Art Dudley

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Art Dudley Posted: Mar 31, 2014 0 comments
I kept seeing pictures of something that looked a little like a DeVore O/96 and not really knowing what it was. Now, thanks to the GTT Audio room at SSI, I know that the thing I was seeing is the Grimm Audio LS1-S ($39,900), a three-way powered loudspeaker pair plus digital preamp with USB interface.
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Art Dudley Posted: Mar 31, 2014 0 comments
As I made my way through the hall, I hesitated before entering the room of Lawrence Audio, makers of some very attractive floor-standing loudspeakers: They were playing the Nils Lofgren song "Keith Don't Go," which I really don't like, really loud. Even so, it was standing-room only: Mine appears to be the minority opinion, at least as far as the trampoline-loving Mr. Lofgren is concerned...
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Art Dudley Posted: Mar 31, 2014 4 comments
The 2014 SSI witnessed the official North American introduction of Naim Audio's mighty Statement amplifier (which John Atkinson previewed in his coverage of the 2014 CES). I experienced this behemoth at the unveiling party thrown for it by distributor Plurison Audio, and was struck not so much by its undeniable power but by its very nuanced performance on subtler material—such as the classic "Helplessly Hoping" by Crosby, Stills, and Nash. During the chorus, when David Crosby's low harmony was the last to enter ("They are three together. . ."), the audible tension and release were palpable—and very impressive. The Statement is something that neither I nor the vast majority of you will ever enjoy at home, but . . .wow.
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Art Dudley Posted: Mar 31, 2014 0 comments
Bring me the head of anyone who says the Harbeth Monitor 40.1loudspeaker isn't a great rock 'n' roll loudspeaker! As Montreal retailer Son Idéal proved—proved, I tell you—the biggest Harbeths are very satisfying on the classic album Led Zeppelin III, especially with the assistance of a Rega RP10 record player with Rega Apheta cartridge; Rega Aria phono preamp; Rega Saturn-R CD player; and Pathos T.T. integrated amplifier.
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Art Dudley Posted: Mar 31, 2014 0 comments
Here's a closer look at the Ayre MXR 20 amplifier, which is due to ship fairly soon, according to Ayre's Alex Brinkman. As he puts it, "We lost a little time working on the Pono thing."
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Art Dudley Posted: Mar 31, 2014 0 comments
Ontario retailer and distributor Audio Pathways had a number of new products on display—some active, some passive. Among the latter were the impressive Magne air-bearing turntable and companion Magne air-bearing linear-tracking tonearm ($14,000 as a package) from Bergmann Audio of Denmark.
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Art Dudley Posted: Mar 30, 2014 0 comments
I have found that, under show conditions, some of the sweetest sounds often come from the smallest systems; so it was in the room sponsored by distributor VMAX, where a Hegel H80 integrated amplifier with onboard D/A and five digital inputs, including USB ($2000) drove a lovely pair of Triangle 30th Anniversary Comete loudspeakers ($1800/pair), with a Hegel CDP-2A CD player ($2600) used as a transport.
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Art Dudley Posted: Mar 30, 2014 0 comments
Here's a closer look at that Woodpecker.
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Art Dudley Posted: Mar 30, 2014 1 comments
Dollar for dollar, the TD-M1 wireless loudspeaker system from Eclipse ($1300/pair) was among the most impressive products I heard at SSI. Imported by the American distributor On a Higher Note and displayed at the show by Coup de Foudre, the self-powered TD-M1 system, which includes a built-in digital-to-analog converter, combined Quad-like detail and transparency with exceptional levels of presence and substance. Notably, the system retained those qualities even at very low listening levels.
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Art Dudley Posted: Mar 30, 2014 0 comments
Ontario-based Kevro International, which distributes Monitor Audio loudspeakers and British-built Cyrus electronics in the US and Canada, demonstrated a system using a pair of Monitor Silver 10 loudspeakers ($2700/pair in gloss finish) and a stack of Cyrus amplification and digital components (total price approximately $12,000). Apart from lacking a bit of bass weight—surprisingly, given the speakers' size and the sheer amount of bass-driver real estate), the sound was smooth, spacious, and open, with very good melodic flow and momentum.

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