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Art Dudley Posted: Mar 18, 2016 3 comments
Because my train from Albany, NY arrived ahead of schedule, there was just enough daylight for me to photograph Montreal's Bonaventure Hotel—formerly the Hilton Bonaventure—which, from Friday March 18 through Sunday March 20, is the site of the brand new Montreal Salon Audio. As some of you will recall (see our recent story), Montreal's heretofore long-running Salon Son et Image was "deferred" by its organizers, on account of too few manufacturers and dealers willing to sign up as exhibitors at the once-iconic show. But then the show's previous organizers, Michel Plante and Sarah Tremblay, stepped in and put together this new Montreal show—and the new not-for-profit organization behind it—in less time than it takes most of us to plan a trip to the grocery store.
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Art Dudley Posted: Mar 09, 2016 10 comments
In an announcement made yesterday on their corporate website, UK-based Chester Group—which, in recent years, has sponsored consumer-audio shows in Vancouver, Brooklyn, and Brighton, UK, among other locales—revealed that they are "deferring" this year's Salon Son et Image, which had been scheduled to take place March 18 through 20 at the Bonaventure Hotel in Montreal.
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Art Dudley Posted: Mar 07, 2016 10 comments
No one likes to be fooled, least of all those of us whose job it is to sort the real from the imagined: a tightrope walk, the audience for which reliably contains one or two rustics who delight in the occasional splat.

Such were my concerns in the days following last November's New York Audio Show, where I first encountered High Fidelity Cables—an exhibitor that generated considerable (figurative) buzz by promoting the use of magnets in an audio system's interconnects, speaker cables, and power cords. Indeed, by the end of the first day, more than one showgoer had asked me, "What did you think of the guy with the magnetic cables?"

Art Dudley Posted: Feb 24, 2016 0 comments
I don't listen to music when I write, even when I write about listening to music: When there's music playing, it almost always gets my full attention—and I'm no good at multitasking. (And if I'm around music that's awful and I'm powerless to stop it, I have to leave the premises.) A rare exception is when I listen to CDs while proofreading, because proofreading is fairly brainless stuff—and as playback formats go, the Compact Disc isn't the most musically compelling.
Art Dudley Posted: Feb 10, 2016 7 comments
In my sophomore year of high school, one of the greatest challenges my friends and I faced was the search for the perfect after-school hangout, perfect being defined as "having the least amount of adult supervision." Some of us lived in single-parent homes, but only one had a single parent for whom weekday surprise inspections were impossible, and that was Scott. So Scott's place—a downstairs apartment in a nice older house not far from school—got the nod.
Art Dudley Posted: Jan 28, 2016 4 comments
The stats are impressive: Quebec's Oracle Audio Technologies, formerly Trans Audio (footnote 1), has been in business for 37 years, during which they've sold nearly 11,000 Oracle Delphi turntables. That's not bad for a perfectionist turntable—and especially not bad for a perfectionist turntable whose first and most estimable competitor, the Linn Sondek LP12, was well established by the time of the Delphi's debut, in 1979.
Art Dudley Posted: Dec 29, 2015 6 comments
I don't know much about horses, but I've been given to understand that dead ones don't respond to even the severest beating. In light of that, I'll make only this brief statement—Even with the best playback gear of my experience, I don't derive as much pleasure from CDs as I do from LPs.—and move on to a simpler truth: Regardless of what I think, CD players are still a necessity for most music-loving audiophiles.
Art Dudley Posted: Dec 22, 2015 8 comments
In a typical phono cartridge, the stylus is at one end of an oversize cantilever (oversize in comparison with the cartridge's other moving parts), the fulcrum of which is nearer the cantilever's other end. That design makes possible a certain amount of mechanical compliance that, when the cartridge is lowered to the record surface, helps the stylus seat itself in the groove rather than bounce or skip all over the place. Without at least a modicum of springiness, cueing up a record would be more difficult, and jukeboxes and automatic record changers might never have been possible. Imagine!
Art Dudley Posted: Dec 01, 2015 0 comments
I don't think Americans dislike the French a tenth as much as the corporate media, in their endless struggle to sell our pettiest ideas back to us in cartoon form, suggests we do. Our nations' histories are intertwined, to our great mutual benefit. Americans envy the French their centuries of cultural accomplishments, the French envy Americans their sense of industry and their wide-open spaces. (That one's a tie.) We turn to them for wine, they turn to us for blue jeans. (A point for France.) We watch their films about law-breaking hipsters, they watch our films about law-breaking gangsters. (A point for the US, in whose films things actually happen.)
Art Dudley Posted: Nov 18, 2015 Published: Dec 01, 2015 3 comments
Joanna Newsom: Divers
Drag City DC561 (LP/CD). 2015. Joanna Newsom, prod.; Noah Georgeson, prod., eng.; Steve Albini, eng.; John Golden, mastering. ADA/ADD. TT: 51:56
Performance *****
Sonics ****

It's hard to imagine a more auspicious debut than Joanna Newsom's The Milk-Eyed Mender (Drag City DC263): Her songs on that 2004 release were imaginative, memorable, and almost uniquely literate, and her performances of them—she sang as distinctively as she wrote, and on most of them, her full-size Lyon & Healy concert harp was the sole accompanying instrument—were effective and thoroughly charming. At the age of 22, Newsom had created one of the most original pop records in memory.

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