John Atkinson
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RMAF 2007
John Atkinson Oct 14, 2007 5 comments
To paraphrase Donald Rumsfeld, it is the "unknown unknowns" in audio that scare the pants off me at times. Synergistic's Ted Denney pulled me into his room. "Sit down. Listen to this."
CES 2006
John Atkinson Jan 08, 2006 0 comments
We reported a couple of weeks back about the management buyout at English digital specialist dCS. CES saw the first public showing of the new products we wrote about, including the Verdi Encore SACD transport, which upsamples CDs to a DSD stream to feed a dCS DAC, such as the Elgar Plus seen here beneath the transport with both clocked by the dCS Verona that I reviewed a year ago. The rest of the dem system was a pair of Verity Parsifal speakers driven by a VTL S-400 amplifier and VTL's new TL-6.5 line preamp: the sound on a cut from the new Jackson Browne CD that Robert Baird writes about in the January 2006 Stereophile was effortlessly smooth, analog-like in the ease of musical communication. And on the top of the Encore is the award we presented to dCS at CES for the original LaScala transport being one of our two Joint Digital Products of 2005.
As We See It, Reference
John Atkinson Dec 06, 2000 0 comments
Charles Hansen said it best, in a recent e-mail: "People have been holding back from criticizing this technology because they weren't certain that some new discovery hadn't been made." Ayre Acoustics' main man was talking about "upsampling," whereby conventional "Red Book" CD data, sampled at 44.1kHz, are converted to a datastream with a higher sample rate. (Because of its association with DVD-Audio, 96kHz is often chosen as the new rate.)
RMAF 2007
John Atkinson Oct 13, 2007 0 comments
Walking to the Kimber dem, I heard the familiar sounds of the Beatles' "Come Together" coming from the open door of the Usher room. I had to go in. A pair of the Taiwanese manufacturer's Dancer Be-718 two-ways ($2795/pair) was playing the song, fed by the LP release of Love on an Oracle tonearm/turntable fitted with a Zyx Atmos cartridge, which in turn was feeding the Oracle Temple phono stage, Oracle DAC 1000 preamp, and Usher's R.15 amplifiers. Cabling was all JPS Aluminata. Considering the large room, the relatively small Dancers appeared to have no problem filling it with sound. This is a speaker that deserves review coverage in Stereophile, I feel.
RMAF 2011
John Atkinson Oct 18, 2011 1 comments
I know audiophiles are not supposed to like Diana Krall. But the singer/pianist has true jazz instincts. Her version of Joni Mitchell's "A Case of You," played back an open-reel tape on a Right Sound-modified Studer A80, with the Usher Dancer Mini 2 speakers ($4999/pair) driven by Usher amps and connected with JPS Aluminata cables was gripping. Undoubtedly contributing to the quality of the sound was the fact that, like many exhibitors, Usher had made a serious attempt to modify the acoustics of their room at RMAF with acoustic treatments.
John Atkinson, Anthony H. Cordesman Sep 07, 1996 Published: Sep 07, 1986 0 comments
Whenever I think of cone speaker systems, I think of three brand names: Snell, Thiel, and Vandersteen. There are many good loudspeakers and many good designers and manufacturers, but it is these three who, in my opinion, consistently produce the best cone loudspeaker systems. All three companies produce full-range systems, transparent systems, and systems which mate well with a wide range of equipment. Their systems can be owned and enjoyed for years. Long after some fad or special feature has given a competing designer brief notoriety, these are the products you turn back to for music.
John Atkinson Feb 26, 2013 Published: Mar 01, 2013 10 comments
In one sense, Richard Vandersteen has been the victim of his own success. His Model 2 loudspeaker (footnote 1), introduced at the 1977 Consumer Electronics Show, put his company on the map but proved a hard product to improve on. Based on the idea that the HF and midrange drive-units should have the minimal baffle area in their acoustic vicinity, both to optimize lateral dispersion and to eliminate the effects of diffraction from the baffle edges, the Model 2 also used a combination of a sloped-back driver array and first-order crossover filters to give a time-coincident wavefront launch.
RMAF 2011
John Atkinson Oct 16, 2011 0 comments
"Dimensional Purity" is the promoted benefit of Richard Vandersteen's approach to speaker design, and in one of the two rooms I went into at RMAF organized by Fort Collins retailer The Audio Alternative, the Vandersteen Tréos ($5990/pair) were living up to that promise. Driven by an Audio Research Vsi60 integrated amplifier ($4495) with the source the Bryston BDP-1 digital player and BDA-1 DAC, all hooked up with AudioQuest cable, Mark Isham's Blue Sun reproduced with excellent bass extension and clarity and a laidback but detailed midrange.
CES 2013
John Atkinson Jan 16, 2013 0 comments
My photograph doesn't do justice to the lustrous blue finish or the immaculate interior construction, but Vandersteen's new M7-HPA power amplifier looks as gorgeous as the Vandersteen Model Seven and 5A loudspeakers with which it is intended to be used. As the HPA in its name implies, the M7-HPA provides a high-pass filtered output (>100Hz) to the upper-frequency drive-units of these two speakers, which have integral powered subwoofers. The amplifier uses a tube input stage and a two single-ended solid-state output amplifier stages operating in what Richard Vandersteen calls "push-push," all mounted with a sprung suspension and kept cool with a liquid cooling system. Price is projected to be between $30,000 and $40,000/pair.
CES 2011
John Atkinson Jan 15, 2011 1 comments

Richard Vandersteen doesn't rush to release new loudspeakers, so given that the top-of-the-line Vandersteen 7 was a hot product at the 2010 CES, I wasn't expecting anything new at the 2011 Show. Talking to Richard in the company's Venetian suite, where they were featuring the Model 7, he casually mentioned that the new Tréo ($5990/pair) was at the Show, just not in his room. So I hustled me along to the Musical Surroundings room, where the Tréos were being demmed with a Clearaudio turntable and Aesthetix electronics.

Basically, the Tréo is similar to the $10k/pair Quatro Wood that Wes Phillips reviewed in December 2007, but replaces that speaker's active, equalized bass unit, with a conventional passive 6.5" woofer and an 8" flat-cone "acoustic coupler." Good sound at an equally good price.

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