Howard turntable ($5000 w/tonearm) and an Ortofon Cadenza Black cartridge.
Art Dudley Posted: Jul 09, 2016 1 comments
It was 89°outside at 11am on the opening day of Capital Audiofest in Rockville, MD, a day when the high temperatures were predicted to reach the mid-90s—the show continues today and tomorrow. One could be forgiven for asking: why not spend the day at an audio show in a nice, newly renovated, air-conditioned hotel? Why not, indeed. There are 58 individual exhibits here, representing God-only-knows-how-many different brands: Munich High End it ain't, but then Munich isn't a 25-minute Metro ride from our nation's endearingly dysfunctional capital.
Filed under
Art Dudley Posted: Jun 30, 2016 3 comments
One
Everything makes a difference. Everything. File that away.

Two
There are two kinds of good sound: good sound sound and good music sound. While I could describe the distinction in few words or many, it's easier to point to two recordings of Elgar's oratorio The Dream of Gerontius: by Sir Adrian Boult and the New Philharmonia Orchestra, with tenor Nicolai Gedda singing the title role (2 LPs, EMI SLS 987); and by Malcolm Sargent and the Liverpool Philharmonic Orchestra, with Heddle Nash in the lead (2 LPs, EMI RLS 709).

Art Dudley Posted: Jun 01, 2016 5 comments
Though Westchester County, New York, seems a likelier locale for Bikram yoga studios, pet psychologists, and pricey restaurants specializing in "grain bowls" and fermented vegetables, the idea of manufacturing audio gear there is not without precedent. Cartridge manufacturer Micro-Acoustics (Elmsford, NY) thrived there for over two decades. George Kaye and Harvey Rosenberg's New York Audio Laboratories (Croton-on-Hudson, NY) assembled Moscode amplifiers there. Even the notorious loudspeaker manufacturer Fourier Systems (Yonkers, NY and Cocytus, Hell) got their start in the county that Hillary Clinton calls home, as needed.
Filed under
Art Dudley Posted: May 17, 2016 Published: Jun 01, 2016 17 comments
Note: All dialogue quoted verbatim from e-mail exchanges to which I am privy; the stage directions are imaginary.

Dramatis Personae:

bill, director of marketing for PS Audio

randy, amateur reviewer for a commercial audiophile website

dick, professional reviewer for an established audio magazine (not Stereophile)

Filed under
Art Dudley Posted: May 05, 2016 6 comments
Yet knowing how way leads on to way,
I doubted if I should ever come back.
—Robert Frost

Perhaps it was different for other audio hobbyists in other parts of the world, but to this American, the Naim Audio of the late 1970s and early '80s seemed a bit prickly. It wasn't just their road-less-traveled-by attitude toward amplifier design—scorning class-A output architecture, preferring DIN connectors to RCA jacks, routing preamp output signals and power-supply voltages through the same cable—but also the British company's perspectives on selling and setting up and even listening to hi-fi gear that seemed combative: Shopping for amplifiers based on output power is foolish. Using short speaker cables and long interconnects is the wrong way to go about it. And why do you Americans bother with all that "soundstaging" nonsense?

Pages

X