Art Dudley

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Art Dudley Posted: May 10, 2014 6 comments
Bill Parrish of GTT Audio calls it "the best." Jonathan Halpern of Tone Imports describes it as "the most well-organized, well-attended show, with the greatest number of products I've never heard or seen before." Peter McGrath of Wilson Audio says "It has risen to be the most significant showcase of high-end technologies: a major, major show." And our own Michael Fremer says it's "where you go to confirm that audio is a serious, healthy, and growing business."

The object of their praise is the Munich High End show, which runs from May 15 through May 18. . .

Art Dudley Posted: May 02, 2014 1 comments
No one can say precisely how or when the ancient 300B triode tube made its cross-kingdom leap to the modern world of consumer audio, but we've got the where pretty much nailed down: It all began in Asia, where the best of the West is sometimes held in reverence rather than left to drown in consumerism's wake. Asia is the final resting place for the great Western Electric cinema systems of the 1940s—and that's where the 300B earned its un-American second act. By the mid-1990s, the tube had captured the hearts of hobbyists who, consciously or not, sensed that the audio refineries of the day had lost the plot, not to mention the body.
Art Dudley Posted: Apr 24, 2014 Published: May 01, 2014 0 comments
Except for a few titles I've combined with the ones in my listening room, and a few others that I intend to sell, the record collection I bought last year remains in three rows of boxes on the floor of our guest room. Because that room is spacious and comfortable, and equipped with a small refrigerator and a flat-screen TV, it is also the place where my 16-year-old daughter and her friends have their slumber parties and Dr. Who marathons. Thus, as you can imagine, I must sometimes explain to our young guests the Tao of collecting records.
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Art Dudley Posted: Apr 07, 2014 0 comments
"Perhaps we can shed some light on your problem in a new segment exploring pre-adolescent turmoil. I call it . . . 'Choices.'"—Sideshow Bob, The Simpsons

"For us, unlike other manufacturers, there are not degrees of clean. Our entry-level machine is as good as our top of our line when it comes to cleaning records; in between, it's just a matter of choices." Thus spoke Jonathan Monks, who inherited from his father, the late Keith Monks, an audio-manufacturing legacy built upon the world's first commercially produced record-cleaning machine.

Art Dudley Posted: Apr 07, 2014 9 comments
Asked how to make a guitar, the celebrated luthier Wayne Henderson offered a straight-up answer: "Just get a pile of really nice wood and a whittling knife. Then you just carve away everything that isn't a guitar." (footnote 1)

The making of a preamplifier seems more or less the opposite. You start with a simple volume control and a couple of jacks, then add whatever you think constitutes a preamplifier. Choices might include electronic source switching, line-level gain, phono-level gain and equalization, tone controls, tone-defeat switches, a balance control, a headphone jack, an iPod input, and maybe even a digital-to-analog converter with a USB receiver. The sky is pretty much the limit.

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Art Dudley Posted: Apr 01, 2014 0 comments
On my second day in Montreal I had an enjoyable conversation with Jean Barbeau of Solen Electronique, the Quebec manufacturing company whose capacitors and other passive components remain popular with hundreds of manufacturers (including the vintage-inspired Shindo Laboratory). Monsieur Barbeau, who co-designed the fine-sounding loudspeaker project being demonstrated in Solen's SSI room, observed that more and more young listeners have been approaching Solen in recent months for DIY parts and advice—"A very healthy trend."
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Art Dudley Posted: Apr 01, 2014 1 comments
Experience says that one must wait in line to hear the MBL system at any hi-fi show, and SSI 2014 was no exception. Similarly unsurprising was the realistically vivid sound on tap, with levels of color and texture that, in a strange way, stood in contrast to the resolutely smooth, monochromatic appearance of their gear. (Maybe that's intentional?) This year I was entertained by a variety of musical excerpts, including a snippet of Beethoven's Piano Concerto 2, through MBL's C31 D/A converter/CD player ($9200), C11 stereo preamp ($8800), C21 stereo amp (9200), and 116 F loudspeakers ($29,000/pair), with Siltech cables and a generous sprinkling of Shun Mook Mpingo discs.
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Art Dudley Posted: Apr 01, 2014 0 comments
Although their sign suggested that this was a passive display, the Blue Circle Audio table in the Pavillon du Canada was anything but. The always-colorful Gilbert Yeung offered visible and audible proof that his line of PLC Thingee power-line conditioners—with prices starting at $CAD220 each for the four-outlet versions in the foreground—effectively removed noise from household AC current. I was thoroughly impressed (not to mention entertained).
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Art Dudley Posted: Apr 01, 2014 5 comments
For whatever reason I didn't hear many word-of-mouth recommendations as I wandered the halls during the first two days of SSI; the few that did break through the haze pointed to two products: the Eclipse TD-M1 desktop loudspeakers in one of Coup de Foudre's rooms, and the Muraudio Domain floorstanding loudspeakers ($58,000 per pair): about as different as different can be. Just as I discovered with the Eclipses, the Muraudio speakers deserved the buzz.
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Art Dudley Posted: Apr 01, 2014 1 comments
The photography used in the display materials associated with Totem loudspeakers are of consistently very high quality. That said, during my stroll through the Pavillon du Canada at this year's SSI, I finally noticed something about the people in those photos: They are exclusively female, and they are almost always barefoot. As a male who is as ignorant of the principles of the psychology of marketing as he is hesitant to go barefoot anywhere but the beach, the bath, and the bed, I am puzzled (but not troubled).

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